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Robert Ronny
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Robert Ronny
@robertronny
*Writer,Director,Producer, CEO Paragon Pictures* I Write , Produce and Direct - The Most Beautiful Girl in the World - Tak Ingin Usai di Sini #TMBGITW #TAKIS
New York / Jakarta Katılım Nisan 2009
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The worst Star Wars feature film.. that’s saying a lot with the quality of Star Wars movies nowadays. Bad casting bad lore of Han Solo.. just bad bad bad film … the fact that Han Solo is my favorite character this film hurts even more
Star Wars Daily@StarWarsDaily_
What are your thoughts on the Han Solo movie?
English

From the very first start, we knew that wrong cast will ruin everything.
Selain juga character lore-nya yang sudah diberantakin lek Abrams atas ijin si Kathleen.
And come on. That ain't no Solo - and never be Solo.
Star Wars Daily@StarWarsDaily_
What are your thoughts on the Han Solo movie?
English
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The world is full of pain, but watching disabled dogs in wheelchairs discover the freedom of a garden makes it all disappear
Buitengebieden@buitengebieden
Good morning.. 😊
English
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Peter Jackson regrette le déclin du support physique :
« On peut toujours acheter des Blu-rays mais c’est presque devenu un produit de niche destiné aux passionnés. Comme les ventes sont faibles, les studios ne veulent plus y ajouter de bonus conséquents ou proposer des versions longues.
Nous avons passé des heures et des heures à produire des making-of pour les DVD du Seigneur des anneaux et énormément de gens m’ont remercié pour ça. Les gens regardaient ces contenus encore et encore parce qu’ils leur donnaient envie de faire des films. Tout ça a disparu aujourd’hui, et je trouve ça vraiment dommage. »


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Hans Zimmer wrote the music for that scene before he knew the movie was even about space. Christopher Nolan handed him a single page about being a father, told him nothing about rockets or wormholes, and asked for four minutes of music. Zimmer wrote it that same night, on piano and organ. Hearing it back, Nolan said he finally understood what his own movie was about. Then he went and made it.
The organ you hear in the docking scene was recorded inside a London church, on a pipe organ built in 1926. The church's own organist, Roger Sayer, played it. Zimmer chose the organ on purpose. An organ makes its sound by pushing air through pipes, the same way your lungs push air to make a voice. And in space, every breath an astronaut takes might be their last.
The reason the scene feels so real is that a lot of it was. Nolan refused to shoot the cockpit on a green screen. He had a full one built and bolted it onto a machine that could tilt and spin it, steered by hand with a lever the crew nicknamed the waldo. McConaughey was really being thrown around inside it while his character fights to line up with the spinning ship. The swirling stars outside the windows were beamed onto big screens around the set while the cameras rolled, so they lit the room for real. It's an old trick, the same one used on 2001: A Space Odyssey back in the 1960s. The glow on his face and the streaks of light sliding across his helmet are the real thing, caught right there in the moment.
The ships you see spinning are models. A team at New Deal Studios built the main ship, the Endurance, at fourteen feet across, and filmed it turning on a giant rotating arm so the shadows sliding across it would look real. For the wide docking shots, they hung that model upside down and flipped the camera over, so it looks like it's spinning above Cooper when it was really hanging below him.
What makes the scene hit like pure adrenaline is that the dizziness on McConaughey's face is real. He was filmed inside a cockpit that was actually spinning, under the glow of those projected stars. The work won the Oscar for visual effects in 2015.
cinesthetic.@TheCinesthetic
It’s been said a million times already, but the docking scene in Interstellar (2014) still absolutely rules. Hans Zimmer’s score, McConaughey trying to manually match rotation while everything is seconds from exploding… pure adrenaline filmmaking.
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