rdsnyder

in the not too distant future, wordsmiths mine and shape raw material for learning textual instruments in order to keep language tied to lived experience #GPT3

@SouthAsianBuoy Honestly, it has been three years (1 year fellowship and 2 years TT) and I still feel like a grad student. It IS weird. I wonder if I'll ever feel like I actually finished.

How did the rest of you who went through this, deal with these emotions?

Feels super weird to think that I won't be a grad student anymore... It's been my identity for so long, idk who I'll be as a tenure track Prof.

Friends, I am pleased to announce that my ephemeral web poem "Elegy," dealing with the loss of biodiversity, has just been published by Hyperrhiz: New Media Cultures. You can experience the poem and read through the artist's statement here. hyperrhiz.io/hyperrhiz28/ga…

This is your daily reminder that it could be this way.

In a perfect world, tech would have time to breathe, time for us to understand its impact on our societies and bodies, time to build in accessibility for all. I worry that we are racing with ourselves and losing.

Today I learned that a grant proposal I coauthored with Dene Grigar, "Improving Metadata for Better Accessibility to Scholarly Archives for Disabled and Sensory Sensitive People," was funded! We will begin implementing our work at The NEXT starting next week.

Halfway through Digital Storytelling at #dhsi23 and we're having a blast! It is such a privilege to have the chance to facilitate this year.

@ryancordell I find myself wondering if the tipping point will be based on hardware form-factor. Once it is more like putting on a pair of glasses...maybe? Then again, I wonder if we'll really have a tipping point. It may seem inevitable but few things truly are.

Vision Pro at #wwdc23 seems aimed at productivity and communication over interactive experiences / virtual art. But there may be more yet to see.

Getting ready for the hypertext exhibition at Hypertext ‘23 in Rome this September @ELitLab @eliterature

@jujumom2 Thank you, Julia! It means a lot that you took a look! I'd love to share more electronic poetry with you!

@pen_and_think I found it! Read it! How on earth did you create it? Such depth and meaning. Whew!

My piece "Rota Fortunae" is out today in Taper #10! This is my first piece in Taper, and the constraints made this really fun. I had to get the code to fit under 2kb! My original code was about 8.5kb, so there was quite a bit of work to be done! taper.badquar.to/10/

My animated poem "Rota Fortunae" is out today in Taper #10 and you can read it right in the browser on desktop or mobile. This is my first piece in Taper, and the constraints (code < 2kb!) made this a very enjoyable challenge. taper.badquar.to/10/

Now: @dgrigar is taking us into a funhouse of (hyper-)text "like it could not have been written and read in the 20th century". Guest talk on hypertext @uni_regensburg organized by @AstridEnsslin #hypertext #DigitalHumanities #DH

A page from the complete manuscript of Rob Swigart’s edited copy of Down Time with Diane Greco’s editorial notes. An e-lit archivist’s dream come true. ⁦@eliterature⁩ ⁦@WSUVancouver⁩

Join us today at 10 am PDT!

Alan donated over 5 terabyte of his digital work to ELO along with boxes and boxes of his personal papers. We selected from among this trove 37 works to kick off his collection, with more coming online in the future. @CMDC_WSUV @WSUVancouver @CASatWSU

Hey Adobe, how in the world does Acrobat not recognize the word "metadata" in 2023?

@bitterwittery *nonchalantly drops collection of shape poetry* "oops, who put this here?"

I’ve never done it before. Guess it’s all downhill from here 💅🏻 😈

oh no. I’ve allowed italics into a poem.

Social Media Team x Domino’s Collab 🍕🍕Our team meetings are always a party 🥳 #notsponsored