来瀬

내 나라에 안 와주니까 굳이굳이 비행기값, 숙박비까지 지불하면서 일본에 가서라도 좀 보려고 하는데 1. 일본 핸드폰 번호 필요 2. 일본 집주소 필요 3. 해외 신용카드는 받지 않음 4. 간혹가다 열리는 외국인 티켓 자리는 대부분이 회장의 가장 구석임 그래서 포기하고 집에서 라이브 스트리밍이라도 보려고 하면 1. 해외에서는 시청할 수 없는 동영상 2. 해외계정으로는 설치할 수 없는 어플 모두의 축제라면서 이렇게 외국인을 배척하는 듯한, 오직 일본 자국민을 위한 공연이라는 느낌을 대놓고 드러내니까 우리가 일본의 시스템 자체에 대해 얘기하는 거예요. 팬들은 사랑하는 아티스트를 위해서라면 어디든 날아갈 수 있지만, 날아가기도 전에 지쳐버려요.

It seems like Japanese fans completely misunderstand our point. We never wanted a first-come, first-served ticketing system like Ticketmaster. We are more than happy to participate in the lottery system. Furthermore, we've never expected to have the exact same privileges as local fans, because we believe that residents of the host country naturally deserve priority. Personally, I would be perfectly satisfied with just having a chance in the later lottery rounds, or even being limited to regular tickets without the option for seat upgrades. But the reality is, we aren't even given a chance to begin with. Do they honestly think that requiring a Japanese phone number or address actually reduces ticket reselling? I highly doubt it. Even with these rules currently in place, resale websites are still continuously flooded with scalped, overpriced tickets. Do they really think international fans are the ones behind all of this? Even when major agencies like Starto take legal action against these resale apps, the number of scalped tickets doesn't seem to drop at all. What these restrictions actually prevent isn't scalping—it's international fans from accessing the concert. The people reselling these tickets are the Japanese locals themselves, aren't they? How does restricting ticket purchases to Japanese phone numbers affect them, especially when there are still people willing to take the risk and buy from scalpers anyway?

【問題】 ？？「兄さん!!」←誰の声で再生されましたか？