MathieuM

@Xbok4000 @SuperChoupie14 Et pourtant, la date de sortie de l’emprise était une exclu pour Cnews. Ca a été annoncé dans l’émission de Pascal Praud.

@math_mlm @SuperChoupie14 Des exclus à CNews ??? Euh j'ai des doutes

vraiment je repense encore aux gens qui votent extrême droite en étant fans de Mylène, en sachant que ça va contre tout ce qu'elle défend mais quand même se sentir droit dans ses bottes et ne pas voir de problèmes. jsais pas ce me fascine ce niveau de dissonance cognitive

@mymym_oon Ce serait trop bien 😻😻😻

@math_mlm J'ai vu sur une page assez fiable, à voir 🙃

15 mai💿🫨....

Por si se quedaron con ganas de más, ahora aquí están las primeras imágenes de #Madonna cantando #Vogue con edición profesional durante la gira #TheCelebrationTour 🤯 Perece que la historia se repetirá tal cual como pasó entre #ConfessionsOnADanceFloor y #ImGoingToTellYouASecret

@MDNAMafia How High est tellement géniale ✨✨✨😻😻😻🔥🔥🔥🔥

Les meilleures chansons, non singles, de Confessions 1 sont clairement Forbidden Love, Let It Will Be, How High et Like It Or Not. Pour d'autres ça serait Future Lovers mais pas pour moi.

@miamologue La meilleure des bestioles ❤️‍🔥

Cette bête qui me sauve tous les jours ❤️

Madonna & Anna Wintour promoting Bring Your Love on The Devil Wears Prada 2 😱😱😱 #madonna #MadonnaXSabrina #bringyourlove #sabrinacarpenter #confessions2

@virginielcraven Elle a vite changé d’avis ahah

"À chaque fois que je mettais un vêtement avec une grosse marque écrite dessus, elle me disait : "Oh là là, c'est horrible, enlève ça." s’est remémorée Alizée en admettant qu’elle avait raison. diverto.tv/actualites/mus…

@DrownedMadonna Cover is ugly af

Madonna announces the lead single of "Confessions II"; Bring Your Love with Sabrina Carpenter comes out on April 30 at 3PM PST

@miamologue Merci pour le comparatif !

Skyr ou pas, voilà un petit post rapide Encore une fois je vous invite à venir sur Instagram ❤️🙏🏻 J'y partage + de choses et l'ambiance est + sympa !

MADONNA IT'S MOTHA SDP MIX #CONFESSIONSII #HUNGUP #IFEELSOFREE

DONT LET ME DOWN GAYS! YAY FOR THE GAYS ! Come on meet me on the Dance Floor, let's go gays! #confessionsII

Madonna dancing to her own Thief of Hearts at Club Confessions — the Erotica deep cut that’s been taking over TikTok lately 🪩👑

@MaxenceMrchd Il est où le retour de MF au juste ?

En 2026, on a les retours de Madonna et Mylène Farmer, je ne sais pas si vous vous rendez compte de la chance qu'on a 🥹

Quand MADONNA est arrivée sur @Grindr @Madonna

"The most controversial thing I've ever done is to stick around" - Madonna #ConfessionsII #Confessions2 #COADF2 #IFSF #IFeelSoFree

@ShinyFeunnec On est en plein dans la saison des fraises -_-

Madonna se puso anoche el mismo corset y botas que vistió hace 20 años en su presentación de coachella del 2006 💜 Esto me parece un mensaje importantísimo de moda y estilo a través del tiempo.

@DrownedMadonna Is this really a part of Confessions 2 or an extra collab ?

Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. 👀