The Sugar Factory

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The Sugar Factory

The Sugar Factory

@tsf_pr

communication specialists for the creative sectors get in touch: [email protected] + [email protected]

London Katılım Eylül 2021
539 Takip Edilen248 Takipçiler
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Apollo Magazine
Apollo Magazine@Apollo_magazine·
Marguerite Duras claimed to see cinema as a ‘pointless’ enterprise. That’s partly what made her such a skilled film-maker, writes Annabel Bai Jackson @ICALondon
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AnOther Magazine
AnOther Magazine@AnOtherMagazine·
A Guide to the Sensual, Experimental Cinema of Marguerite Duras dlvr.it/T9wDxD
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DJ Mag
DJ Mag@DJmag·
The debut album from @orla_cd, 'Trusting Theta', is set for release this autumn Get the details: buff.ly/4bVT7YJ
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Mixmag
Mixmag@Mixmag·
Or:la has announced her debut album ‘Trusting Theta’, set to land on fabric Originals this September 👀 mixmag.net/read/orla-debu…
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Noctis Magazine
Noctis Magazine@NoctisMag·
Electronic powerhouse @kucka's deepens her artistic evolution with new album ‘Can You Hear Me Dreaming?,’ a playful human dissection of the collective Internet experience, with KUČKA’s stellar pop songwriting and electronic production. noctismag.com/music/kucka-en… 🖊️ @carolinakrampl
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SONDUKE Magazine
SONDUKE Magazine@sonduke_mag·
SONDUKE is pleased to share our review of Clarissa Connelly's album “World of Work” (2024). The latest release from Warp Records delves into the timeless themes of Work and Desire. Written: Afraa Al Hassan sonduke.com/Clarissa-Conne…
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Nina
Nina@ninaprotocol·
Scottish-born, Copenhagen-based artist Clarissa Connelly has a way of pulling the ancient into the present tense. We spoke with Connelly about her great new record ‘World of Work,’ out now on @WarpRecords. Listen to the album and read the interview here: ninaprotocol.com/articles/clari…
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CLASH
CLASH@ClashMagazine·
Track by Track: Clarissa Connelly - World Of Work The Copenhagen artist breaks down her enthralling, time-travelling tome: clashmusic.com/features/track…
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TANK
TANK@tankmagazine·
At @SomersetHouse, Assembly, a four-day festival of art, music and performance enters its second day.
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Art Monthly
Art Monthly@ArtMonthly·
“The Abattoir video is left open-ended, but it nevertheless orbits a central, troublesome question: when did you die?” Aria Dean – profile by Jenny Wu Feb Art Monthly Quarterly subs from £9 + p&p artmonthly.co.uk/direct-debit [Aria Dean, ‘Abattoir, U.S.A!’, 2023] @safflower_lady
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