Raelume

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Raelume

Raelume

@raelume

One workflow. All media.

Infinite Canvas Katılım Ekim 2025
12 Takip Edilen62 Takipçiler
Raelume
Raelume@raelume·
We have released the Composer Block Learn how to use the Composer block in Raelume to layer, merge, and render your creative assets. In this tutorial, you'll learn how to: • Add images, 3D models, and text as layers • Resize, reorder, and position layers on the canvas • Choose aspect ratios and render quality (1K, 2K, 4K) • Render with AI enhancement — automatic lighting, shadows, and compositing • Extract layers as-is without AI processing • Connect prompts to guide the render output • Use background removal for cleaner layering • Create product images, composites, and advertisements youtu.be/RwOaOzedOGQ?fe…
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Raelume retweetledi
Lloyd Creates
Lloyd Creates@lloydcreates·
Slow Burn Cinema 🟠🖤 Midjourney Sref Blend --sref 1175881968 3898659386 2940830411 1530447687 1364640980 2368315288 3322082132 2498679677 290624701 2976533821 3768705832 2922672977 1359389381 Video: @raelume Music: FL Studio x Me & my keyboard Prompt structure 👇
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Raelume
Raelume@raelume·
We've been exploring exactly this at Raelume and your video genuinely resonated with our team. The vision you laid out is where we see the entire space heading. We recently shipped a world block as a scene composer inside our node-based canvas. Our founder shared it here: linkedin.com/posts/giuseppe… Would love to connect and talk more about where this goes next.
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Bilawal Sidhu
Bilawal Sidhu@bilawalsidhu·
Nodes aren't the future of AI creation. Here's what comes next. 0:00 - Nodes aren't the future 0:32 - The viewport problem 1:38 - Plumbing vs filmmaking 2:40 - No viewport; just a slot machine 3:22 - Stacks, nodes, and spatial engines 5:02 - New Lego blocks every two weeks 6:49 - Why AI content is stuck under 3 minutes 7:03 - Genie 3 and MotionStream 9:04 - Intangible AI and ArtCraft 9:54 - The hybrid neural 3D engine approach 10:33 - Nodes are a bridge, not a destination
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Raelume
Raelume@raelume·
Most people explore their Worlds. We built a whole movie set inside one. Import 3D objects, compose scenes, snap 4K captures from any angle. Every capture feeds into Kling 3 Pro. 🔊 Sound on. raelume.ai
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Raelume
Raelume@raelume·
We are officially the first node-based workflow to have Worlds blocks integrated! Generating scenes feels like magic now! 2D image → Gaussian splatting → navigable 3D world → 4K captures from any angle Take any AI-generated image. Feed it into Gaussian splatting. Get back a 3D environment you can fly through. Place 3D objects in the scene. Capture new images from any camera angle at up to 4K. Those captures come back as nodes you can feed into video generation, upscaling, or even another world. One image in, unlimited angles out. A single hero generation becomes a wide shot, a closeup, a low angle, an aerial view.
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Lloyd Creates
Lloyd Creates@lloydcreates·
"Young Woman With A Spine" with @rijksmuseum @Artcrush @GoogleAI submission for #GoogleGeminiArtRemix
Artcrush@Artcrush

🚨 WIN YOUR FIRST MUSEUM EXHIBITION 🖼️ Get exhibited at the @rijksmuseum like Van Gogh & Rembrandt 🔥 5 WINNERS TO SHARE +€300K VALUE IN PRIZES Interested? 🎨 COMMENT with 1-2 Artworks 🔗 Follow @artcrush & @GoogleAI ✍️ RT + TAG 2 friends DETAILS: All Artists, Amateurs, Art & Ai enthusiasts are invited to join the "Google Gemini Art Exhibition: Rijksmuseum Remix". Step 1: learn all about this Open Call & Prizes by reading this presentation: bit.ly/GoogleOpenCall Step 2: download one or more Artwork(s) from the Rijksmuseum Art Collection here: rijksmuseum.nl/en/collection Step 3: Remix the original Artwork(s) & create your own Artwork by using the Google Ai tools (eg Veo3 / Nano Banana). Other techniques and digital tools (like Photoshop) are allowed too. Step 4: Once your Artworks are ready, upload them through the Google Form here: bit.ly/GoogleUploadAr… Step 5: Sharing your Artwork on socials with #GoogleGeminiArtRemix is enormously appreciated Deadline? February 15th, 2026 Be quick. First light catches the most gold. 🧵 1/3

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Raelume
Raelume@raelume·
Worlds is explorative 3D, built into a node-based pipeline with 70+ models. Generate an image, turn it into a world, capture from any angle, feed it into video or 3D. One workflow.
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Raelume
Raelume@raelume·
Worlds is live. Turn any 2D image into an explorable 3D environment using Gaussian splatting. Move through it. Add objects. Capture 4K renders. All on the canvas.
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Lloyd Creates
Lloyd Creates@lloydcreates·
Best Nike sneakers in my daily rotation @raelume "Rotation" workflow
Lloyd Creates@lloydcreates

