손막국수 ShawN00dle

@Mairon_Maiden 헌터들은 결국 돌고돌아 XX(GU)로 돌아온다. 나뉘어진 맵? 물약먹고 더블바이셉스? 응 몬스터 고봉밥이 최고야!!

I miss when Monster Huntee used to release full complete games instead of just having "Title Updates" that were obviously meant to be packaged with the actual release. I miss when Monster Hunter didn't have stupid microtransactions.

@Ridea134_R1DE4 "우린 굿즈 사잖아" 라고 우겨보지만 포켓몬 처럼 아예 판매구조를 한 회사에서 처리하는거 아니라면 굿즈수익이 가챠수익보다 높을 수가 없지...

@meshu99ah まあそもそも中国発祥のガチャゲームは主な客層（中国人）が男キャラ嫌いな人たちで沢山だから、そういったゲームに男キャラを求めること自体馬鹿なことだとは思うけどね ファストフード店に行って「ジャンクなメニューとヘルシーなメニューの割合を同じくらいにしろ！」って騒ぐくらい愚かなことだよ

ここの引用で「じゃあ中途半端に男出すなよ！」って言ってる人たちがマジでなんも分かってない なんで中途半端に男を出すかって？ そんなん売上が良かったら男キャラでも売り出してく方向性に変えるからに決まってるだろ それを理解もせず「石貯めして無課金で○凸しゃった！」とかアホなことやって

@NaughtyDogInfo Thumbs down farming time!

This June.

@Eldonchorizo_ 닌텐도 ip의 가장 큰 적은 과거 고점이어서 평균이상이 뽑혀도 고점에 비교당해서 저평가 당하는 면이 있음. 요시 시리즈는 첫 작품, M&L은 쿠파몸속, 페이퍼마리오는 천년문.. 난 오리가미킹 좋아하는데 다 천년문얘기만 하더라고..

Is this game really as bad as people say? I never got around to play it but I see a lot of people praising it. And the graphics look really nice. I love games like Mario RPG.

@AynAzalea428 "난 이녀석을 팔 재주가 있다"

FGO、さまざまなソシャゲやってるからFGOだけを上げるわけではないけど星5でジョン欠地王とかインドラを2m超えの異色肌人外で実装したりっていう勝負ができるので最強なんだと思う

@annhybri 부모가 없으면 자식도 없겠지

Is Michael Jackson really bigger than Eminem, Jay z, Lil Wayne, Taylor swift, Rihanna and Beyonce all put together?

@noyan_ya 현실적으로 보자면 여성유저가 가챠 천장을 덜쳐서 겠지(...)

これだけはどうしても言いたい スタレは様々な星から色んな種族や人間、機械がいるから男女でも力が強いのはわかる 原神も力はないけど元素の力や魔法で女性キャラでも設定上ある程度の火力は出せるのはわかる でもゼンゼロの世界は魔法が無くて実力主義の世界やん なのになんでほぼ女性しかおらんの？

@hati_noco 디자인에 캐릭터 빌드업 서사까지 짜야하는 쪽, 빌드업 서사 기본적인 지점만 하고 나머진 외관에 집중하고 화보나 댄스영상으로 광고쳐서 파는 쪽 중 어디가 더 쉬울까..

@hati_noco 에로영화의 남녀차이랑 비슷한거야. 남자는 그냥 레슬링 본편만 잘뽑히면 그만인 부류가, 여자는 본편전 빌드업 등 서사를 중요시하는 부류가 대다수이듯

@EroBotan @MM93676589 유출사태때 나온 내용이지. 서양권 취향 넓게 맞춘다고 일어난 일이니까 기강좀 잡아줘

@MM93676589 I was neutral in the past but these days companies like nintendo release games where all the girls wear shorts (Pokemon Violet) or suddenly they release a patch that make the girls look ugly (Pokemon Go) or censoring remakes (zelda). nintendo is a feminist propaganda company.

