performingborders

👩‍💻 e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art ✨OUT NOW ✨ ejournal.performingborders.live/3-entangled-pr… Rooted in connection, resistance and shared struggles, the ejournal re-imagines collaboration and solidarity across time & space 🤝 Editorial support by our @DianaADamian

My creative response — in the beginning we were all performers. Written as a co-commissioned piece as part of Live Art Writers Network at Fierce Festival in October 2024 for @performborders 🫶🏽 performingborders.live/writings/in-th…

TurnerPrize 2024 winner Jasleen Kaur used her acceptance speech to stand in solidarity with the Palestinian people, demand an end to institutional complicity in Israels genocide & call for an arms embargo A special mention to the pathetic statement from the presenter at the end

We are relaunching our Desk Scheme! Are you an artist, producer, curator, researcher or writer? Apply by 12noon, Friday 15 November for a subsidised desk space in Bethnal Green. tinyurl.com/m3yerubj

Fehras Publishing Practices reflect on labour and intergenerational revolutionary cultural work, from books to exhibitions, exploring relationships across time and the way internationalist practices are found in the archive. Love Letters to our Comrades tr.ee/QvCNOLA6Hx

"To our comrades, whose love and labor carry the weight of our stories across borders and time. Your resilience and care bloom in every page turned, every song sung, and every step taken towards liberation.” 💌Fehras Publishing Practices for e-Journal #3 tr.ee/QvCNOLA6Hx

Check out the full 📝e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art ✨ Inc contributions by @DianaADamian, Fehras Publishing Practices, Moviendo Territorios and more: linktr.ee/performingbord… Supported by Necessity Fund, @ace_national & @CSSDLondon

📝parallaxing (i): a story of a practice setareh fatehi’s contribution to our e-Journal explores parallaxing, a method of cross-border collaboration, and reflections on the demands on physical presence and what it means to exist in many places at once tr.ee/QvCNOLA6Hx

👀Coming this Friday 27th September 2024 performingborders e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art 🗞️✨ An e-Journal exploring how our live art practices are interconnected—geographically, politically, energetically 🌿 Sign up tr.ee/6Yxp6Un4Pl

This Autumn we're back back back at @battersea_arts ✨❤️‍🔥 free tickets and trans border crossings 😉

Live Art Writers Network - LAWN is commissioned by performingborders, FIERCE Festival (@fiercefestival ), Take Me Somewhere, Citemor (@FestivalCitemor), and METAL Culture (@metalcultureuk), and it is supported with funds by Arts Council England and Necessity Fund.

Later this year, we will share commissioned writings and reflections from this pilot. Subscribe to our newsletter to get all the information and know how to be involved: performingborders.live/performingbord…

📣✨We're thrilled to introduce the Live Art Writers Network (LAWN) 📝 a network aimed at cultivating experimental writing practices in dialogue with performance and live art @fiercefestival x @MetalCultureUK x @Citemor x Take Me Somewhere All Info: tr.ee/PxsNB5JEUP

Join @performborders for a BSL interpreted conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance and to erase the borders between art & politics, art practice & theory, and artist & spectator. tinyurl.com/y9m3ycuv

Theatre news: Lee curates first Fierce Festival Artists from eight countries will present nine UK premières and one world première across Birmingham at the first @fiercefestival under new artistic director Clayton Lee. britishtheatreguide.info/news/lee-curat…

😍 go see this amazing show

‘The Making of Pinocchio’ is one of the best performances around atm—technically, aesthetically, politically brilliant. They pulled it from Venice in solidarity w/ Palestine. It’s now available to watch online as a fundraiser for Gaza. Watch here: outsavvy.com/event/20849/no…

Join @performborders on Friday 2 August at LADA for ‘Dangerous Border Crossers: performingborders x La Pocha Nostra’ – a participatory conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance. 🎫tinyurl.com/y9m3ycuv