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なす Nasu🇯🇵

なす Nasu🇯🇵

@onasu_thai

BillyBabe| MaxkyBas|The Sign| FoureverYou|ベッターでThe Sign & Gen Y小説の日本語訳上げてます ※基本🇹🇭→🇯🇵、誤訳等ご容赦ください| TOEIC830 & タイ語検定3級|FRBご自由に|20↑| live in 🇹🇭|Nasu means 🍆

Katılım Kasım 2020
433 Takip Edilen576 Takipçiler
Sabitlenmiş Tweet
なす Nasu🇯🇵
なす Nasu🇯🇵@onasu_thai·
#TheSignลางสังหรณ์ 原作小説翻訳 リンクをツリーに繋げていきます 気に入った方はぜひ原作書籍の購入をお願いします🙇🏻‍♀️ (あと出版関係にお知り合いのいる方はこの翻訳を売り込んでいただけたら…嬉しい…🥺) 英語版👇 mebmarket.com/?action=book_d… タイ語版👇 mebmarket.com/?action=book_d…
なす Nasu🇯🇵 tweet media
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Toribanashi📹
Toribanashi📹@Tori_banashi·
A lot of people have already mentioned it, but as someone who has visited concerts across Europe easily, I have to say it would be nice if Japan made concerts more accessible for foreigners. I’m fine if you prefer lottery systems and this doesn’t bother me, but it would be nice to be able to purchase a ticket without the need for a Japanese phone number and address, without face verification, and it would be nice if I need a refund I wouldn’t have to use a Japanese bank account only. If you are doing all of these because you want mostly Japanese visitors and are trying to avoid scalpers, that’s fine, but don’t act surprised later why foreigners can’t get to your shows.
NANO-ナノ-OFFICIAL@nanonano_me

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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なす Nasu🇯🇵 retweetledi
ちーハ
ちーハ@chibiha_·
ถึงศิลปินทุกคน ที่ต่อให้ไม่เวิล์ดทัวร์ แต่แฟนคลับหลายคนเขารักคุณมากพอที่จะเสียค่าเครื่องบิน และที่พักบินไปหาคุณค่ะ ปัญหาคือ ประเทศญี่ปุ่นปิดทุกช่องทางการขายตั๋ว และการลงสมัคร ต้องมีที่อยู่ เบอร์โทร หรือ บัตรแสดงตัว บางคลิปยังติดล็อกโซน การขายของใช้บัตรเครดิตต่างประเทศไม่ได้ด้วย
NANO-ナノ-OFFICIAL@nanonano_me

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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なす Nasu🇯🇵 retweetledi
•BŁ' •
•BŁ' •@bbil1ypn·
15 km for you ✨ ฐานและหัวใจต้องแข็งแรงก่อน!! #bbil1ypn #star1ight
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NamFon 🤍✨
NamFon 🤍✨@NamFonIsMe·
WTS น้องฝากขายบัตรค่ะ Sat 18/07 1 ใบ บัตร 1500 zone D1 Sun 19/07 1 ใบ บัตร 1500 zone D1 ปล่อยต่อ 1800 ต่อใบ ถ้านัดรับ กทม ได้วันที่ 13 มิ.ย. (เก็บมัดจำ) ทัก dm นะคะ #PerthSantaConcert
NamFon 🤍✨ tweet mediaNamFon 🤍✨ tweet media
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Bout Babe Entertainment
Bout Babe Entertainment@BoutBabe_Ent·
Babe Tanatat’s Monthly Schedule 16-31 MAY 2026 The schedule is subject to change and may be updated. ตารางงาน เบ้บ ธนทัต วันที่ 16-31 พฤษภาคม 2569 ทั้งนี้กำหนดการอาจมีการเพิ่มเติมและเปลี่ยนแปลงได้ #BoutBabeEntertainment #babiibabe
Bout Babe Entertainment tweet mediaBout Babe Entertainment tweet media
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なす Nasu🇯🇵
なす Nasu🇯🇵@onasu_thai·
SVIPは今後もじわじわ売れて最終的に完売すると思う VIP2が思ったより売れてないね みんな複数買いしてないのかな
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Anne 🌈
Anne 🌈@ghost_of_annka·
See you soon ✨✨✨🎊 MISSING ACES BILLY CONCERT #bbil1ypn #star1ight
Anne 🌈 tweet media
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ชพม.
ชพม.@ChoPhoMoreeeeee·
กดมาก่อน ไปได้ไม่ได้ค่อยว่ากัน อวยพรให้ผมได้ไปเล่นกับนุ้งชิบะที่นครสวรรค์ด้วยนะ 🥹✌🏻✨️ MISSING ACES BILLY CONCERT #bbil1ypn #star1ight #BACEQUAD #billypatchanon
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•BŁ' •
•BŁ' •@bbil1ypn·
อยากเตะก้านคอ พบล กันขนาดนั้นเลยหรอค้าบบบคนเก่ง #star1ight #bbil1ypn
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なす Nasu🇯🇵@onasu_thai·
ここまでの販売数 SVIP: 24 VIP1: 20 VIP2: 77 Regular: 不明 たぶん半分以上売れてるよね?とくに高額席がよく売れてるからなかなか良い滑り出しなのでは☺️
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NANO-ナノ-OFFICIAL
NANO-ナノ-OFFICIAL@nanonano_me·
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO
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