Nano Banana Pro Chrome Ripple Flow Prompt 👇 { "image_generation_request": { "subject": "[PRODUCT]", "product_finish": { "primary": "matte black with subtle light absorption", "secondary": "polished metallic silver with mirror-like reflections", "treatment": "duotone — matte black body with metallic silver accents, trim, edges, or panel insets" }, "composition": { "placement": "dead center, full view, floating suspended within the folded surface environment", "scale": "product occupies roughly 30-40% of the frame", "constraints": [ "product must be entirely visible with no cropping", "no pedestals, stands, platforms, or ground planes", "the surface folds frame the product but never obscure more than 10% of it", "product is the sharpest element in the scene" ] }, "background_environment": { "description": "A single continuous undulating surface that fills the entire frame, folding over and around itself in large voluminous waves — like a massive sheet of pleated metallic silk or a single machined metal panel that has been softly twisted and draped. This is NOT multiple separate ribbons or strands. It is ONE connected surface.", "base_color": "[INSERT DEEP BACKGROUND COLOR visible in crevices — e.g. pure black, midnight navy]", "surface_color_1": "[INSERT GRADIENT COLOR A — e.g. soft lavender, warm copper, pearl rose]", "surface_color_2": "[INSERT GRADIENT COLOR B — e.g. deep indigo, cobalt blue, violet]", "color_behavior": "The two colors blend in a smooth continuous gradient across the single surface, shifting based on the surface's curvature and light angle. Where the surface faces the light it shows color_1, where it curves away it transitions to color_2. The transition is seamless with no hard edges or stripes.", "surface_texture": { "type": "fine parallel ribs embossed into the surface — like the grooves on a vinyl record or finely pleated accordion fabric", "rib_description": "extremely fine, uniform, tightly spaced parallel lines that follow the flow direction of the surface. The ribs are a TEXTURE on the surface, not separate objects. They create a subtle corrugated micro-relief that catches light along each tiny ridge.", "rib_density": "very high — approximately 50-100 visible lines per inch of surface, creating a dense linear grain", "rib_depth": "shallow — the ribs are subtle surface detail, not deep cuts. They create gentle highlight-shadow alternation across the surface" }, "surface_form": { "fold_style": "large, smooth, voluminous folds like draped heavy silk — broad sweeping curves with gentle twists", "fold_count": "3-5 major folds visible, each one wide and generous, NOT many small tangled ribbons", "fold_behavior": "folds overlap softly, tucking under and over each other with smooth transitions. Where folds meet they create deep soft shadow crevices", "tension": "the surface appears smooth and taut across each fold, with no wrinkles or crumpling — like stretched satin over a curved form", "edges": "no visible edges — the surface appears to extend beyond the frame in all directions, as if we are seeing a close-up section of an infinite draped form" }, "material": { "finish": "satin metallic — a soft brushed-metal luminosity between matte and mirror. The surface has a pearlescent quality where colors shift with viewing angle", "light_interaction": "soft specular highlights along the crest of each rib, gentle shadows in each rib valley, creating an overall shimmering linear texture across the broad folds" } }, "lighting": { "type": "soft, diffused, directional — as if a large softbox is illuminating from upper-left, creating a warm-to-cool gradient across the scene", "shadow_behavior": "deep soft shadows in fold crevices, gradual falloff — no harsh edges", "highlight_behavior": "broad soft highlights across fold peaks, with fine linear shimmer from the rib texture", "restrictions": "no visible light sources, no lens flare, no reflections of studio equipment" }, "style": { "aesthetic": "parametric design art, computational sculpture, abstract luxury", "mood": "luxurious, smooth, tactile, premium product showcase", "critical_note": "The background must look like a SINGLE continuous folded metallic surface with fine ribbed texture — NOT like multiple separate ribbons, cables, wires, or strands bundled together. Think of one sheet of finely pleated metal that has been elegantly draped and folded." }, "technical_specs": { "quality": "8k resolution, extreme surface texture detail, tack-sharp product focus", "render_style": "photorealistic 3D render, Octane or Redshift quality", "aspect_ratio": "1:1 square", "exclusions": "text, watermarks, logos on background, extra props, lens flare, studio equipment, flat surfaces, any ground plane, separate ribbons, wire bundles, rope-like forms" } } }

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Raelume
Raelume@raelume·
Here's the workflow: 1. Generate a 2x2 grid in 4K with Nano Banana Pro 2. Hit the quick action button → Extract Grid 3. Four individual 2K images, ready to use One generation cost. Zero upscaling fees. The split is free.
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Raelume
Raelume@raelume·
2x2 grids aren't new. Every AI tool can do that. But then what? Upscale each one? Generate them separately from the keyframes? Slow, expensive, pointless. One quick action. Extract Grid. Four 2K images from one 4K generation. Under 5 seconds. No upscaling. No extra cost.
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