Rosalind Plowright

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Rosalind Plowright

Rosalind Plowright

@rosplowright

Mezzo-soprano opera singer specialising in hags, bags, witches and bitches. Teacher and vocal mentor.

Katılım Şubat 2019
262 Takip Edilen477 Takipçiler
Rosalind Plowright retweetledi
The Husky
The Husky@Mr_Husky1·
We are called "the elderly." But that quiet label hides something most people rarely stop to consider. We are the last living witnesses of a world that no longer exists. Look at us and you might see gray hair, slower steps, and the patience that time teaches. But listen to our story — really listen — and you'll realize something extraordinary. We are the only generation in human history to have lived a fully analog childhood and a fully digital adulthood. That's not a small thing. That's one of the most breathtaking journeys a human being has ever been asked to make. We were born in the 1940s, 50s, and early 60s, into a world still rebuilding from the rubble of World War II. Our toys were marbles and hopscotch and card games at kitchen tables. When the streetlights flickered on, that was it — childhood adventures were over, and it was time to go home. No smartphones. No streaming. No endless scroll. We built our memories in the real world. With scraped knees and laughter echoing down streets and friendships formed face to face. In 1969, we sat in living rooms staring at black-and-white televisions as Neil Armstrong took humanity's first steps on the Moon. Hundreds of thousands of us stood in muddy fields at Woodstock believing — really believing — that music and community could reshape the future. We fell in love to vinyl records spinning on turntables. We waited days, sometimes weeks, for handwritten letters to arrive. We learned patience because information didn't come instantly. Mistakes were fixed with erasers — not a delete button. Then the world transformed. Machines that once filled entire rooms shrank to devices lighter than a paperback. We went from rotary phones and party lines to seeing the face of someone we love on the other side of the ocean — instantly, on something that fits in a pocket. We watched the birth of the personal computer. The arrival of the internet. The smartphone. Artificial intelligence. And through every single shift — we adapted. Not because it was easy. Because that's what our generation does. We also carry the weight of history in our bodies. We grew up afraid of polio and tuberculosis. We watched science defeat them. We witnessed the discovery of the structure of DNA, the decoding of the human genome, the transformation of medicine itself. We survived pandemics across decades — and kept going. Few generations have been asked to absorb so much change in a single lifetime. And through all of it, certain things never changed. We still know the joy of a cold glass of lemonade on a hot afternoon. The taste of vegetables picked straight from a garden. The value of a long conversation that unfolds slowly, without a screen interrupting it. We have celebrated births and mourned losses. Carried the stories of friends who are gone. Watched the world become something our younger selves couldn't have imagined — and found ways to belong in it anyway. We are not relics. We are living bridges between two entirely different worlds. Our memory carries something the modern world needs — proof that progress doesn't have to erase wisdom. That speed doesn't have to replace patience, kindness, or reflection. So when someone calls us elderly, we can smile. Because behind that word is something remarkable. We crossed two centuries. Witnessed eight decades of transformation. Walked from handwritten letters to artificial intelligence — and never lost our sense of what actually matters.
The Husky tweet media
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Rosalind Plowright
Rosalind Plowright@rosplowright·
@RebeccaCaine Thank you @RebeccaCaine for your lovely words. ❤️ Not sure if you were in the cinema or in the Opera house. But just to say that the cinema was not live. It was filmed on June 5th with Amartuvshin Enkhbat as Gerard. Happy that you enjoyed it wherever you were.
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Rebecca Caine
Rebecca Caine@RebeccaCaine·
@rosplowright You were so wonderful last night. Sounding and looking fantastic and acting up a storm. So much respect.
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Rosalind Plowright
Rosalind Plowright@rosplowright·
They always say 3rd time lucky. We first did this Chénier in 2015 and I think this is its most successful revival.. certainly for me. Retirement is not a word in my vocabulary 😜@RoyalOperaHouse
James Black Mgt@Jamesblackmgt

Reviewing The Royal Opera’s Andrea Chénier for Seen and Heard International, Colin Clarke writes, “Rosalind Plowright owned the stage, a full confidence assumption, treasurable and impressive.” @rosplowright @RoyalOperaHouse

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Rosalind Plowright
Rosalind Plowright@rosplowright·
@HughCanning4 Hi Hugh I am not a good Tweeter so forgive my late reply Sorry, I got it slightly wrong, I remember Reggie Goodall featured in it somewhere. Of course, I wouldn’t have known exactly what was said as I was backstage and things, do get misinterpreted. Those were the days 🤣
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Rosalind Plowright
Rosalind Plowright@rosplowright·
You’re not the first opera critic to have had something thrown over them 😜 1986 Fliegende Hollander Premiere ROH (Me as Senta…you may have been there)? Dame Anne Evans threw a glass of red wine all over Tom Sutcliffe in the crush bar for some bad review he had given her.
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Rosalind Plowright
Rosalind Plowright@rosplowright·
Happy 90th Birthday to my legendary colleague of 41 years ago, the great Dame Janet
Rosalind Plowright tweet media
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Rosalind Plowright retweetledi
The Opera Awards
The Opera Awards@TheOperaAwards·
Join us for a remarkable recital featuring the internationally acclaimed mezzo soprano, @rosplowright, accompanied by the talented Philip Mountford.
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Rosalind Plowright
Rosalind Plowright@rosplowright·
Wonderful but strange to hear it in Italian
Philip Gwynne Jones@PGJonesVenice

#NowListening Parsifal, but not as we know it, with Maria Callas and Boris Christoff. Now, obviously, this is going to be nobody's first choice as a recording but it has its moments and the restored sound quality is reasonable. A curiosity, then, but well worth a listen.

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