Big Oma💙

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Big Oma💙

Big Oma💙

@Omaofweb3

content creator| growth strategist|

Web3 Katılım Şubat 2023
1.8K Takip Edilen6.4K Takipçiler
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Big Oma💙
Big Oma💙@Omaofweb3·
im getting a lot of dms of people asking how I was able to recover my account after several months. now the truth is , the trending appeal template actually works but I think it's very selective . it looks automated yes, but it's actually working for some me for example. most people are complaining that they received same email saying their acct have been restored but still can't access it and imo, it's by luck. you'll have to keep appealing and maybe one day you'll be lucky. lots of people have recovered their acct through this process and it'll still for work for many. below is the template I used and the email X sent after 5hrs
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Big Oma💙
Big Oma💙@Omaofweb3·
just noticed that today i reached 7k followers 😳🔥
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Shayan
Shayan@Shayan3055·
@Omaofweb3 ohhh yesssss after a long wait finally got a follow back lob u oma
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whizz
whizz@whizz_xD·
be @DKashtalyan > belarusian multidisciplinary artist based in warsaw > started with graffiti in minsk as a teenager > obsessed with dotwork, pointillism, and surreal symbolism > spent 20+ years refining a style built from millions of hand-drawn dots - early years: > starts on walls before web3 even existed > graffiti teaches him scale, composition, and visual storytelling > moves from street art into illustration because it gives him more time to develop ideas in detail > keeps the same process through every evolution: > one dot, another dot, then entire universes - 2010s: > expands from murals into fine art and editorial illustration > develops a signature surrealist style > strange birds, symbolic objects, dreamlike architecture, layered narratives > every piece designed to feel like a world with hidden meaning - his work starts appearing globally: > exhibitions in warsaw, taipei, london, rotterdam, and barcelona > solo shows like “tamed bestiary” and “fable globe” > murals painted across europe and asia > published by the new york times, harper’s magazine, and mit technology review > collaborates with brands like lavazza and vista jet - the philosophy behind the work: > “the idea is always important to me.” > believes art should create dialogue with the viewer > rejects making empty visuals just because they’re trendy > says every illustration reflects his emotions, beliefs, and inner world > treats creative work as something that should be approached with honesty and intelligence - 2026: > launches @thebeaksart > not as a random pfp project > but as the genesis chapter of a much larger artistic universe - the beaks: > surreal bird characters dressed almost like aristocrats > victorian fashion, flowers, pearls, layered symbolism > familiar creatures turned into strange psychological figures > every piece feels intentional instead of algorithmically generated > “from the walls to the market” - why people care: > most nft artists start with crypto > dima started with galleries, murals, and physical exhibitions > the nft came after decades of artistic identity already existed > the collection feels less like a cash grab and more like a digital extension of a lifelong practice - the bird isn’t random > birds have historically become cultural symbols in nft communities: > cryptopunks had apes > proof had owls > flamingodao had flamingos now, the beaks Dima Kashtalyan is basically: > graffiti kid from minsk who spent 20 years mastering dotwork > turned millions of tiny hand-drawn dots into surreal worlds > built gallery-level credibility before entering web3 > approaches art with symbolism, patience, and long-form storytelling > launched the beaks as the first chapter of a universe he’s been building for decades
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bigchog
bigchog@bigchog·
@Omaofweb3 thank you big oma! we have the best usernames
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bigchog
bigchog@bigchog·
just noticed that today i reached 6.6k followers thank you all, 3380 left until i delete the account
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Brook
Brook@Brookcalls·
the best thing that happen to my mental health was selling ETH at $4,950
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