Seltzer Agua Papi

Never seen the original the exorcist but were they running around toting guns???

i can’t stop watching it

this the saddest shit I’ve ever seen

I dare Chet holmgren to drop a stinker

@bigdumb_baby You won’t

I want to post face

How Conservative Women in America act 😂🇺🇸

@W_B_Rick Starts whimsical, def shifts down the line but I can see your point with this one at least to start. Looks to get warmer when they show Hogwarts. Just chill my guy.

Why do the colors and editing on this trailer look like Succession This is one of the most whimsical franchises of all time

@JackKennedy And Taylor Sheridan on the screenplays

Post-paramount acquisition seasons are gonna be shot on an iPhone in Toronto

one euphoria after another

Gen Alpha’s Babe

So if you get amc a list you get to see 4 movies a week for 25$, if you see two movies a month it pays for itself

@lindseyyok I’ll answer the question for you: he is the bag

I have a lot of questions

RT @_Gottalovezik: me at work trying to be grateful that I have a job

@JAK__KIDD Put some of that into the Naperville IL AMC please and thank you

You’re in luck. The ceo of AMC knew that people wanted the premium large formats so he took a big risk and started the AMC GO plan to invest in the world leading technology for the movie going experience so more people will get to see movies the way they were intended. #Amc

@JeffDLowe @The_SummerMan I completely agree on the disparity of each movies level of reception I just more so was wondering when fall guy went from being “mid level” to “not very good” as you described it. Maybe being a stickler just was wondering if ppl are souring on the fall guy.

@seltzeraguapapi @The_SummerMan It's not anywhere near as well received as PHM. I enjoyed it but that doesn't cloud the fact it was mid-level for most.

Well it was ass, for one

@JeffDLowe @The_SummerMan When did ppl decide the fall guy wasn’t a good movie?

@The_SummerMan Why did not very good movie not do better compared to good movie people like!?

@b1gdumb1diott You got discussing fished

The Barry Keoghan picture literally made me jump why does it look copy and pasted

i'm sure this has already been done but

@anishmoonka Not sure if you seen this yet @RobbieBarstool but might make you love the movie even more

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Gasped during this scene