said dibalik🪆 (dead again)

Traded the weight of expectations for the lightness of being myself.

The Pilot前のMC TakaがこのDETOX TOURについて懸ける想いがめっちゃ伝わる話になってる Takaが話す言葉って一つ一つがめっちゃ響くし、自分の中に足りない部分なって毎回感じるから本当にすごいなって思う 周りの声があれですが、前半、後半で分けたのでぜひ、聞いてみてください！

Teruntuk teman2 *JPF yg nonton konser ONE OK ROCK kmrn, bolehkah sender lihat fancam dan foto2 member kece kalian di sini? 🥹

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

gue tuh tadinya mau nenangin kek “gapapa kak kalo gak hapal, santai aja kita enjoy vibing” tapi dia yang beneran kek anxious panicking. kan gue bingung yak

indonesia tuh salah satu stop favorit penyanyi karena crowdnya rame bgt. mau lagu bahasa apapun hajar aja sampe backing vocal, drum, gitar dungstak dungstak juga hayo. kalo aja pemerintahnya bisa komodifikasi konser kek SG, instead of korban passinghae, berjaya banget kita 🥹

Jujur, ketakutan terbesar gue itu hidup tapi gak bermakna isinya beneran cuma kerja, kerja, dan kerja. Atau intinya gak bisa menikmati hidup seutuhnya. Gak punya experience lain di luar kerjaan.

what do yall know about noona romance

One of those stories where it's so peak you gotta just close your eyes on the age choices 😭 (genuinely though I believe one day authors who want to do age gap shit will make the younger one a uni student, it'll happen one day!! 🫠)