Peter Gray

I’m at such a loss for words. Was only talking with him a few days ago about arranging an interview to talk about his films. He was so gracious with his fans and genuinely loved what he did. Rest in peace, good sir.

To celebrate the release of #ProjectHailMary I looked at Ryan Gosling’s evolution from heartthrob to space hero with 10 of his best performances. theaureview.com/watch/best-rya…

Happy Luke Hemsworth looking like a full meal in DEADLOCH day!

#Deadloch returns for a second season. Somehow, it’s even more ambitious than its predecessor. My full series review online at @theAUreview. theaureview.com/watch/series-r…

Nothing glossy like her Disney days or as urban-leaning as Skye Riley, #FIG is a soulful pop record of intent from Naomi Scott (@NaomiScott). Deeply personal and universally resonant, my review online at @theAUreview. theaureview.com/music/album-re…

Happy 20th to #ShesTheMan! For @theAUreview I looked at why after two decades, the Amanda Bynes comedy is still that girl. theaureview.com/watch/opinion-…

I had fun with #ReadyOrNot2. It’s surprisingly not as gory as I was expecting (the blood certainly flies though), but the expanded lore and sisterly bond between Samara Weaving and Kathryn Newton made it a sequel worthwhile. Also, how great is it to have Sarah Michelle back?!?!

As her film #Proclivitas (@IconFilm) arrives in theatres this week, I had the pleasure of talking to the film’s writer/director Miley Tunnecliffe about weaving addiction and grief into her horror narrative. theaureview.com/watch/intervie…

@Variety theaureview.com/watch/open-let…

Jake Shane’s Vanity Fair #Oscar party interviews are going viral for all the wrong reasons. From awkward moments with Kris Jenner to calling an Oscar nominated film’s sick child “annoying” while talking over Julia Fox and Damson Idris, the chaos said it all: red carpet reporting is a craft, and not every influencer is a reporter. variety.com/2026/film/colu…

@everymovieplug Least of the film’s problems to be honest

That jump was so unrealistic idk.

An open letter to @TheAcademy and @VanityFair: Stop Handing the Microphone to Influencers. “Give journalists – especially those without built-in audiences – the opportunity to prove that red carpet coverage can be both compelling and considered.” theaureview.com/watch/open-let…

You have to admire the lengths Ryan Gosling will go to to fix that damn LA LA LAND hand. #ProjectHailMary

No, #PrettyLethal isn’t reinventing the genre. But it is a lively, blood-splattered little thrill ride – and further evidence that Vicky Jewson is a director worth keeping an eye on. My review online at @theAUreview. theaureview.com/watch/film-rev…

#Arco (@KismetMovies) plays like a gentle throwback to the kind of children’s adventure that once trusted young audiences to grapple with big ideas – while still delivering colour, humour, and wonder. My review online at @theAUreview. theaureview.com/watch/film-rev…

Here’s an example of how someone should be interviewing about #IfIHadLegsIdKickYou. theaureview.com/watch/intervie…

Screening as part of this year’s #SXSW (@sxsw) #SameSameButDifferent is a comedy that’s as warm-hearted as it is mischievous. theaureview.com/watch/same-sam…

@lionesspike It really is true. No, Jake Shane, you are NOT a journalist. Being humbled in real time? Priceless.

julia fox beautifully explaining the significance of if i had legs i'd kick you after jake shane's only comment on the film was "wasnt the kid annoying" #oscars

I wasn’t passing up a #Buffy shout-out to Drew Goddard when we chatted for #ProjectHailMary. Full interview online. youtu.be/1TDfmUuG6kg?si…

I get that Toni and Lupita will always be the examples of the horror performances unfairly snubbed by the Academy, but in the wake of Amy’s Supporting win, we need to place respect on Michelle Pfeiffer’s turn in mother!. Truly a performance that should’ve earned the same love.

@nicksflicksfix Legit my first thought when watching this.

Knowing Leo DiCaprio had to hold one of the lights during the K-Pop Demon Hunters/Golden performance is the funniest thing ever