☀️Solar737☀️
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☀️Solar737☀️
@solar737
“Money, so they say is the root of all evil today but if you ask for a rise it’s no surprise that they’re giving none away”
Surfside, FL Katılım Ekim 2010
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@IvanForum Đorđe Kerkez SNS Batinaš.
Мaltretirao nekog dečka zbog kamate. Kad je došao u Lazarevac po pare sačekali su ga deda i otac i još jedan prijatelj. Lovačkom puškom ga naterali da svom drugu Luki puši k*rac.


Džejms Bolid 007.
Tajni agent za dekortikovane, umno malaksale i socijalno redukovane.
MFUBlokadi@Blokada_Mfub
Bojan Bokac Borovčanin, glavni operativac Zlatibora Lončara, u svojoj kancelariji u UNIVERZITETSKOM KLINIČKOM CENTRU SRBIJE

On this day, 53 years ago, Djordje Kadijevic's Leptirica (often translated as The Moth or The She-Butterfly) was aired in Yugoslavia.
Long before Hollywood popularized the polished, caped version of the vampire, Đorđe Kadijević gave the world a masterpiece of folk horror that remains one of the most terrifying films ever made in the Balkans.
The film is based on the story After Ninety Years by Milovan Glišić. It centers on the legendary Sava Savanović, a vampire who haunts a watermill in the village of Zarožje, killing any miller who dares to spend the night there.
Kadijević used natural lighting and a slow-burning pace to make the supernatural feel dangerously real. When the "transformation" scene finally happens, it isn't the CGI that scares you but the raw, animalistic sound design and the jarring, nightmare-fuel visuals that feel like something unearthed from an ancient grave.
#Leptirica #HorrorCinema #YugoslavFilm

English

@Ortodox_Serb Da je ovo bilo kad sam ja išao u školu indentifikovao bih se kao panj. Imao bih sve petice. 🤣🤣🤣

@mirkotopalovic7 I baš na televiziju da ispriča kako je išao da podrži žvalu. Pazi sad kad dodje da mu pred kamerama nadoknadi štetu. Koliko je ljudi opljačkano. Ni jedan se nije pojavio na TV-u. Samo ovaj mučenik što voli sendvič.
































