Limongi stephan

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Limongi stephan

Limongi stephan

@slimongi2002

Katılım Nisan 2009
567 Takip Edilen136 Takipçiler
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Limongi stephan
Limongi stephan@slimongi2002·
A new family,genus,and species of Nazca entities(Aliens?)is described! The most fabulous evidence of unknown entities on earth => all the details... analysis and scientic reports here>>> themilespaper.com
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Limongi stephan
Limongi stephan@slimongi2002·
@MatthewJeffery @prince @prnlegacy we wish that they will do much better but facts are facts until now = disapointing at this stage ....(some persistant rumours) a current total disagreement between Warner Bros & The Estate seem not to help because...control control...money money !
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Limongi stephan
Limongi stephan@slimongi2002·
@lactetue @2_expat Le phénomène OVNI/PAN est une réalité malheureusement ce type de délire pseudo ufologique mythomaniaque étayé par aucune preuve nuit grandement et ridiculise au plus haut le domaine d'étude susnommé !
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Pourton.info
Pourton.info@lactetue·
@2_expat En vrai les reptiliens sont super sympas, c'est clairement l'espèce dominante, mais ils nous laissent tranquilles bousiller la terre, en se cachant de tout le monde, quel peuple d'anges...
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l'Expat' -
l'Expat' -@2_expat·
J'ai croisé le type qui a rencontré les super vilains Drakos noirs dis-donc. Il a l'air sympa.
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Matthew Jeffery
Matthew Jeffery@MatthewJeffery·
Ten years on from @prince's passing, I have written an open letter to the Prince Estate @PaisleyPark. This open letter is a call for bold, decisive action on how his legacy is being handled. You can read it here: shorturl.at/xUzh0 It’s written with respect but also real urgency. Because the truth is, the music still hits just as hard. What’s missing is the leadership around it. Key points: - Prince passed in 2016 and this 10-year mark is a tipping point, when a legacy either re-enters culture or starts to drift into history. - His legacy isn’t fading, it’s being under-activated. The demand is there but the system around it isn’t built to grow it. - The fanbase is getting older and without deliberate action, the next generation won’t discover Prince in the way they should. - We’ve already seen what’s possible, when Prince appears in moments like Stranger Things, streams spike, new audiences show up instantly. The appetite is there. - The Vault and live archive remain massively underused, with no clear long-term plan or consistent release cadence. - There is no clear creative leadership, leading to fragmented decisions and inconsistent output. - Some releases since 2016 have shown real quality… but too many feel cautious, thin and lacking ambition or narrative. Will Parade go the same way? - Key material still hasn’t been properly released, including the Piano & A Microphone Paisley Park 2016 recordings, nearly a decade on. - Meanwhile, other estates are showing what bold stewardship looks like: David Bowie continues to grow culturally through exhibitions, film, and curated storytelling Michael Jackson is about to re-enter the global spotlight again through a major cinema release Others like The Beatles, ABBA and Queen are consistently reintroduced to new audiences, not left to surface themselves - Celebration has drifted, becoming inward-looking when it should be a global cultural moment. - Paisley Park feels preserved rather than alive, when it should be a working creative hub. - The wider artist community influenced by Prince is not being activated, missing a huge bridge to younger audiences. The next 2–3 years are critical. This is the window where Prince either returns to the centre of culture or becomes heritage. The core truth: This isn’t a demand problem. It’s an activation problem. The catalogue is there. The fanbase is there. The cultural power is still huge. But time isn’t neutral. Because legacies don’t disappear overnight. They drift. And right now, that drift is starting to show. Prince Estate over to you. Prince deserves so much more. #Prince #PrinceLegacy #Prince4Ever #PaisleyPark #PrinceEstate #MusicLegacy #MusicIndustry #MusicCulture #LegacyMatters #CulturalImpact #Streaming #Spotify #MusicDiscovery #NewAudience #NextGeneration #PrinceFans #MusicFans #LegacyAtRisk #UnderActivated #TimeToAct #DoBetter #RespectTheLegacy #FanCommunity #NothingCompares2U #StrangerThings #MichaelJackson #DavidBowie
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L Londell McMillan
L Londell McMillan@LondellMcMillan·
@StarTribune @Baron3121 Not surprised by your misrepresentations and errors @jonbream. Let's have a one on one public discussion and debate so that I can correct you and your history of contentious story telling against Prince while pretending to like him.
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The Minnesota Star Tribune
Minnesota Star Tribune music critic Jon Bream joins the Essential Minnesota podcast to reflect on the artist he knew, and what’s become of Paisley Park 10 years after Prince’s death. His take? Not nearly enough of Prince’s legacy has emerged. 🎧️ startribune.com/essential-minn…
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Matthew Jeffery
Matthew Jeffery@MatthewJeffery·
The sad day approaches. 10 years since Prince’s transition. In this Substack open letter to the Prince Estate I urge @LondellMcMillan and @CharlesFSpicer to do more to further Prince’s legacy. Meanwhile, another example of poor effort around Prince’s legacy is highlighted. Record Store Day 2026 comes to pass with ABSOLUTELY NO Prince release. With the size of the vault. It would take minimal effort to find and release one of @prince’s treasures. Why not? All major artists take part. Why not @prnlegacy? Prince Estate. Please do better. We want you to be successful. Make money. Reinvest into @PaisleyPark. You aren’t helping yourselves by this current lazy approach. #RSD26 #RecordStoreDay2026 #RecordStoreDay #VinylCommunity #CrateDigging #prince @jonbream @drfunkenberry
Matthew Jeffery@MatthewJeffery

