sriprawin kumar.B( prawin Reddy Bachi)

Now that @AdityaDharFilms has EXPLODED a ATOMIC BOMB right under the film industry, what is shocking is the loud silence from the rest of the film industry . I don’t know whether this is because the #Dhurandhar2 ‘s devastating explosion has hurled everyone else in the film industry so far into OUTER SPACE that their applause cannot reach here due to the long distances , OR whether they’re huddled in denial, whispering to each other , “It’s just propaganda… it will go away soon ,” so that they can crawl back and resume making their same old repetitive films. OR are they just paralysed by the film’s sheer brilliance , realising that whatever they’ve been making or planning to make , now simply cannot measure up? But isn’t it extremely unwise to ignore a DINOSAUR like #Dhurandhar2 staring you in the face and BREATHING FIRE into your eyes with its BOX OFFICE ROAR shaking the very ground beneath their feet , how can anyone be so foolish enough to look away? My sincere advice to all my colleagues in the film industry is to please take #Dhurandhar2 deadly seriously and study it like a ultra fresh course in filmmaking and educate yourselves OR risk being buried forever in the graveyard of pre March 19th 2026 cinema.🙏

ME with the POWER COUPLE. The reel HUMZA @RanveerOfficial destroyed the Pakistani terrorists and the real HUMZA @AdityaDharFilms is destroying the Indian film makers 🙏 Terrorists can run to save their lives,but where will film makers run to save their films from his brilliance?

Power || Intensity || Swag — Presenting Vivek Oberoi’s 1st LOOK from #Spirit #OneBadHabit @vivekoberoi @InSpiritMode #Prabhas @imvangasandeep @tripti_dimri23 #AishwaryaDesai @rameemusic @sureshsrajan #BhushanKumar @vangapranay #KrishanKumar @ShivChanana @neerajkalyan_24 @VangaPictures @TSeries @tseriessouth @anilandbhanu @WallsAndTrends @sivadow55122 #DevSharma

Presenting you all, the antagonist of the film SPIRIT. Mr. Vivek Anand Oberoi.

Spirit Release Date || March 5th 2027 #Spirit @OneBadHabit #Prabhas @imvangasandeep @tripti_dimri23 @vivekoberoi @rameemusic @sureshsrajan #BhushanKumar #KrishanKumar @ShivChanana @neerajkalyan_24 @InSpiritMode @VangaPictures @TSeries @tseriessouth @anilandbhanu @WallsAndTrends @bnaveenkalyan1 @sivadow55122

Spirit release date :-) #Spirit

You loved what existed before. Now fall in love with what you never knew existed…. #SPIRIT FIRST POSTER 🔥 #OneBadHabit #Prabhas @imvangasandeep @tripti_dimri23

Beyond inspiration || Beyond aspiration || Into creation👆🏼#SpiritFirstLook #OneBadHabit #Prabhas @imvangasandeep @tripti_dimri23 @vivekoberoi @InSpiritMode @bnaveenkalyan1 @rameemusic @sureshsrajan #BhushanKumar #KrishanKumar @ShivChanana @neerajkalyan_24 @sivadow55122 @VangaPictures @TSeries @tseriessouth @anilandbhanu @wallsandtrends

INDIAN CINEMA.... witness your AJANUBAHUDU / AJANUBAHU 🫡 Happy New Year 2026 🤗 #SpiritFirstLook #spirit @InSpiritMode @actorprabhas @tripti_dimri @vivekoberoi @rameemusic @sureshsrajan @RajThota_Dop @master_supremesundar #BhushanKumar @Pranayreddyvanga #KrishanKumar @ShivChanana @neerajkalyan24 @VangaPictures @tseriesfilms @anilandbhanu @wallsandtrends @bnaveenkalyan1 @anilandbhanu

36 mins more..... I promise you....happiness is on me 😊

この男は誰にも止められない。🔥 Kono otoko wa Darenimo Tomerarenai🔥 The most talked-about, debated, and unforgettable cinematic experience is coming to Japan.🪓 Animal releases in Japanese theatres on February 13, 2026. 🇯🇵🇮🇳 #Animal #AnimalinJapan #AnimalTheFilm #RanbirKapoor  @iamRashmika @thedeol @tripti_dimri23 @AnilKapoor #upendralimaye @imvangasandeep #BhushanKumar @VangaPranay #KrishanKumar @tuneintomanan @anilandbhanu @VangaPictures @TSeries @rameemusic @cowvala @ShivChanana @neerajkalyan_24 @supremesundar @sureshsrajan @AAFilmsIndia @AnimalTheFilm @ANIMAL_movie_JP Japan Distribution  @GEEKPICTURESinc @geekpictures_d @geekpictures_IN @Arjunarcv @mokshamodgill

Happy birthday 🎂buddy ⁦@imvangasandeep⁩ 🎉 Your fearless vision and intense storytelling continue to inspire. Wishing you more power and success ahead.

A stupid guy was talking about a recent public plot/farm and used very bad words about women. The women present there should have hit him with their slippers so that he would never dare to speak like that again.

@anusuyakhasba A stupid guy was talking about a recent public plot/farm and used very bad words about women. The women present there should have hit him with their slippers so that he would never dare to speak like that again.

🙂

Before extending wishes, we bow with respect to a leader whose journey reflects courage, sacrifice, and commitment to the people. Happy Birthday Hon’ble Shri Y. S. Jagan Mohan Reddy Anna 🌸🎂

DHURANDHAR is not a film , it is a QUANTUM LEAP in INDIAN CINEMA I believe that @AdityaDharFilms has completely and single handedly changed the future of Indian cinema , be it north or south ..That’s because Duradhar is not just a film.. it is a quantum leap What Dhurandhar achieves is not just scale, but a never before experienced vision not just in sight but in the mind . Aditya Dhar doesn’t direct scenes here… he engineers the states of minds of both the characters and us audience The film doesn’t ask for your attention.. it commands it. From the very first shot , there’s a sense that something irreversible has been set in motion, and the audience is no longer a spectator but an accomplice to the happenings on screen This is a film that refuses to be polite. The writing cuts with intent, the staging breathes menace, and the silences are as weaponized as the thunderous sound effects . Dhar understands that power in storytelling is not volume… it’s pressure building . Every sequence feels compressed, like a spring being wound never knowing when it will snap . And when it does, the impact is not just brutal but it is also symphonically operatic The Performances in the film aren’t designed to be liked but they’re designed to linger long after we leave the theatre .. Characters walk in carrying history on their shoulders, and the film trusts the audience enough to read their scars rather than spoon feed their backstories. This confidence which could be easily mistaken for arrogance is precisely what marks Dhurandhar as a turning point for Indian cinema . Dhar assumes that the audience are intelligent which is the highest respect a director can pay to an audience , whereas most film makers believe in dumbing down their films Technically, the film redraws the grammar of mainstream Indian cinema. The sound design doesn’t decorate scenes, it stalks them. The camera doesn’t observe but it circles it like a predator. Action here isn’t choreography for applause.. it’s perspectively justified and extremely ugly , the way real violence should feel. But beyond craft, what truly elevates Dhurandhar is its intent. This is not a film chasing trends or validation. It is a solemn declaration, that Indian cinema doesn’t need to dilute itself to become successful and doesn’t need to mindlessly copy Hollywood. Dhar proved that it can be rooted and still be internationally cinematic. When the final credits roll, you don’t feel just entertained, you feel altered. And that’s the mark of a filmmaker who isn’t just making movies, but he is reshaping the very ground that all us film makers stand on.