tata💗 vai ver o Enha

니코랑 마키가 같은 그룹이라 다행인건 아무리 아시안/혼혈이어도 둘다 영어권에서도 살던 애들이라 그때 받은 영향이나 그시절 추억을 공감해줄 수 있는 하나뿐인 존재라는거.. 둘다 까먹지 않게 영어로 대화할수도있고 유행하는 해외틱톡도 같이 자주 찍고 요상한 게임(공기빼고 소리지르기, 리버스로 녹음하기, 위링크게임..)하면서 깔깔댈 정도로 개그코드도 비슷하고 팝송틀면 야밤에탈출한미친오랑이들처럼 뛰어 놀고 먹기도 잘먹고 성향은 조금 달라서 가끔 투닥대긴하는데 그래도 둘이 성격취향코드 잘맞고잘노는게 진짜 형제이자 친구같음

who remembers when maki said in an interview that euijoos voice calms him and puts his heart at rest and makes him feel safe because I DO 💔

how it feels to be online friends with someone in the same country as you

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

i'd like to especially point out that, for the q : "what is a part of nc that goes well with you" jju says "okay-man" (someone who agrees to everything/ says okay to everything) so that means nc agrees to everything jju says.. shhejgsueje your honour they are in love

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

sinto muito, mas esse recado deveria ser pra propria industria musical japonesa! ela é totalmente isolacionista e nao tem interesse no exterior! os fãs vao ate o japao pra ver seus artistas favoritos e sao recebidos com ingressos que nao sao vendidos a estrangeiros,

Crystal Kay: I think Japan needs to make Youtube more available abroad

let’s all remember this euijoo