Ten years on from @prince's passing, I have written an open letter to the Prince Estate @PaisleyPark. This open letter is a call for bold, decisive action on how his legacy is being handled. You can read it here: shorturl.at/xUzh0 It’s written with respect but also real urgency. Because the truth is, the music still hits just as hard. What’s missing is the leadership around it. Key points: - Prince passed in 2016 and this 10-year mark is a tipping point, when a legacy either re-enters culture or starts to drift into history. - His legacy isn’t fading, it’s being under-activated. The demand is there but the system around it isn’t built to grow it. - The fanbase is getting older and without deliberate action, the next generation won’t discover Prince in the way they should. - We’ve already seen what’s possible, when Prince appears in moments like Stranger Things, streams spike, new audiences show up instantly. The appetite is there. - The Vault and live archive remain massively underused, with no clear long-term plan or consistent release cadence. - There is no clear creative leadership, leading to fragmented decisions and inconsistent output. - Some releases since 2016 have shown real quality… but too many feel cautious, thin and lacking ambition or narrative. Will Parade go the same way? - Key material still hasn’t been properly released, including the Piano & A Microphone Paisley Park 2016 recordings, nearly a decade on. - Meanwhile, other estates are showing what bold stewardship looks like: David Bowie continues to grow culturally through exhibitions, film, and curated storytelling Michael Jackson is about to re-enter the global spotlight again through a major cinema release Others like The Beatles, ABBA and Queen are consistently reintroduced to new audiences, not left to surface themselves - Celebration has drifted, becoming inward-looking when it should be a global cultural moment. - Paisley Park feels preserved rather than alive, when it should be a working creative hub. - The wider artist community influenced by Prince is not being activated, missing a huge bridge to younger audiences. The next 2–3 years are critical. This is the window where Prince either returns to the centre of culture or becomes heritage. The core truth: This isn’t a demand problem. It’s an activation problem. The catalogue is there. The fanbase is there. The cultural power is still huge. But time isn’t neutral. Because legacies don’t disappear overnight. They drift. And right now, that drift is starting to show. Prince Estate over to you. Prince deserves so much more. #Prince #PrinceLegacy #Prince4Ever #PaisleyPark #PrinceEstate #MusicLegacy #MusicIndustry #MusicCulture #LegacyMatters #CulturalImpact #Streaming #Spotify #MusicDiscovery #NewAudience #NextGeneration #PrinceFans #MusicFans #LegacyAtRisk #UnderActivated #TimeToAct #DoBetter #RespectTheLegacy #FanCommunity #NothingCompares2U #StrangerThings #MichaelJackson #DavidBowie