すげぇ、日本だと任天堂が作ってるもので金稼ぎしたらそりゃそうなんだろくらいにしか思われないことがバッシングされまくってる ゲーム企業＝クリエイター集団と考える日本と企業＝搾取と考える国とじゃ文化が違うんやろな

@Gwaravel 이 시리즈에서 회화세계도 그렇고 벽밖설원도 그렇고 아리안델도 그렇고 리안델 이후도 그렇고 눈밭만 가면 게임이 불쾌해지는거 같음.

Lo único malo de Elden Ring es que el juego llega a su peak en Leyndell y de ahí todo decae, y da hueva avanzar. Pero fuera de ahí todo bien.

@chokkakuhige 쌍권총 전투시작 필수 루틴ㅋㅋㅋㅋㅋ

細かすぎて伝わらないモノマネ ゼノクロで死ぬほどお世話になったアーツ達 （私は軍人アバターを選んでます） #XenobladeX_fes26 #XenobladeXDE_fes26

@tapi_spla 3대장 나란히 세운거봐

これがなにかに見えるようならもう病気です

@SplaLog 폭탄과 칠성능으로 틈을 찌르고 배리어로 그 틈을 벌려서(그리고 또 폭탄을 던지고) 공간을 확보해야하는 포인트맨 포지션...인데 뒤에서 폭탄만 2개씩 뿌려대고 칠은 안하고 칠은 안하니 배리어 타이밍도 늦고 배리어는 그냥 폭탄 4개 던지려고 키는 거고.. 좋을리가 없음.

わかばでボム投げまくる戦法強すぎると思うんやが何でみんなこれしないの？ #スプラトゥーン3

@anishmoonka 밴 헤일런 무료 솔로는 다시봐도 장난아니네...

Michael Jackson and Quincy Jones listened to 800 songs to find 9. Then Quincy threw out 4 of those 9 and went back into the studio. Beat It, Human Nature, P.Y.T., and The Lady in My Life were emergency replacements for songs that were not good enough. They spent four months just listening. Quincy and Rod Temperton sat in a Los Angeles studio in 1982, going through song after song after song from every songwriter they could pull a favor from. Most got cut after a few seconds. Of the 800, they only ended up recording around 30 with Michael actually singing. Of those 30, only 9 made the final list. And then Quincy listened to the finished album, decided 4 of his own picks were not strong enough, and pulled them. The four songs he replaced them with became some of the most famous in pop music history. The four he cut went on to become hits for other artists. Recording those replacements almost broke the team. During the Beat It sessions, Quincy had three studios running at the same time. Eddie Van Halen was in one of them laying down his guitar solo for free. He had thought the call from Quincy was a prank his friends were pulling on him. Michael was in the next room, singing a vocal part through a cardboard tube. Engineers were mixing in the third studio. They worked five days and five nights with no sleep. At one point the speakers overloaded and caught fire. Quincy later told the BBC they had to carry engineers out of the studio on stretchers. Musicians too. Greg Phillinganes, the keyboard player on the album, said there was a moment where everyone thought it was finished, that they had nothing left to give, and Quincy was still standing there saying "It is not there yet" while Michael, almost falling apart, kept asking what they were supposed to do now. They finally finished mixing in early November. Then they sat down to play the master back, and the album sounded weak. They had crammed too much music onto a normal vinyl record, and the grooves had to be cut so narrow that the punch was gone. So they cut a verse from "The Lady in My Life," shortened the famous 29-second intro of "Billie Jean" that Quincy had been trying to drop the entire time, and remixed almost the whole album from scratch. One song a day. Eight straight days. The only track they left alone was "The Girl Is Mine" because it was already on the radio. The final mix wrapped on November 8, 1982. The album came out 21 days later. The wolves you hear at the start of the song "Thriller" are Michael. The engineer set up tape recorders in a barn overnight to catch his own dog howling, and the dog never made a sound. So Michael did the howls in the booth himself. Some of the background vocals on the same track were sung in the studio's shower stall. Vincent Price did his entire spoken-word horror section in three takes, and the verses he was reading had been written by Rod Temperton in a taxi on the way to the studio that same morning. Michael never wrote his songs on paper. He recorded them on a small handheld tape recorder and then sang them back from memory in the studio. The album ended up selling around 70 million copies. It won 8 Grammys, sat at number one for 37 weeks, and produced 7 Top 10 hits out of 9 songs. At its peak it was moving a million copies a week. But all of that came after the work was done. The work itself was 800 demos, 30 recordings, 4 last-minute saves, three studios running until the speakers caught fire, and a producer who refused to put out something he did not believe in even when it meant pulling his own album apart twice. Nine tracks because they could not find more that were good enough.

