ᴢᴀɴ🎸

엥

Madmans Esprit - Dandelion (Analog Horror Live Bootleg) Watch now : youtu.be/n9P4kh-KEhk Live at Ikebukuro CHOP 2026.05.01 「斷絕」 Filmed by 寫眞館 GELATIN

For me personally, Bucharest and Warsaw have been the two stops with the most unpleasant crowds so far. In Bucharest, people were basically willing to risk crushing someone's throat against the stage if a person was even slightly shorter than 1,60m, just to be able to

先日の5/16 大阪　～華麗なる追憶劇～で 「麗しき仮面の招待状」をMoi dix Moisで演奏、私はパフォーマー† 今回のワイングラス🍷の中は、マリスの青いしとと、赤いしとに見立てて青🟦と赤🟥のキラキラ✨にしました！ 混ざると🟪になるよ　うきょ！ 🎥ショートムービーですがご覧ください† Mana

아니 디르님들 왜 옛날모습 부끄러워하고 흑역사취급하는거지 정말 많은 사람들에게 영감을주고 비주알계의 한획을 그엇는데.. 는 드래곤플라이<-이 미친색히 펼쳐보면 왜 부끄러워하는지 알수잇음

2.1 H.B Kami！ 青・赤・黄 のウィッグを楽しむKami どれがお似合いかな？ お茶目な奴だ！ Ｍana

공개!! 들어주세요 샤이니 정규 4집 오드!

@iulianlfc sunt cu tine bossu 💔

Why does toshiya have such an older gentle ridiculously rich boyfriend vibe?????

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

i wish mme used these labels again for their clothing, it feels much more personal and cool 😞👆

"stop calling somyul unc"

imagine hopping on the train and seeing this metal lord

@Sar_4359 @vkeitt_ @jijikei1i its gedo from zolpidem

@vkeitt_ @jijikei1i Who tf is this im slow

Trying so hard to fit in he's going after undergound bandmen looks

nordic toshiya core

既視感

一生仲間さ🐻‍❄️

Hey everyone, how are you doing? Before I knew it, this EU tour is already down to the last three shows. It’s kind of sad, honestly. During the live shows, I truly feel like we become one beyond the language barrier. Thank you so much, really. I can never thank you enough. Thank you. Three shows left… Warsaw, London, and Milan. Let’s spend some unforgettable time together! I love you all!!

Son im crine