notaname
848 posts


@notevenhere25 @Judnikki Who is that lol we only recognise mj as the GOAT
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@carolinerenard_ They cloned Tyrone is trash and Boots Riley is more concerned with fleshing himself out to be a weird niche director than fleshing out a good movie. I recommend “The Brother From Another Planet”, and “Chameleon Street”
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notaname retweetledi

@Perphected @kniamyaa Ok to you. That car scene was telegraphed a mile away lol. It’s clear no matter what I say won’t connect so wanna just end it here? Glad you enjoyed the movie though. Def ain’t tryna take away your enjoyment.
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@notevenhere25 @kniamyaa The car scene was very necessary. And her face wasnt peeling
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@Perphected @kniamyaa The car scene with Sarah, the scene with the glass bottle, her face peeling when he left her alone for a few hours as if it was days. It felt like those things were added for shock value.
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@Perphected @kniamyaa Didn’t say there’s a lot of gore. Just saying there is some unnecessary gore to elevate the horror element of the film imo.
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@notevenhere25 @kniamyaa There isnt much gore in this. Its absolutely scary but in a dreadful way, not an explicit way
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this was fucking excellent! southern gothic black girl horror. funny, incredible, screenplay. *unique* influences. sharp camera work. good pace. lots of emotional moments. the online backlash to it ironically supports the theme about normalized violence against black women.
alicia@dayaabot
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@anishmoonka Well worth it! Dude made a classic and booked their careers!
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The film has a 10-minute sex scene. The director made the actresses shoot it for 10 straight days. He made them redo a single 30-second street-crossing scene over 100 times before he was finally satisfied. The film won the biggest prize at Cannes for it. Four months later, both actresses said they would never work with him again.
The film is Blue Is the Warmest Color, directed by Abdellatif Kechiche, starring Léa Seydoux (the actress from the last two James Bond films) and Adèle Exarchopoulos. In 2013, Steven Spielberg led the Cannes jury and gave the top prize to all three of them on the same stage, something the festival had never done before.
The shoot was supposed to take two and a half months. It took twice as long. They shot 750 hours of footage to end up with a 3-hour film. After one of those takes, Seydoux laughed. Kechiche picked up his screen monitor and threw it into the street, screaming that he couldn't work under those conditions. For the long sex scene, the actresses wore fake body parts made from molds of their actual bodies.
In May 2013, the French film crew union filed a complaint against the production. Workdays were running 16 hours but logged on timecards as 8. Overtime was unpaid, and multiple labor laws were broken. People had quit mid-shoot. By September, both actresses sat down with a reporter and called the atmosphere a form of harassment. Kechiche fired back with an open letter calling Seydoux an "arrogant, spoiled child" for criticizing him and threatened to take her to court for libel.
The woman who wrote the graphic novel the film was based on, Julie Maroh, had already gone public. She called the sex scenes "porn" and said what was missing on the set was lesbians. By the time the film hit U.S. theaters that fall, none of the three Palme winners were speaking to each other.
In 2017, Kechiche put his Palme d'Or trophy up for auction to fund his next movie. Its 2019 sequel premiered at Cannes with a 13-minute unsimulated oral sex scene. Audiences walked out in groups. Critics gave it a 0% score on Rotten Tomatoes. A source claimed the actors had been pressured to drink alcohol to finish. That October, a French actress went to the police and accused Kechiche of sexual assault. Paris prosecutors dropped the case in 2020 for lack of evidence. He denies the allegations.
Hollywood was changing too. By October 2018, HBO required intimacy coordinators on every show with sex or nude scenes, people who protect actors during intimate filming. America's actors union released the first official rules for them in January 2020. The first union contract for intimacy coordinators in U.S. film and television took effect on February 22, 2026, three months ago. The clause Seydoux now writes into every contract, the right to approve which nude scenes stay in the final cut, has become standard practice for most lead actors.
Film Updates@FilmUpdates
Léa Seydoux opens up about how filming ‘BLUE IS THE WARMEST COLOR’ was traumatic for her: "Sometimes there are looks that make you feel uncomfortable. That was the hardest part during filming. It was psychological harassment. It’s extremely difficult to shoot with directors who are manipulative. And I couldn’t leave the film because I had signed a contract. Since that film, I always ask for the right to review all the scenes where I’m going to be naked, so I can decide whether or not I accept my body being shown in that way." (Via @brutofficiel)
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notaname retweetledi

I will say one thing drake has good
Music and I’m just saying this from an outside perspective not wanting beef but it’s seem he has no identify to himself. It’s a mashup of different beliefs different views only caring about what can move the public toward his side. The sounds are all over the place even tho some songs sound good it’s a very confusing sound. Respectfully.
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@CarmineRose_x Yeah but it’s all about everyone else but himself, it’s self validation without moving foward in a new place. It’s clickbait music
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@charli_xcx And if we don’t give a shit, we don’t give a shit. And that’s ok too <3
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Yeah we said it: ‘ICEMAN’ is Drake’s best album since ‘VIEWS’ 🧊
Complex’s @jrosethereturn reviews Drake’s newest album after a full weekend of listening, saying it contains his “most focused rapping in a decade.”
What are your thoughts on ‘ICEMAN’?
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@Jeremy_Hecht We don’t want to see people in media support a dude who is poison to the culture 🗣️
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@OptimusGrind__ And you can also NOT enjoy all 3 without being a dweeb about it.
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