Throughlines

Happy Indigenous Peoples' Day! Today and everyday, we celebrate Native pasts, presents, and futures. Check out @Throughlines_ with Larissa FastHorse, @TyDefoe, and Michael John Garcés on community informed creative practice and centering Native voices. throughlines.org/suite-content/…

Happy Indigenous Peoples' Day! Today and everyday, we celebrate Native pasts, presents, and futures. Check out @Throughlines_ with Larissa FastHorse, @TyDefoe, and Michael John Garcés on community informed creative practice and centering Native voices. throughlines.org/suite-content/…

Anyone teaching a Renaissance literature survey this semester? @DennisBritton3 offers a sharp and fascinating read on The Faerie Queene and race. Be sure to watch the full video here throughlines.org/suite-content/…

"The future of higher education will depend on how we frame the past. We cannot allow politics to whitewash history." - Ayanna Thompson today in @MsMagazine's Banned series! msmagazine.com/2024/09/30/sha…

If you haven't registered already, you're not going to want to miss Revising the Humanities, a discussion on premodern studies, pedagogy, and teaching critical race in 2024. Friday, 6pm ET. @HumIt_ASU na.eventscloud.com/revising-the-h…

@Throughlines_ is a terrific new resource for teachers at all levels. It offers plenty of accessible, practical ways to bring premodern critical race studies into the classroom.

Check out Ayanna Thompson and Ruben Espinosa on @folgerlibrary Shakespeare Unlimited discussing the origin of Throughlines and how we are supporting a next generation of educators! folger.edu/podcasts/shake…

In early 2024 @Throughlines_ hosted a workshop where book artist, Suzanne Coley, spoke on interpreting Shakespeare’s sonnets through a contemporary lens of bookmaking, embroidery, and printmaking. Be on the lookout for new Throughlines resources each month throughlines.org/suite-content/…

In early 2024 @Throughlines_ hosted a workshop where book artist, Suzanne Coley, spoke on interpreting Shakespeare’s sonnets through a contemporary lens of bookmaking, embroidery, and printmaking. Be on the lookout for new Throughlines resources each month throughlines.org/suite-content/…

Join us on Sept 20 for a conversation on the role of humanities in imagining inclusive futures—with @throughlines_ scholars Ayanna Thompson, Leslie Alexander, @platanoclassics, Ian Smith, @dennisbritton3, and @RubenEspinosa. Register: ow.ly/k3GJ50Ta2qw @HumIt_ASU

grateful to @acmrs_asu and @Throughlines_ for wanting to know more about where Indigenous Shakespeare productions fit into the wider landscape of the Contemporary Native Theatre movement, history, erasure, resilience, and some of the many Native artists work involved.

.@MadelineSayet offers a fascinating and profound timeline of the Indigenizing Shakespeare Movement, and how it has intertwined with her own creative practice. Find her whole feature here: ow.ly/hgG450T4shR #ShakeRace #RaceB4Race #TheaterTwitter

How does "a toboggan ride through the end of an empire" sound? Ayanna Thompson shares this and many other superlatives for Titus Andronicus in her feature on Throughlines, "Titus Andronicus as the gateway drug." ow.ly/Y1ez50T2wZ2

.@acmrs_asu led by @ASU Regents Professor of English Ayanna Thompson, will celebrate the launch of its new @Throughlines_ curriculum at a hybrid event on Sep. 20 in Washington, DC. Learn more: ow.ly/rvKE50SV5ou #ASUHumanities CC: @ASUinDC

Planning your readings for this semester? Polishing your syllabus? Make sure to check out @Throughlines_ for exemplar syllabi from field-leading scholars in premodern studies. throughlines.org #RaceB4Race #AcademicTwitter #ShakeRace

What does it mean to "turn Black?" Race has always been fluid—it's controlled by the powers that define it. More by Ian Smith on race, identity, and Shakespeare studies on Throughlines: throughlines.org