Pedro Pablo Aldunate

2K posts

Pedro Pablo Aldunate

Pedro Pablo Aldunate

@palduna

Una vez fui telonero de los wachiturros

Katılım Mayıs 2010
404 Takip Edilen224 Takipçiler
CodeOneshot
CodeOneshot@PeterKL87·
My first ever try at Music Video - hope you guys enjoy! Made in @higgsfield_ai Notice: Fan-made concept edit. DC Comics character rights and trademarks belong to DC Entertainment and Warner Bros. Discovery. Created strictly for entertainment and portfolio display. No copyright infringement intended. #DCComics #AIVideo #AICinematics #GenerativeAI #Superman Inspired by the darkness and craft of @ZackSnyder
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Pedro Pablo Aldunate
@M446856M No debería molestarte las críticas, si lo haces por amor al arte y sin buscar compensación, yo por lo menos hago oídos sordos a los críticos, sigue con tu proyecto!
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The Last Son
The Last Son@M446856M·
Depois de umas 500 imagens, revisões, pesquisas, diversões usos de IA, cheguei talvez na conclusão do Caçador de Marte e Lanterna Verde Jonh Stewart. Esses conceitos serão usados para gerar cenas em IA, porém por respeito ao diretor e o hate por conta do uso de IA...
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The Last Son
The Last Son@M446856M·
Darkseid, John Stewart
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Dr. Dreams
Dr. Dreams@DrDreams·
Bambi's back - now with less-revealing-armor. Still experimental phase - but gonna make more episodes. @grok @imagine for images and locations Thank you @invideoOfficial for support! 1980s horror fantasy film, for fans of Army of Darkness, Evil Dead 2, Conan, u get it
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Pedro Pablo Aldunate
@AIWarper Hi, what tool do you Think Can really work in character or Head swap with IP or famous characters?
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A.I.Warper
A.I.Warper@AIWarper·
Viggle AI Experiment 💙 This is an incredible tool for style transfer. Details and link to Discord below 👇 As always, if you enjoy this content please kindly like and share!
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Pedro Pablo Aldunate
Pedro Pablo Aldunate@palduna·
@M446856M Está bueno pero los chinos todavía no logran hacer bien los rayos omega de Darkseid
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The Last Son
The Last Son@M446856M·
Darkseid mata mulher maravilha - Vídeo retirado de sites chineses.
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Pedro Pablo Aldunate retweetledi
Marcus
Marcus@NeoSe7ens·
Another SnyderVerse inspired banger from @palduna . Give him a follow. Granny Goodness and Kalibak.
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Pedro Pablo Aldunate
Pedro Pablo Aldunate@palduna·
New Gods communion in Apokolips. Clip from the fan film/ edit “End the Knightmare before Christmas “. Full film coming soon…
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Anish Moonka
Anish Moonka@anishmoonka·
The director who shot this fight built his whole career on slow motion. For the Superman brawl people call the best ever, he used none of it. He filmed it shaky and handheld, like news footage of a disaster, so your eyes buy two men smashing each other through skyscrapers. That director is Zack Snyder, and the shaky camera was only his first trick. The crew filmed the actors doing the early, ordinary parts of the fight, then stopped the instant a punch turned superhuman. A second camera photographed the empty street and the actors from every angle. Months later, the crew dropped computer-made copies of the actors into that exact spot, moving faster than any human could. You never catch the moment the person becomes the computer. That was the whole point. Almost nothing on screen is what it looks like. Around 1,500 shots in the film needed computer work, handed to studios like the one behind Lord of the Rings. The villain, Zod, wore nothing on set but a gray suit covered in dots, and every piece of his armor was painted on later by computer. They even photographed the actors' faces from eight angles at once, so artists could rebuild them on a computer. Composer Hans Zimmer refused to touch the old Superman music everyone hums. He gathered about a dozen of the best drummers alive, including the son of Led Zeppelin's drummer, sat them in a circle, and stood in the middle waving them on. He wanted the pounding to hit you from every side, like the fight had broken out in your room. The buildings fall the slow, heavy way they fall in life, so the wreckage feels like a true disaster off the evening news. The man who drew up the final flying fight said he set out to beat the famous Neo versus Agent Smith battle from The Matrix, and to make it move like a Japanese cartoon. The film cost $225 million and earned about $670 million, close to three times its budget. Thirteen years on, people still call it the best fight in any superhero movie. The crew earned that by pouring most of their work into one job: making sure you never spot where the live actor stops and the computer takes over.
ZIG@_JustZig_

It’s been 13 years, yet no other live action fight has come close to this greatness.

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Framer 🇱🇹
Framer 🇱🇹@Framer_X·
Seedance 2.0’s in-between technique is insane. It lets you create cinematic anime ridiculously fast. Here’s how 👇
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The Last Son
The Last Son@M446856M·
Flash - Barry Allen Armor Suit
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The Last Son
The Last Son@M446856M·
Parademonios avançam contra a união de todos os povos e guardiões das estrelas. Uma batalha épica se instaura entre as cidades de Metrópolis e Gotham.
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The Last Son
The Last Son@M446856M·
Superman está com raiva!
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Pierrick Chevallier | IA
Pierrick Chevallier | IA@CharaspowerAI·
In just a few weeks, Seedance 2.0 has completely reshuffled the VFX game. It’s no longer “generate a cool video.” #DreaminaCPP @dreamina_ai It’s now a real production tool: director-level camera control, accurate physics, multi-modal references, and seamless pro pipeline integration. Here’s a concrete example with this prompt: A gigantic mutated tiger with metallic biomechanical armor fused into its body, glowing energy core visible through its chest, claws sparking against the ground Hunts military vehicles through a destroyed industrial district, leaping across rooftops and ripping armored machines apart with explosive force Industrial wasteland with collapsing factories, sparks, smoke and fire spreading everywhere Starts with handheld tracking through fleeing soldiers, sudden whip pan revealing the tiger mid-leap, low tracking beneath its body as it lands, crash zoom on mechanical jaws opening, sparks and debris flooding the lens, ending with the tiger standing atop burning wreckage as its energy core overloads and releases a massive pulse that shuts down the entire city while the camera slowly circles around its glowing silhouette Comment below: what type of effect should I test next? (explosion, liquid sim, fight scene, transformation…)
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Y'shtola Enjoyer
Y'shtola Enjoyer@Simping4Yshtola·
random but I think about this little scene a lot. Batfleck is always scary and larger than life but Martha still waves goodbye at him like he just stopped by to have tea at the Kents Only people scared of him are people who got reason to be
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