PAKA

It's so crazy to be in @CyberpunkGame with my band @WeAreCoeurNoir. I can't realize :')

Ce weekend c'était les @23HBD ! Retrouvez ma participation pleine de joie (c'est faux) ici ! 23hbd.com/participants/2…

@LoveBulletManga 🥖✨❤️

French edition - Baguette 🥖 Taiwanese edition - Bubble Tea 🧋 US edition - Bald Eagle 🦅💥💥💥 Which Love Bullet localization announcement artwork is your fav?

@Cdevoyon "Cet article paraîtra le 17 septembre 2026." Ah oui, c'est pas demain non plus xD

Et c’est preco 🔥 Oui, acheter un jeu F2P est un concept. J’ai HSR évidemment. Et j’attends que Genshin se réveille pour avoir le Hoyo Trio 🫡

@Lynkus_ Bonjour 😌 instagram.com/pakablog

Hello tout le monde ! Dans le cadre de la création d'un JDR, je suis à la recherche d'artistes illustrateurs.rices avec qui travailler et donc j'ai besoin de mettre à jour ma liste d'artistes 😊 Donc n'hésitez pas à partager ici des noms / contacts, je suis preneur !

@joshleaves @Rglandouillet 💀💀💀

C'est l'histoire d'une pute qui rencontre une autre pute et elle lui dit hé ho dis donc tu serais pas une bonne grosse pute et là t'as l'autre pute qui lui rétorque eh oui je suis bien un bonne grosse pute et après elle s'en va Voila qu'avez vous pensé de cette histoire ?

@MONACA_okabe You are the perfect choice for this, you'll be awesome, 100% ♥

頑張ります！！

@yokotaro Can't wait! 😍

発表されました。がんばります……！

@d0nut2x AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH

New "Neon Genesis Evangelion" ANIME SERIES NEW TRAILER Written by Yoko Taro Directors: Kazuya Tsurumaki & Toko Yatabe Music: Keiichi Okabe Animation Production: CloverWorks x Khara x.com/Marmot_anime/s…

@evangelion_co OMG??!!! 😱😱😱

『エヴァ』30周年を記念するフェス「EVANGELION:30+； 30th ANNIVERSARY OF EVANGELION」最終日である2月23日(月・祝)Final Programにて『エヴァンゲリオン』完全新作シリーズの制作に関する初報を発表致しました。 シリーズ構成・脚本 ヨコオタロウ 監督 鶴巻和哉、谷田部透湖 音楽 岡部啓一 制作 スタジオカラー × CloverWorks evangelion.jp/news/260223-1/

@kazamaraita Powerfull ♥

『NieR Re[in]carnation』５周年おめでとうございます！！私も微力ながら、この素敵な作品の一部を描かせて頂きまして光栄です！✨ #リィンカネ5thAnniversary

@NieR_Rein Oh wow, those colors!!!

光の溢れる美しい園。 そこは、咎人が彷徨う場所。 何度陽が暮れて、月が欠けようとも。 姉弟の罪が赦されることはないだろう。 幾度陽が昇り、月が満ちようとも。 姉弟の絆が失われることはないだろう。 二人は旅を続けなくてはいけない。 それは、等しく家族を想う虚像の彼らを―― #リィンカネ

#リィンカネ のサービス開始から、本日で５周年。 サービスが終わっても、皆さまの心の中に『檻（ケージ）』の人々が生き続けていることを嬉しく思います。 感謝を込めて、今年も周年記念のイラストをお届けします！ （スレッドの投稿もお見逃しなく……！） イラスト：藤坂公彦さん

@GamaleriGilles Et bonanéééééééé

@pakablog @pakablog 🐻 BONANÉ !!!

@pakablog j’étais en train de ranger les affaires de bébé quand cet ourson s'est retourné, m’a regardé et a fait "ALORS C'EST DEUX PUT.. !!"

@GamaleriGilles XDDDDDDDDD

@pakablog Au secours, j'ai l'impression de le voir de partout 😱🐻

@Boichi_Bo1 🫂

Since the 24th, after posting on X, I haven’t been able to eat properly at all. It hurts my heart so deeply to feel as if all the efforts of my friend—who has supported me so much by helping with translations, lettering, and sharing news on X—have vanished into nothing. My SNS manga, Sunday’s Momonga shared about 55 pages on X, but in truth, I have drawn 140 pages over the past year. I believed X was the only place where this work could be released, shared with readers around the world, and enjoyed together. To see that place collapse breaks my heart. But what hurts the most is the screaming that keeps echoing inside my head. A long time ago, I watched myself and my fellow artists in Korea—people who had done nothing wrong—being taken from, attacked, and humiliated. I watched what happened to their lives and their dreams. As for my own life, I lived through it myself. Those wounds still bleed, even after decades. They will never heal—not until the day I die. Until the very last second of my life, they will keep bleeding. And now I have to watch the people I love—those who draw—go through the same suffering. I have to watch them give up drawing and leave the world of comics. Now, this is happening all over the world. I have escaped many times before, and I will escape again this time. But I know this very well: there are many people who cannot escape. Because the field they have built is precious to them, and because they know that the moment they leave, everything they have worked for will fall apart, they are left with no choice but to endure the pain, the humiliation, and the exploitation. A artist cannot endure even a single pen line or a single dot of their drawing being altered by someone else. Because it is our precious, beloved child. Throughout my entire life, even when I taught my students, I almost never corrected or altered their drawings carelessly. Well... there were only a few times, and even then, I did so only with their consent. Because I knew those drawings were their precious children. Even if it was just practice, the drawing was born from our own hands. To create that drawing—our drawing, a drawing like our own child—we have lived by giving up so many of the joys and happiness that others freely enjoy. And we will probably continue to do so. I believe this. Because my fellow artists in Korea have endured this pain for decades. This is what it means to draw. If you do not know this feeling, if you cannot understand it, then you do not understand ‘drawing.’ Actually it is very easy and simple to understand. That drawings are precious to us. You already know they are precious, right? That’s why I haven’t been able to eat properly since Christmas. Drawings... They are precious… They are truly, deeply precious…

@yokotaro Happy Birthday DragOnDragoon instagram.com/p/DSW3BQDl-n4/

１２年前……

@joshleaves @moggeur Haha merci, toujours aussi improbable mais oui :’)

MY GOAT @pakablog

@AkiEnma 🤜🤛

@Kayane Aaaaaaaaaah

Keichi Okabe a bossé sur les musiques du nouveau Hyrule Warriors. Le compositeur de NieR. ... PARDON !?