PHLOTE

The biggest misconception right now: AI makes music worthless. Reality: AI makes usage explode. And usage is what gets paid next.

@titlesxyz Nice!

Most AI tools give everyone access to the same generic models. The result? Everything looks the same. We have a different vision for AI creation. Introducing TITLES, a new creative studio built around AI models trained and owned by artists. In Studio, you can create with distinct visual perspectives developed by artists, across image and video — all in one place. This is the future we're building toward: not one model for everyone, but a growing network of unique styles you can build with — where artists get credited and paid as the work spreads. Enter Your Creative Studio: titles.xyz

The Juno sounds great.

Phlote is building a rights-cleared programmable sound library for next generation AI games and applications where audio adapts in real time. Artists retain 100% ownership of their sounds and get paid each time their sounds are used. Apply to join at phlote.xyz/apply

Phlote is live. 85+ tracks 90+ artists API in early access Dev Hub opening for builders. If you have original sounds: apply → phlote.xyz/apply

What we need: — Original sounds (drums, bass, melody, FX) — Clean rights — Basic metadata (BPM, key, mood) That’s it. We handle the rest.

What if your music paid you every time it was used — in a games, app, or adaptive experience? That’s what’s coming next.

We’re opening early access to game developers building adaptive and AI-native experiences. Specifically, this is for builders shipping AI games, apps, and agents powered by music.  If accepted, you’ll get access to the Phlote dev hub, early tools, and direct line to the team.

More music markets. 👍🏽

Phlote API → FMOD plugin → Unity / Unreal Now every game developer using FMOD has access to your catalog.

Music is mispriced. The entire asset class is valued on streaming. But the internet runs on usage. Don’t release music to be listened to. Release it to be used.