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Kelly Chase
Kelly Chase@kellychasemedia·
✨ NEW EP Apocalyptic visions are one of the strangest and most persistent patterns in anomalous experience. People who have encounters with non-human intelligence walk away with visions of a coming cataclysm at a rate that is more common than not. And yet, the apocalypse, like so many prophecies, never seems to come to pass. This is a pattern that shows up across the modern contactee and abductee movements, across history, across religions, and across cultures—anywhere humans report contact with non-human intelligence, visions of the end of the world seems to follow close behind. So what exactly is going on? In this field notes episode, I'm throwing out four theories. Watch the full episode below or find links to other platforms in the comments. ⬇️ [00:47] Apocalyptic Visions & Anomalous Experience [02:31] Theory One: Ancestral Memory [04:20] Theory Two: Translation Artifacts [05:56] Theory Three: Control Mechanism [08:08] Theory Four: Human Interference [11:01] What Does The Pattern Mean? [12:05] Closing & Where to Follow
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Skywatch Signal
Skywatch Signal@UAPWatchers·
🚨Dead Los Alamos Cyber Chief Leaves Behind UFO Files... Claims of Classified Studies Surface A former cybersecurity chief at Los Alamos National Laboratory has reportedly left behind a collection of documents that are now being described as internal material tied to UFO research. The files were discovered by his son while going through personal belongings after his death. They were later passed to Jeremy Corbell, who is now pushing the story publicly. According to claims these are not second hand notes or speculation, but internal memos, scientific reports, and images tied to discussions happening at a classified level. According to Corbell, the material includes records of meetings, references to propulsion research, and what he describes as long term institutional attention on what are labeled as 'atmospheric anomalies.' The origin of the material is directly from the U.S. nuclear weapons infrastructure, with a long history tied to high security research, surveillance programs, and Cold War era anomaly tracking. Its location places it inside the area referred to as the 'Nuclear Triangle,' which is an area that has been associated with repeated aerial sightings dating back to the late 1940s. The files reportedly include historical material as well. Witness documentation from Gulf Breeze in the late 1980s appears to be part of the collection, alongside images and sketches of objects described as disc shaped, cylindrical, and structured with lighting patterns. Some of the photographs show the same characteristics that have been reported repeatedly over decades, overexposed central light sources, colored halos, and apparent structural features that don't really look good or show all that much. Corbell has stated that some of the names referenced in the documents are individuals he recognizes, people he has encountered in previous investigations, who never disclosed involvement in this type of work. That detail is being used to support the claim that the material reflects real internal activity rather than constructed or speculative content. There is no independent verification of the full dataset. The documents have not been released in their entirety for external analysis. The chain of custody runs through a private handoff rather than an official disclosure process. That doesn't invalidate the material, but it does mean it can't be confirmed at the level required to move it into established fact. Corbell himself has acknowledged that the documents are not going to convince everyone on their own. His position is that they confirm a pattern rather than introduce something entirely new. This is being presented as reinforcement of an existing narrative, not a singular piece of evidence that resolves it and its important to keep that in mind If material like this continues to surface through unofficial channels, it does move the conversation away from whether internal study exists and toward how much of it has been kept outside formal oversight. That becomes a structural issue, not just a disclosure issue. Los Alamos is the heart of national security, advanced research, and classified infrastructure. Any credible suggestion that work related to unidentified aerial phenomena has been conducted within that environment raises questions that don't stay contained to the subject itself. It raises questions about access, compartmentalization, and who is actually aware of what is being studied. #UFO #UAP #LosAlamos #Disclosure #JeremyCorbell #NationalSecurity #ClassifiedFiles
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Limongi stephan
Limongi stephan@slimongi2002·
@StarTribune Well...we know who is in charge,sure managing such a domain is complex enough,but they choose not to communicate,despising the fans&messing up the Vault Legacy.What an outrage to Prince' s spirit and special relationship that he had with his fans...it is a failure in plain sight!
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Jon Bream
Jon Bream@jonbream·
The state of the @prince estate: on 10th anniversary of his death, fans want more from the vault & for his legacy while the estate prioritizes protecting over promoting his legacy. Fans & Londell McMillan weigh in @StarTribune analysis. startribune.com/prince-estate-…
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Limongi stephan
Limongi stephan@slimongi2002·
@richgel999 Très déçu par l'auteur....cette attention à vouloir attaquer coûte que coûte Jacques Vallée sur des suppositions de trahison et malversations m'ont hôtées routes envies d'acheter son ouvrage et de porter un intérêt quelconque à son enquête de façon approfondie!
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Limongi stephan
Limongi stephan@slimongi2002·
@MrBerre Not a coma about the release of the new outstanding forthcoming huge project of the supra hyper incredible super expanded super deluxe of Parade Deluxe this year?
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Bert C
Bert C@MrBerre·
More details about the 2026 Celebration (or "Celebrat10n" as they spell it). - LMAO: "Prince FAM Forum at Paisley Park". - How much of this has got nothing to do with Prince music? Why are Bilal and Miguel there? - Why is there a panel with Bootsy Collins?
Bert C tweet mediaBert C tweet mediaBert C tweet mediaBert C tweet media
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Limongi stephan
Limongi stephan@slimongi2002·
@RepLuna A new push back in disguise by the Pentagon...the Same old game over and over for decades.... unfortunately there will be no disclosure as we can expect via institutions,the only way...the hard way .. Catastrophic disclosure unfortunately,thanx anyway for the hard work @RepLuna
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Rep. Anna Paulina Luna
REF UAP DEADLINE: No one from the Pentagon had responded until we reached out, and it appears that someone did not pass the letter to the appropriate authorities. How convenient. Nonetheless, we will be getting the requested list. We are not waiting for a briefing at some unspecified future date. The Secretary of War is someone I consider a friend and someone who backs the President. The President has authorized the release, so whoever is trying to be cute at the Pentagon can take a hike.
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