merrybug

@sabinfluences oh, did you get to see it?? how was it? i did manage to find showtimes at my university's theater later this month, i'm gonna try to rope in as many people as possible 😭

@myrmhole WHAT? i should take someone to go see it again while i can. this sucks bad

they took i love boosters out of the theaters in my city. it hasn't even been two weeks. i'm so fucking mad.

@sabinfluences this is so fucking sad, man...

@myrmhole what that's so soon??? i totally get his on the ground marketing now wtf

didn't even get a chance to see it... this sucks, man

home alone. watching milky holmes on da tv.

it’s crazy to take this whole thing as “this guy is being annoying” and not “wow this guy has to work a million times harder to get the same recognition as other directors trying way less to connect with their audiences”. and also then not make the connection as to why that is

This is still my favourite letterboxd review of all time

ドリームキャスト「マリオネットカンパニー」(1999年)を少し遊びました。 ジャンクとして拾ったロボット娘を育てていくというプリメ系育成SLG。 ステータスやパーツの概念が相当細かく、バイトしてお金を貯めて電気街に通い、部品を組み上げロボ娘にセットする過程は、好きな人には相当刺さるのでは。

@fuzzybluerain you're good! you're not missing much 😅

not one person has liked my thoughtful videodrome review from two years ago :(

so there's this novel

girlfriend asked me if grogu is a shota like id know how to answer that question even remotely

Announcement:

Deep inner suffering inevitably arises when the human person is reduced to performance, consumption, or a statistical datum. Many young people today live under the yoke of expectations to perform, immersed in an exasperated competitiveness that generates anxiety, fear of not measuring up, and disorientation.

this should hurt to look at. this should make you feel sick. this is one of the worst tragedies in human history and you can see it from space.

Yeah, no shit.

what you don't know

Commission