Aaron Steinberg, Esq.

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Aaron Steinberg, Esq.

Aaron Steinberg, Esq.

@steinbergesq

Entertainment Attorney in Nashville. Sad Ohio sports fan.

Nashville, TN Katılım Aralık 2013
960 Takip Edilen468 Takipçiler
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
Music rights twitter: version 2.0 of the music rightsholder flow chart is below and more convoluted than ever! Based on feedback, I added neighboring rights, included general revenue sources, sync/master-use, and made a few other tweaks. What else should I change or add?
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Aaron Steinberg, Esq. retweetledi
Tyler Bank
Tyler Bank@tylerbankmusic·
Don’t turn your tv off @kendricklamar is about to perform
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
Ohio-based up and coming artists tap in — I want to help — send that music over
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
Self-published artists register with MLC for US mechanical royalties (streaming/downloads) and ASCAP/BMI for public performance royalties (radio/bars/live shows/streaming). Indie artists also like to leave SoundExchange (recording monies from SiriusXM/Pandora) on the table too.
Z@BrianZisook

A surprising number of artists overlook or completely ignore their publishing. If you’ve been releasing music for over three years and generating consistent streams, not taking action is basically giving money away.

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Karl Fowlkes, Esq.
Karl Fowlkes, Esq.@esqfowlkes·
I'm a builder not a bettor. 🧱 x 🧱
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
Music royalties are complicated…it’s important to understand where your recording and/or pub royalties are coming from. Version 3.0 of the below is coming soon…hit me with questions or changes you want to see.
Aaron Steinberg, Esq.@steinbergesq

Music rights twitter: version 2.0 of the music rightsholder flow chart is below and more convoluted than ever! Based on feedback, I added neighboring rights, included general revenue sources, sync/master-use, and made a few other tweaks. What else should I change or add?

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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
@acfreedmanlaw At very least hopefully consumers get more transparency into ticket prices. Would also like to learn more about why Ticketmaster has so much difficulty preventing “bots” from buying up tickets.
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Adam Freedman
Adam Freedman@acfreedmanlaw·
The real enemies are scalpers, who are using bots or insider deals to buy up big portions of tickets before they even go on sale, to resell on the secondary market for hugely inflated prices Neither artists nor promoters see any of that
Adam Freedman@acfreedmanlaw

The DOJ suing ticketmaster/livenation is misguided. It's not going to lower prices for customers, and regardless, most of the extra fees actually go to venues or promoters it's just going to get ticketmaster to include the fee as part of the overall ticket price

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Adam Freedman
Adam Freedman@acfreedmanlaw·
Just literally yelled at a client not to take a deal because it's so bad, and he still wants to do it!
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
Feeling lucky to do what I do. Being a music attorney gives me the opportunity every day to work with inspiring and creative people…and I also still get to nerd out in the nitty gritty haha 🤓
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Karl Fowlkes, Esq.
Karl Fowlkes, Esq.@esqfowlkes·
Nobody wants to hear this but we should be paying more for unlimited access to music.
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Dan Runcie
Dan Runcie@RuncieDan·
What’s the biggest problem in the music industry?
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Mark Tavern
Mark Tavern@marktavern·
What is something you’d tell a student about how to communicate better in the music business?
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Aaron Steinberg, Esq.
Aaron Steinberg, Esq.@steinbergesq·
@MarkJKings @AndrewDhuey If an artist or writer sells a catalogue containing rights he or she already reclaimed under to 304 or 203, can they reclaim again under 203?
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Cincinnati Bengals
Cincinnati Bengals@Bengals·
🗣️ IT’S TIME TO SAY WHO DEY!
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