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this scene feels so intimate and heartbreaking at the same time

Some films remind you that even temporary happiness can feel eternal for a moment

Obsession is the best horror film since Hereditary. Good night.

a performance that will be talked about for years

at the time I searched desperately, inside myself, for any memory of happiness. now, fifty years later, i learned i was part of someone else's happiness. what a wonderful discovery. after life (1998) dir. hirokazu koreeda

thinking about wish nikki being cast in shadow. thinking about wish nikki’s eyes shining. thinking about how effective the sound design is. what a fucking film man!!

Inde Navarrette praises Curry Barker for being a gentle force in introducing her to the world of horror with ‘OBSESSION’. “We shot everything in the house first which was kind of all of the craziness. Once we were done with that, I felt like I could take over the world!”

@colditioner twitter.com/colditioner/st… ❤️❤️

If you only had 3 hours left to live and could watch one final film, what would it be?

asian film that stays with you forever

🐑#箱の中のカンヌ 🇫🇷 ━━Ｖ━━━━━━━━━━━ #是枝裕和 監督、 世界の名匠たちとの２ショットを📸 『パラサイト 半地下の家族』 #ポン・ジュノ 監督 『シェイプ・オブ・ウォーター』 #ギレルモ・デル・トロ 監督 #綾瀬はるか #大悟(千鳥) #桒木里夢 #箱の中の羊 𝟓月𝟐𝟗日(金)公開

@colditioner Fantastic movie 💛

Café Lumière 珈琲時光 (2003) dir. Hou Hsiao-hsien

@acacinema (made by my twin @VaporKekko)

look at our GOAT

Hirokazu Kore-eda arrives to the #Cannes opening ceremony.

my favourite cannes winners!

Monster (2023) dir. Hirokazu Koreeda

是枝裕和監督、8度目のカンヌ映画祭コンペ入りへ――。🇫🇷🎬 『万引き家族』以来となるオリジナル脚本作『箱の中の羊』が、ついにベールを脱ぐ。 綾瀬はるか×千鳥・大悟という異色タッグに加え、“息子を失った夫婦とヒューマノイド”という設定だけでも気になる…。 そして大悟の「レッドカーペットで綾瀬さんに手を出せるか問題」が微笑ましすぎる😂 カンヌでどんな反応を巻き起こすのか注目。✨ 🔗hollywoodreporter.jp/japan/197258/

One day I will go to Cannes and Venice film festival… one day

Reminder: just because you're not personally into a game, doesn't mean it's a bad game

@_filmcrave Kore-eda's Sheep in the Box 💚

Tomorrow is the opening day of the 79th Cannes Film Festival. Which film are you rooting for this year?