@fzzypckles 애니팀 스케줄에 끌려다녀서 나무 디테일이 닌텐도 64시절과 비교되거나 사다리 타면 주변이 멈추거나 이런게 어떻게 이 시대 그래픽이냐 하는 결과물만 뽑던 데였는데 좀 시간두고 만들게하자. TOTK 디버깅 1년도 기다렸는데 좀 버텨보자

why do people constantly act like this is a bad thing? LET THEM TAKE THEIR TIME. DO WE WANT ANOTHER SCARLET AND VIOLET AT LAUNCH, OR DO WE WANT GOOD GAMES???

@TonyTruant01 이딴 마인드니까 위치햇아틀리에를 자기네들 선전도구로 쓰는거지.

Le lecteur s’en bat royalement les couilles que l’auteur d’une BD soit une femme ou un homme. Ce qui compte, c’est l’histoire qui déchire. Point barre. On peut donc directement en déduire que les autrices écrivent 55 % moins bien… ou du moins que leurs BD se vendent 55 % de moins. Dans le vrai monde (pas celui des subventions et des quotas woke), c’est exactement la même chose. Le marché n’est pas patriarcal. Il est impitoyable. Il vote avec le portefeuille, pas avec des chartes à la con. Franceinfo balance sa petite complainte habituelle : « les autrices gagnent 55 % de moins, quelle injustice ? » La vraie réponse : parce que leurs histoires parlent à personne en dehors des bulles militantes financées par nos impôts. Sujets ultra-niches, nombrilistes, pamphlets féministes sur l’oppression… Le grand public préfère encore Astérix ou One Piece plutôt qu’une séance de thérapie collective en cases. Ce n’est pas du sexisme. C’est de l’économie pure. C’est la réalité crue. Le talent n’a aucun putain de genre. Il y a des femmes qui cartonnent et des mecs qui crèvent. Le marché s’en branle de ton identité : il veut du bon. Arrêtez de chialer sur les « mécanismes systémiques » et écrivez mieux, bordel. Ou assumez : si ça se vend pas, ce n’est pas parce que vous êtes une femme. C’est parce que vous êtes moins bonnes. Ça, c’est la plus belle anarchie qui existe : la dictature du talent sur l’idéologie. Vive la liberté créatrice. À mort la victimisation subventionnée. 🔥

@harudora52 페스때마다 지는게 불쌍해서 종종 지지해주고 그랬는데... 그래선 안됐어. 우츠호...

リプ欄とか見てるとボサボサ派も結構いる

@Songtsen03 몇년전부터 골조 외노자가 "-스탄" 사람 비중이 늘면서 함바집 일거리가 늘어난 것 만으로도 유의미하다고 봅니다.

근데 한국/일본에서 할랄 급식 요구와 돼지고기 금지된 국가에서 돼지고기 음식 요구는 애초에 차원이 다르다고 생각함 전자는 식생활에 유의미한 차이가 없음 할랄 음식은 무슬림도 비무슬림도 먹을 수 있고 김치찌개 이런것도 할랄 제품만 쓰면 얼마든지 만들 수 있으니까