Olaiya Timothy

“What do you do when you fall out of love with your husband for not providing?” Every man in the world needs to see this. 💀

@katty36091 Happy birthday @katty36091

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You can come back from anything

@asherrkiinee 8 lions

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@kingtundeedunt 450K. Thanks

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@Omogbolahann_ Amen 🙏

As we step out, may we go out and come back home safely today.

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Good morning beautiful people! Today is blessed.

@OluwatosinOlus9 Hi

If you can see my tweet, say Hi

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Good morning guys 🙏🏽

@azthebrand Solid selection

Midnight 🔞 SC932N

@KingTunde_SZN 35

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This woman exposed the bread that has stayed in her shop for weeks and still looks fresh. She didn't mention any name, but the bread company that's guilty served her papers. This is something NAFDAC and government should take very seriously. Let's amplify this until the right thing is done.

In 2015, a nine-year-old girl named Emily stood at the gates of The Hole in the Wall Gang Camp in Ashford, Connecticut, clutching her small backpack. She had spent most of her life in hospitals, fighting leukemia. Doctor visits, chemotherapy, and long nights filled with fear had become normal for her. But here, something felt different. This camp, founded by Paul Newman, wasn’t built for profit. It was built for children like her—a place where illness didn’t define the day. A place where she could just be a child. Paul Newman, known for films like Cool Hand Luke, The Hustler, and Butch Cassidy and the Sundance Kid, had already earned fame on screen. But his most meaningful work happened quietly, away from cameras. In the mid-1980s, he started Newman’s Own, a food company that did something unusual. It gave everything away. Every dollar of profit went to charity. What began with salad dressing grew into a trusted brand, and as it expanded, so did its impact. Newman made sure of one thing. None of it was for himself. In 2005, he created the Newman’s Own Foundation to continue that work long-term. Even after his passing in 2008, the donations didn’t stop. They grew. By then, hundreds of millions had already been given to causes supporting sick children, families in need, and communities around the world. The camp Emily walked into was one example of that vision. After Newman’s death, its reach expanded. Programs were created inside hospitals for children too ill to travel. In New York, a young boy named Malik, dealing with a heart condition, experienced a “camp day” right in his hospital room—games, art, even a small mock campfire. For a moment, he forgot he was a patient. He laughed. His mother later said it was the first time she had seen that kind of joy since his diagnosis. The impact didn’t stop there. The foundation also supported scholarships for children who had survived serious illnesses. Many of them went on to study, build careers, and create lives they once thought impossible. In Boston, a teenager named Rosa, who had overcome bone cancer, graduated with honors. She credited her opportunity to a man she had never met. Paul Newman. His influence reached far beyond the United States. His foundation helped provide nutrition programs in Africa, supported medical care in Haiti, and funded food banks in struggling regions across America. It wasn’t scattered. It was intentional. Those close to Newman often said he took this work seriously. He stayed involved, asked questions, and made sure the money was used the right way. For him, it wasn’t charity. It was responsibility. Even today, that work continues. The foundation still supports children, families, and communities—quietly, without seeking attention. Lives are changed. Not once, but again and again. Paul Newman didn’t just leave behind films. He left behind something that keeps moving. Because sometimes, the most powerful legacy isn’t what you create for yourself— It’s what you give away.