Rafaela Rodrigues 🩷

I'm not a regular mom, I'm a cool mom. ❤

Acabei de ler Gigi e Luke e estou apaixonada pelos dois 🥹

It's a new Jeneration ... She showed up dressed as me, and honestly she did it RIGHT. The least I could do was hand her the official playlist and let her live it up all night. This one's yours, Allie. 🎶 Just in time for your holiday weekend: THE ALLIE PLAYLIST open.spotify.com/playlist/25hyj…

@acervodavenport Olha quem resolveu dar sinal de vida. Agora só falta o querido postar algo no Instagram ahahahah

quero ver quem vai me falar agr q o hunter da série é diferente do hunter do livro

Vou falar um fato que parte do fandom ainda não entendeu: Hannah e Allie não disputam o mesmo homem. Então, em vez de rivalizar os dois casais, aproveitem essas obras-primas que são Hannah e Garrett/Allie e Dean. E fiquem no aguardo que vem mais dois.

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows. They had no idea what was coming. Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke." It wasn't. $100,000. Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that. But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope. That moment of shock and tears? It was just the beginning. Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real. "If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it. But the crew bonuses weren't the only quiet revolution happening. Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence. She never posted about a single one. And it wasn't new for her. In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped. She never announced it. Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation. The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor." Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously. What he saw with Taylor was different. The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters. That isn't strategy. That isn't a publicity stunt. That's what happens when someone, somewhere along the way, remembered what matters.

Pq ninguém fala como o livro do connor é divertido? Ele e a Taylor descobrindo que o treinador Jensen tá namorando a mãe dela, o jantar na casa dele, a Brenna morrendo de rir ahahahah ai eu amo

It’s a new Jeneration of party people…🎶

quem a gente vai ter que subornar pra liberarem esse video com o take completo do garrett dançando?

Quando tudo era mato e a tradução uma bosta ahahhaahha

@1eozinho01 Igual a Neymãe que ficou séculos com aquele doido que foi pra Fazenda e viveu eras infernizando ela

Me irrita mt que esses caras dão todos os sinais de alpinismo social e elas insistem em se envolver

Fico arrepiada toda vez que vejo a Bethany/ Haley se apresentando e essa música. Eu tenho ela baixada a séculos em todos os lugares possíveis.

!!!!!!!!!!!!!!!!

To morrendo com o idiota do Hunter tirando uma selfie com a Demi atrás das grades HAHAHAHAAHHA tinha esquecido como ele é divertido

eu amo e odeio essa cena! amo pq o gg tá absurdamente gostoso, lindo, delicioso com essa roupa e fazendo essa dança e odeio pq a hannah e esse Justin ficam falando besteira e eu não vejo a dança inteira

@grahamcameli Achei que ele tinha sumido da internet depois das acusações contra a irmã dele e um monte de coisa sobre ele surgindo tbm

colin fitzgerald está estudando

props to the off campus crew for the music they chose because the impact is insane!!

@iversbaek Eu imaginei o Jensen como o James Lafferty.

gente, posso confessar? de quem foi a ideia de colocar um treinador Jensen bonitão igual aquele da série, sendo que todo mundo sabe que o dos livros era assim

@mightyredm Essa temporada é loucura total, pq o plot do empresário dele é surreal. Ahahaha

a haley querendo desistir da turnê pelo nathan mas ele fez o mapa de todos os lugares que ela ia fazer show