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@remoncofe

지랄염병

장르계X Katılım Ağustos 2023
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@remoncofe·
지독한 최애른러로써 소신발언 하겠습니다. 최애의 똥꾸는 자유분방해도 최애의 꼬추는 단속해야합니다
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@remoncofe·
토우야 변신놀이
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@remoncofe·
사진 찍어달래 개웃김 너 이렇게 사진 욕심 있었니?
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@remoncofe·
ㅅㅂ 난 고양이보고 와 토우야다 이랫는데 대가리가 크네 ㅇㅈㄹ 응 너 대가리 존나 커
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@remoncofe·
너무 멍청해서 푸학 하고 웃음
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@remoncofe·
아기천사 아기새 실존
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@remoncofe·
새장에서 노래하는 천사 토우야 실존
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鈴森なる瀬
鈴森なる瀬@76___se·
プセーカの3Dモデルは個体差あんま出ないようにしてるかわりに衣装のシルエットで個性出してるのかな?って思うんだけどトャー並べると固有衣装ほぼほぼ細長すぎんだろ
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@remoncofe·
@ngftmnmn 하지만 꼴렸죠?
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@remoncofe·
지들이 내수용으로 운영해놓고서 국내표 안팔린다고 오라고 지랄 ㅗ
NANO-ナノ-OFFICIAL@nanonano_me

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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❔
@PAKUTTOAKI·
双子すぎるт_т🩵🩵
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@remoncofe·
분명 시라안이 생일 더 늦은데 연상누나미 잔뜩있어서 좋음 ㅜㅜ 토우야 < 전형적인 외관말 멀쩡하고 손 많이 가는 귀찮은 동생
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@remoncofe·
안토우에대한 꾸준한 캐해 토우야 : 외관만 멀쩡하고 손 많이가는 남동생 안 : 동생 잘 챙겨주는 인싸 누나
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@remoncofe·
아 ㅅㅂ 보던 픽시브 너무 꼴려서 못참겠다 하고 잠깐 나왔는데 번역 덜 된거라 또 기다려야함 ㅎ
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@remoncofe·
토우야 너무 음란한거 아니야? 저러다가.. 큰일 날거 같은데 하지만 니가 먼저
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@remoncofe·
미래 안토우보면 그냥 안쨩 토우야를 육아하시는 누나 그 자체이시고 딱 미래부터 비배스 전원 토우야 육아유닛이 됨 근데 무서운 사실 미래는 토우야의 두번째 하코이다 ㄷㄷ
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@remoncofe·
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@remoncofe·
북마크에서 뭐 가져오려고 햇는데 뭐였는지를 까먹음 왜냐면 저 터틀넥 음란 토우야를 봐서 뇌가 녹음
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@remoncofe·
토우야 그동안 터틀넥 입은거 다 찢어버리고 싶다 그동안 토우야 본 남자들 눈 파내고 싶어짐
📛@au17155823

隣の人

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