Cansada

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i have tons of energy to scroll but not to do anything else

“ Felliniano…” Ho sempre sognato ,da grande ,di fare l’aggettivo !- Federico Fellini #ViaDallaMediocrità #SalaLettura @RetwittL @lagatta4739 📷🖥

USP na chuva 🌧

Xica da Silva - (1996)

The Psychedelic Furs - Pretty In Pink (1986)

@melaltverse Também percebi, mas quem sabe foi a escolha do artista que não atraiu o povo sair de casa.

@rosemccansada vi algumas imagens do Bem Brasil retornado e não é por nada não, mas em Interlagos tinha bem mais gente nos shows

@O2Playfilmes Edward Norton!😍

Seth Rogen. Olivia Wilde. Penélope Cruz. Edward Norton. Confira os cartazes individuais dos personagens de O Convite. 9 de julho nos cinemas.

Olivia Rodrigo and Robert Smith - What's Wrong with Me (Lyric Video) youtu.be/oOEGRpfitAg?is…

Homem Aranha mostrou na prática o que é a lei do retorno:

Rhett’s iconic line, “Frankly my dear, I don’t give a damn,” was integral to the film. That line summed up Rhett’s defeat, and the years of suffering he’d endured both from Scarlett and himself, as well as the severity and finality of his exit. The censors finally agreed to allow the line after much convincing. Selznick insisted that the film would be a mockery if the line was changed to the preferred “My dear, I don’t care.” Selznick also pointed out that the actual dictionary definition of the word referred to nothing prurient, only recording it as “a vulgarism.” Film: Gone with the Wind (1939)

@melaltverse Sim, isso também 🥂🍾💰💳👠

@rosemccansada Queria ter o emprego dela, escrevendo pouco e tendo dinheiro para pagar um aluguel caro em NY, saindo sempre com as amigas 😂

A minha é ter esse volume de cabelo da Carrie Bradshaw

@LollapaloozaBr O Rappa?

Atenção: contém figurinhas raras e altas doses de saudade. Clique e abre seu pacote de lembranças do #LollaBR!

O Oscar mais merecido de toda a história da premiação.

@heldermaldonado Lembrei da treta do Theo Becker e o finado "bafo bafo"

Ficar longos períodos sem comer é ótimo para ganhar um bafo capaz de ser sentido pelo manobrista da empresa lá na guarita

@DannyDrinksWine Al Pacino sumiu nesse filme, finalmente ele ficou feio.

Madonna explains why she got mad & cried because of Al Pacino's method acting in "Dick Tracy" (1990): "Interviewer: Describe the relationship between the two characters, Breathless and Big Boy. Madonna: I had nothing but contempt for Big Boy. And he would treat me like a bad little girl. He was always slapping me and spanking me. And in terms of being on the set, whenever Al Pacino put his prosthetics on, his suit, he was a gross pig. And he’s not that way in real life—he’s very gracious, and well-mannered, and gentlemanly, and sweet... . As Big Boy, he would tell me the dirtiest jokes and suck on his cigar like it was some sort of weird phallic symbol, and just be a pig. He was always smacking my butt and my face. I hated him, I loathed him, I was disgusted with him. And so what happened off-camera was that I’d always try to be moving away from him, and he’d always grab me and go “Get over here!” which is exactly what happened in the movie. Every time I expressed my distaste for him, he would smack me, which is also what happened in the movie. I got mad. He made me cry sometimes. There was a scene where he kept smacking me in the stomach, and it would sting, and what made me cry was not so much the hit, but the fact that Warren Beatty wouldn't stop. He would just keep going, and I was humiliated. So it worked, because that’s what’s happening to Breathless—she’s totally humiliated by Big Boy. Interviewer: Did you always stay in character off-camera? Madonna: Yes. I always do, in all my movies." ("Dick Tracy: The Making of the Movie", Mike Bonifer, 1990)

"Fantasma d'amore", este ainda não vi 😍 Tem no YouTube!