While billionaire Joe Lewis, now 89, is letting go of quite a few works, he and his family say they are not hitting pause on collecting. trib.al/qXET509
LGD Hammer merges the competitive thrill of the auction room with the exclusivity and discretion of the traditional gallery experience. trib.al/gNV6Dcw
In MoMA PS1’s quinquennial, artists navigate systemic collapse through survival and resilience, but without reactive future speculation. trib.al/zxOnFnh
A moving tribute to Robert Wilson, the New York premiere of 'Moby Dick' and a surprise appearance by Talib Kweli made for one of the gala season's most genuinely unpredictable evenings. trib.al/BBBEXDR
Spanning performance, painting and immersive installation, these collateral shows spotlight artists reckoning with history, technology and myth across generations and geographies. trib.al/0gXOv6O
From careful observation to decisive acquisition, Isabella Stewart Gardner assembled one of America’s most original collections—and in doing so, redefined what a collection can be. trib.al/gXqbOw7
The first major museum show devoted to Anderson's process and visual language demonstrates how relentlessly he works to transform every corner of his created worlds into art. trib.al/jfcRr91
Beyond the headline Patek Philippe Ref. 2523, the sale will feature major lots from F.P. Journe, Rolex, Audemars Piguet and Patek Philippe, with several estimates in the seven figures. trib.al/uPmAzqu
In conversation with Observer, the artist reflects on "Seven Deaths," her immersive installation of short films featuring mortality, suicide, Willem Defoe in gold sequins and a live snake. trib.al/uc0eIWC
As payment giants rethink settlement, fintechs are confronting the operational realities of funding, reconciliation and trapped capital. trib.al/TXGulL9
The show is a transhistorical counterpoint to exclusionary narratives, positioning its potent references not as exceptions but as proof of a continuous, vital female presence across the centuries. trib.al/cOtj8WH