Skanda X

@FOSkaMessiah @KantInEastt You’re a Blue-Eyed White Dragon, While I’m just a Dark Magician.

@skanda_scarlet @KantInEastt Tu marwa speed se bsdk ...uska gif use krra ...maa ke lode itni choti si buddhi leke ek poori family destroy krna chahta hai ....bsdk paxtani toh nhi tu kahi

God is ungrateful if a racist like PewDiePie has a family life while the rest are suffering. His son will abandon him when he suffers because of his sins.

@elonmusk @magattew Kill the Boer.

@magattew With rare exceptions, the countries colonized by Europe were actually unprofitable. More was spent on building up their infrastructure and creating cities than was earned from exports.

Walter Rodney was wrong. Africans are poor because too many African countries make it hard to start businesses, get permits, access reliable electricity, trade freely, protect property, enforce contracts, attract investment, and keep the rewards of hard work. Singapore is richer than Britain, its former colonizer. Switzerland, which never built a colonial empire, is richer than Spain and Portugal, two of the greatest imperial powers in history.

@FOSkaMessiah @KantInEastt Gaand marwa le usse.

@skanda_scarlet @KantInEastt Nazi tera baap hai lode ....bina padhe likhe jo internet pe bakwaas krne aata hai ...

@dasyuslayer7 Pandemic.

@skanda_scarlet Kab dekhi

6/10. Recommend.

@FOSkaMessiah @KantInEastt Aapka bachpan ka hero hai vo Nazi?

@skanda_scarlet @KantInEastt Naah dude.... you'll be a unemployed scum that ik

@FOSkaMessiah @KantInEastt His piglet will grow up to be a school shooter.

@KantInEastt Bro wt the actual fuck ...why are so fucking sadist ...still mogging him for views ...shame on you ...naah fuck you pathetic swine

you remember this? I’m the result

@gangumishra @yollowhowlCPS @midnight_b65055 Chutiya hai. Indian Muzzie.

The Hindu-Muslim alliance

@gangumishra @Hazeludw @jeetlandgod x.com/skanda_scarlet…

would you DATE your pfp?

@Hazeludw No

@gangumishra @jeetlandgod The crying girl in the video is dumb. Crying over a chopped guy.

@gangumishra @jeetlandgod How do you know though? Where?

@AdityaAnan7797 @walkingflex_ I didn’t know that Jinbe was Indian. 😭

@walkingflex_ Don’t forget

Indian anime characters!

@walkingflex_ Namu

@gangumishra @jeetlandgod How do you know?

@gangumishra @jeetlandgod

@gangumishra @jeetlandgod Dumb woman.

@gangumishra @jeetlandgod Wtf is that?

@jeetlandgod What of it?

@anshikamax @archeohistories Here. And cut the larp bro. You’re not Anshika Pandey. She’s famous already. indianmuseumkolkata.org/gallery/l-arch…

@archeohistories im confused is this new ? I can't find anything about this piece except this post

Broken sculpture of a Yakshi from 5th Century CE, Mathura at the Kolkata Museum, India 🇮🇳 This fragmentary sculpture of a yakshi, carved in Mathura during 5th Century CE, is a remarkable example of the sophistication of Gupta-period Indian art. Yakshis were female nature spirits associated with fertility, prosperity, and abundance, and they frequently appeared in Hindu, Buddhist, and Jain artistic traditions. Although the head and parts of the arms are missing, the surviving figure still demonstrates the sculptors' extraordinary skill in depicting the human form, flowing garments, jewelry and graceful posture. Mathura, located in northern India, was one of the most important artistic centers of ancient South Asia. Its workshops produced thousands of sculptures in the distinctive reddish sandstone found in the region. During the Gupta Empire (320–550 CE), often called a "Golden Age" of Indian culture, artists developed an idealized style characterized by natural proportions, elegant drapery and refined craftsmanship that influenced Asian art for centuries. The figure's necklace, detailed clothing folds, and carefully carved feet highlight the high level of technical mastery achieved nearly 1,500 years ago. Gupta-era artistic conventions developed in centers such as Mathura and Sarnath spread across much of Asia, influencing Buddhist sculpture from Afghanistan to Southeast Asia and helping shape the visual language of sacred art for over a millennium.