Natalia Keogan

Paula González-Nasser, of the NYC ultra-low-budget production company, @5thfloorpics, talks to @nataliakeogan about her Akerman-inspired picture about NYC location scouts. (Plenty of resonant moments for anyone who's worked on a film set.) filmmakermagazine.com/130895-intervi…

“A Brutal Honesty That Still Feels Poetic." 25 New Face Walter Thompson-Hernández talks his debut feature, "Kites," w/ @nataliakeogan. filmmakermagazine.com/130925-intervi…

Also from @nataliakeogan, Rob Petit on his @DarrenAronofsky / Sandbox Films-produced, Sandra Huller-narratied, Hannah Peel-scored "Underland," about underground spaces and caves. filmmakermagazine.com/130914-intervi…

It's a day of @Tribeca interviews as the festival hits its midpoint. From @nataliakeogan, Travis Wood and Alex Mallis on their send-up of the male ego, "The Travel Companion." filmmakermagazine.com/130892-intervi…

Lots of good detail about getting a movie greenlit by A24, developing a film with the Russo Bros., creature design, shooting in Romania in this interview by @nataliakeogan of "The Legend of Ochi" director Isaiah Saxon. filmmakermagazine.com/130456-intervi…

in one of the highlights of my career, i talked to Susan Sandler, Peter Riegert, and Amy Irving, the writer and stars of Joan Micklin Silver's transcendent masterpiece CROSSING DELANCEY. to be published @FilmmakerMag in three parts, starting now: filmmakermagazine.com/130336-intervi…

For the past two months, I've been speaking to striking Alamo Drafthouse workers in New York about their grievances with the company and battling for a new contract. This is the result. For @mubinotebook. Check it out. mubi.com/en/notebook/po…

eternally in promo mode — i’m throwing this show in two weeks at the windjammer in ridgewood w/ $500 and libby quinn. pencil it in your calendars now did i mention human lanterns is a band now? we have 10 electric guitars 🎸🎸🎸🎸🎸🎸🎸🎸🎸🎸

For today’s episode of The Film Comment Podcast, critics Mark Asch (@MarkAschParody) and Natalia Keogan (@nataliakeogan) join to preview this year’s edition of New Directors/New Films (@NDNF), including titles Mad Bills to Pay, Familiar Touch, and more. filmcomment.com/blog/the-film-…

Cashiers du Cinema issue no. 3 release tonite at @RoxyCinemaNYC !!!!!! sold tf out 😵 cinema workers will finally see heaven 👼🎥

I'm pleased to say that my report on Mati Diop's recent films Dahomey (2024) and Naked Blue (2022) for @FilmQuarterly 78.3 is free to read online. Special thanks to @textplusimage and the whole editorial team for their insight and hard work! online.ucpress.edu/fq/article/78/…

ICYMI: Read Michael Blair’s dispatch from this year’s True/False (@truefalse), which situates the annual nonfiction film festival’s place within a Missouri whose political landscape has transformed in the last few decades. filmcomment.com/blog/the-best-…

"While watching Elementary, it’s impossible not to be cognizant of the U.S.’s increasingly inhospitable approach to public education..."-@nataliakeogan for @IDAorg. New interview with dir. Claire Simon for #FirstLook @MovingImageNYC; CPH:DOX next. documentary.org/online-feature…

Miami Beach’s O Cinema Challenges Mayor’s Threats of Eviction Over ‘No Other Land’ Screenings. @nataliakeogan wrote for #DocumentaryMag. @OCINEMA documentary.org/online-feature…

"Some of the actors in the film are my old neighbors. . . . There was a lot of love involved in that as well. Somehow, the whole community came out to support." Iva Radivojevic spoke to Natalia Keogan about her new film WHEN THE PHONE RANG. reverseshot.org/interviews/ent…

"Despite its anxious and melancholic air, WHEN THE PHONE RANG captures the golden haze of youth, with its moments of whimsy and wonder." @nataliakeogan interviews director Iva Radivojević​ for #FirstLook2025. reverseshot.org/interviews/ent…. Screens tonight!

v excited to anchor the new books—and culture of books—newsletter from @dirtyverse @daisandconfused … more soon!

important piece by @nataliakeogan about how the new administration is weaponizing arts funding to erase trans voices

@MarkAschParody thanks for sharing, mark!

“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’. Read @nataliakeogan's interview with Sam Abbas on #DocumentaryMag! documentary.org/online-feature…