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@senditpodcast

@eko3316 and @don__genovese host a podcast about Art, Tech, and more- Follow us and click the link below to discover our latest episodes.

Katılım Nisan 2025
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Asher Edelman on his road to success on Wallstreet
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In Episode #14 how @jared_poz is continuing to focus on digital art and where this this drive and passion came from
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We start looking at old tech with the AI Lens - @Eko3316 started exploring a few security aspects
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#14 @jared_poz on how he went from sneakers to digital art
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Arthemort
Arthemort@Arthemort·
Take notes ETH based marketplaces
ciphrd@ciphrd

Statement about the future of fxhash Hey fx community, As you are aware, these times have been hard for platforms on NFT markets, and we're no exception. We recently had to scale down the team and have been working on scaling down our infrastructure. At this point in time, no one in the team is getting paid, there's myself and a handful of volunteers, as we're essentially running out of cash. I can understand why many platforms stopped trying, building this kind of product is draining you to the bone. That being said, I am committed to getting us through this rough patch as I still deeply believe in such a tool existing for artists, but it's clear that the current model is not working. I've been thinking a lot about the future of fxhash, if any, and it came clear to me that the platform drifted from its initial goal of serving artists primarily along its journey. I think at the root of the problem is that a tool serving artists should be fully owned by its users, and not operated by a small team of people, regardless of how benevolent might their intentions be. While it's always been a long-term goal of ours to fully decentralize the protocol at some point, now seem to be the only opportunity we'll have at it. It only seems like a tangible path towards the future in case the company could not keep supporting the product. We're close to securing some money as a loan / investment, targeting end of June. Once we get this cash, it's clear that we will need to immediately change our trajectory. The plan - reduce operational costs to a minimum - 4k$/mo in services -> will require 1-3 months of work - 8k$/mo in employment -> reemploy a very small and focused team - 2 devs - 2-3 part-time members for helping across the board (admin, marketing, artist liaison, community, etc...) - transition towards decentralization - implement a DAO - open-source everything - figure out pipelines to slowly decentralize decision-making and ownership, from governance towards implementation - open books: company financials for everyone to see - first order of business to solve together: financial sustainability, targeting profitability - consolidate the core product through governance - chains supported - features available - etc... This is the very last time we'll be able to raise cash in our current state, so essentially this will be our last shot at finding a way to build a sustainable long-lasting ecosystem. But I deeply think that the only way to do so will be collectively. It's essential that we reduce operational costs to a minimum until we figure out a sustainable path in the future. The bridge till June It's unclear whether we will be able to keep all the services running until we get cash. We took all the steps that we can and informed our providers, but their policies are understandably strict, I'll keep you updated about this.

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ciphrd
ciphrd@ciphrd·
Statement about the future of fxhash Hey fx community, As you are aware, these times have been hard for platforms on NFT markets, and we're no exception. We recently had to scale down the team and have been working on scaling down our infrastructure. At this point in time, no one in the team is getting paid, there's myself and a handful of volunteers, as we're essentially running out of cash. I can understand why many platforms stopped trying, building this kind of product is draining you to the bone. That being said, I am committed to getting us through this rough patch as I still deeply believe in such a tool existing for artists, but it's clear that the current model is not working. I've been thinking a lot about the future of fxhash, if any, and it came clear to me that the platform drifted from its initial goal of serving artists primarily along its journey. I think at the root of the problem is that a tool serving artists should be fully owned by its users, and not operated by a small team of people, regardless of how benevolent might their intentions be. While it's always been a long-term goal of ours to fully decentralize the protocol at some point, now seem to be the only opportunity we'll have at it. It only seems like a tangible path towards the future in case the company could not keep supporting the product. We're close to securing some money as a loan / investment, targeting end of June. Once we get this cash, it's clear that we will need to immediately change our trajectory. The plan - reduce operational costs to a minimum - 4k$/mo in services -> will require 1-3 months of work - 8k$/mo in employment -> reemploy a very small and focused team - 2 devs - 2-3 part-time members for helping across the board (admin, marketing, artist liaison, community, etc...) - transition towards decentralization - implement a DAO - open-source everything - figure out pipelines to slowly decentralize decision-making and ownership, from governance towards implementation - open books: company financials for everyone to see - first order of business to solve together: financial sustainability, targeting profitability - consolidate the core product through governance - chains supported - features available - etc... This is the very last time we'll be able to raise cash in our current state, so essentially this will be our last shot at finding a way to build a sustainable long-lasting ecosystem. But I deeply think that the only way to do so will be collectively. It's essential that we reduce operational costs to a minimum until we figure out a sustainable path in the future. The bridge till June It's unclear whether we will be able to keep all the services running until we get cash. We took all the steps that we can and informed our providers, but their policies are understandably strict, I'll keep you updated about this.
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Asher Edelman on his road to success on Wallstreet
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STONE
STONE@NaughtalieStone·
I’ve been working on a secret art project for Radiohead over the last year. 8,000 fragments and ephemera from the Kid A and Amnesiac recording sessions, transformed into a an audio-visual cinema installation called “Motion Picture House.”We just launched in a bunker built 30 ft underground at Coachella, then will be going on tour for next year. It’s hard to put into words what it’s been like to work with your childhood heroes. As the credits rolled with my name included, I felt a myriad of emotions but mostly gratitude for the strange loops in our lives that (ideally) return us to ourselves again and again. I deeply recall the teenage me standing in the pouring rain at their concert at Merriweather Pavilion. My mom had packed me a to-go container of spaghetti (odd choice, I know) and I stood in the rain and ate spaghetti and let myself feel something. That’s what this experience means to me and what I hope this will be for those who attend: permission to connect to the parts of yourself that aren’t quite sure where things have all landed or where they might be going.
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"Do I see the trad world coming in? No idea. I know nothing about the trad art world... I have no idea how easy or difficult it is to trick those people into buying our bags." Phantom Scribbler Discover full episode (Link in bio)
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In #13 @Eko3316 on professionalism in the space
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In 13 @Eko3316 on how Pfps actually still grant you some digital status
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"The concept of digital ownership is what people need to wrap their heads around, which young people tend to understand." Discover full episode (Link in bio) Phantom Scribbler
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In this episode @Arthemort on curation vs selection how are they are conflated in the digital space
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On the mission of the Digital Art Mile during Art Basel: "I mean, we're trying to bridge these two worlds. We're trying to make digital art interesting for a wider public." Georg Bak
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