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vandi

@putuvandi

a weeb. a video gamer. https://t.co/riICMiuNow

Katılım Haziran 2010
202 Takip Edilen432 Takipçiler
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Toribanashi📹
Toribanashi📹@Tori_banashi·
A lot of people have already mentioned it, but as someone who has visited concerts across Europe easily, I have to say it would be nice if Japan made concerts more accessible for foreigners. I’m fine if you prefer lottery systems and this doesn’t bother me, but it would be nice to be able to purchase a ticket without the need for a Japanese phone number and address, without face verification, and it would be nice if I need a refund I wouldn’t have to use a Japanese bank account only. If you are doing all of these because you want mostly Japanese visitors and are trying to avoid scalpers, that’s fine, but don’t act surprised later why foreigners can’t get to your shows.
NANO-ナノ-OFFICIAL@nanonano_me

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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ちーハ
ちーハ@chibiha_·
ถึงศิลปินทุกคน ที่ต่อให้ไม่เวิล์ดทัวร์ แต่แฟนคลับหลายคนเขารักคุณมากพอที่จะเสียค่าเครื่องบิน และที่พักบินไปหาคุณค่ะ ปัญหาคือ ประเทศญี่ปุ่นปิดทุกช่องทางการขายตั๋ว และการลงสมัคร ต้องมีที่อยู่ เบอร์โทร หรือ บัตรแสดงตัว บางคลิปยังติดล็อกโซน การขายของใช้บัตรเครดิตต่างประเทศไม่ได้ด้วย
NANO-ナノ-OFFICIAL@nanonano_me

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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Imara ♛
Imara ♛@imaqueennz·
Pantes prabowo yakin Indonesia bakal bubar tahun 2030. Ternyata dia sendiri yang bubarin.
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vandi
vandi@putuvandi·
sold the PS5. you will be missed 🫡
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vandi retweetledi
NANO-ナノ-OFFICIAL
NANO-ナノ-OFFICIAL@nanonano_me·
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO
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Aurora 🐊
Aurora 🐊@SpectralAurora_·
getting addicted to a video game is good actually cause it means you spend less time on social media
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vandi@putuvandi·
@ezash bang, itu palm restnya apa ya? kebetulan liat dan pengen ganti
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Eza Hazami - ハザミ。エザ
Prinsipnya kalo aku gini sih soal gaming device/peripheral: Aku suka, aku beli, dan aku pake. Ga peduli mau kata orang gimana☝🏻 Kalo rusak? Yaudah klaim aja selama masih masuk garansi, kalo ga ya lagi apes aja Kalo barang ga sesuai ekspektasi? Yaudah namanya juga hidup, pak 😉
Eza Hazami - ハザミ。エザ tweet media
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Justin Willians 🎸
Justin Willians 🎸@jstwillians·
Cost MBG 1 hari: 1 Triliun Cost per semester di UI/orang (estimati tertinggi): 15jt 1T/(15jt*8semester) = 8300 Hanya dengan stop MBG selama 1 hari, ada 8300 orang yang bisa kuliah hingga S1. Tapi karena rezim gamau rakyatnya pinter sih.. Mau dikatakan apa lagi...
바구스 리판도리 아디웨나@baguslifandry

@Txtdariiugm logika nya secara cost kuliah gratis itu super lebih besar dari MBG. Buat yg mikir mbg aja nguras cost negara, ya apalagi kuliah gratis. paling janji doang, mikir belakangan, ga akan kebukti. mending MBG. udah smooth gini

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willow ✮⋆˙
willow ✮⋆˙@cinnamoanrol·
hari buruh yang dibahas malah mbg? what a self centered narcissistic idiot you are bro heran kok bisa jadi presiden
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vandi@putuvandi·
Tidaaaakkk
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herwin
herwin@bangherwin·
Prabowo: MBG bermanfaat atau tidak? Buruh: Tidaaaaaaakkk! Gue: 🤣🤌
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Lost Internet
Lost Internet@LostMemeArchive·
Optimum Pride - joseangelotayco (2021)
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裏那圭◾️KEI URANA
裏那圭◾️KEI URANA@KEI_URANA·
I’ve spent the past few days researching the circumstances in different countries, including financial situations. I understand that for many people, pirate sites are the only way they can read manga. I also understand that prices can be higher overseas. I’ve even seen people saying, “Don’t bring this issue up.” But if we do not speak up now, the value of Japanese manga and creative works, built through the sacrifices and relentless efforts of those who came before us, will be wasted. I’ve also seen people say, “Reading for free doesn’t hurt sales.” That is not true. “Free” lowers the value of things. Once people grow used to getting something for free, they stop looking toward legitimate versions. (I also understand that people who truly love a work will support it properly.) We pour ourselves into creating so readers can enjoy our work. Compensation matters, of course, but more than anything, I do not want to see its value diminished. To help people who cannot afford to buy it, or who do not have access to it, enjoy these works, Ando and I have been discussing this for a long time and exploring many ideas. I cannot share details yet, but we are working on it. Publishers are making efforts as well. I’m sorry it is taking time. But please stop hurling accusations like, “You are racists,” or saying misguided things like, “Piracy is free promotion for you.” We will continue doing everything we can so everyone can enjoy manga. And I ask one thing in return: please try to understand our perspective and our culture as well. ※I’m using a translation app.
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vandi@putuvandi·
the balloons work on the browser but not on the app lmfao bro
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