Tejas Sawant

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Tejas Sawant

Tejas Sawant

@rite2ace

Professional Esports GATEKEEPER with a small kdrama addiction.

Thane, India Katılım Eylül 2010
591 Takip Edilen18K Takipçiler
Anish Moonka
Anish Moonka@AnishA_Moonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
DiscussingFilm@DiscussingFilm

‘PROJECT HAIL MARY’ is Ryan Gosling's highest rated film on Rotten Tomatoes at 95%. Read our review: bit.ly/DFMary

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DUNE
DUNE@dunemovie·
Seated. The cast of Dune: Part Three watched the trailer, did you? Dune: Part Three only in theaters and IMAX December 18. #DuneMovie #FilmedforIMAX
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Simar Sethi
Simar Sethi@simar_psy·
Whoever is coaching AST great job man! Specially the players as well calm composed taking time clearing angles and not making basic mistakes like Leosun GOOD FUCKING VALORANT.
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Chota Don
Chota Don@choga_don·
Remember this live reporter of Lyari gang war? Attention to detailing is so goated that even he got a spot in #Dhurandhar2 by Aditya Dhar 🔥
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Shikhar Sagar
Shikhar Sagar@crazy__shikhu·
Peak moment in Dhurandhar 2 ...... Spoilers without context
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Tejas Sawant
Tejas Sawant@rite2ace·
@veewake Not the exact 1:1 but similar tune with different ending also Rush movie ost hans zimmer ka towards the end
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Veewake
Veewake@veewake·
@rite2ace Requiem for a dream ka OST? No I don't think so
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Nikhil.
Nikhil.@fundoozx·
Ye konsa ranveer singh tag kiya hai director sahab
Aditya Dhar@AdityaDharFilms

🙏🧿♥️ #DhurandharTheRevenge releases worldwide on 19 March, on Gudi Padwa, Ugadi, and Eid. Hindi | Telugu | Tamil | Kannada | Malayalam @ranveersingh @rampal72 @duttsanjay @actormaddy #AkshayeKhanna @saraarjunn @therakeshbedi @adityadharfilms #JyotiDeshpande @dhar_lokesh @officialjiostudios @b62studios @tseries.official @jiohotstar @stargoldofficial Oh, and one more thing. Don't leave your seats until the credits have stopped rolling 😉

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Barto
Barto@bartonovopolis·
Still releasing 1080p trailers on YouTube in big 2026 should be illegal
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Marco Foster
Marco Foster@MarcoFoster_·
Dua Lipa on the Epstein Files: “It’s so gross. The way the crimes have been reported and the language that’s been used has been really doing such a disservice to all the victims. I keep thinking about all the stories that talk about the underage girls and the sex parties rather than writing about the victims who are children who were trafficked and raped. It’s almost putting everything under some kind of veil to protect, I don’t know who, the reader or trying to mask what is actually happening. It’s so interesting how the media takes and twists things even in the darkest hour”
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neo_fk
neo_fk@neo_fkubski·
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ZXX
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