Tuomas Eerola

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Tuomas Eerola

Tuomas Eerola

@tuomas_ee

Music psychology Professor at Durham University, UK. Research on music and emotions, rhythm, movement and other essentials of music. #musicscience

Durham, UK Katılım Eylül 2010
374 Takip Edilen1.6K Takipçiler
Tuomas Eerola
Tuomas Eerola@tuomas_ee·
@nielschr_ @Spotify I was demonstrating all the features during teaching on Wednesday (what is the saddest Christmas hit and the most acoustic Coldplay album and the slowest variant of Purcell's aria) and I thought I had exceeded my quotas when I hit "Forbidden (HTTP 403)"! Workaround is needed.
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
Just to note that I prefer to have my social media discussions at the other side, where the sky is blue and tone is civil and professional. You can find me by following #musicscience tag or firstnamelastname[dot]bsky[dot]social
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
Model offers predictions to guide empirical research on music’s emotional impact. This constructionist perspective provides ways to focus music and emotion research, supporting both applied directions & more personalised explanations of these experiences 4/5
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
The Episode Model further breaks down the 5 episodes into 6 schemes: 1 emotional qualia, 2 mechanisms, 3 listening modes & agency, 4 reward & exposure, 5 musical meanings, and 6 functional contexts. These emphasise the situated and contextual nature of these episodes 3/5
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
New theory out! What do you get when you mix music and emotion regulation literature with the functions of music and explanations of music-induced emotions? You get a new theory called the 'Episode Model of Emotional Experiences of Music' 1/5
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
This framework places the functions and situations of music listening at the centre & identifies 5 unique emotional episodes: 1) Enjoyment–Distraction–Relaxation, 2) Connection–Belonging, 3) Focus–Motivation, 4) Personal Emotional Processing, and 5) Aesthetic–Interest–Awe 2/5
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Mason Youngblood
Mason Youngblood@MasYoungblood·
Another incredible @CulturalEvolSoc conference! Had such a fun time DJing with @evogom 🐦 Massive thank you to the organizers for putting together such an engaging and inclusive conference, especially @sheinalew for the invite 🫶 Can't wait for #CES2026!
Mason Youngblood tweet media
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MAPLE Lab
MAPLE Lab@MAPLE_Lab·
Dr Schutz during his keynote at the Society for Music Perception and Cognition conference in Banff. He discussed several of our projects, as well as ongoing collaborations with @DrJazz615, @tuomas_ee! @socmusicperccog @musicandthemind @mcmasterhum
Shreshth Saxena@shreshth_saxena

Perks of music science: phenomenal keynotes are accompanied with expert musical performances. Still recovering from #SMPC2024 and @michaelschutz ‘s inspiring keynote!

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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
📢 New paper in Memory & Cognition!📢 Musical pieces that have incongruent emotion cues (mode & timbre) are better remembered than congruent ones; consistent with desirable difficulty. Nice collab with Andrea Halpern from Bucknell University rdcu.be/dPRDn #musicscience
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
@dancingresearch @lennie_tm Yes please!, even if it would attract a minority of authors initially, it sends a strong signal about the value of planning and theorising, especially for studies that test theories
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Claire Howlin, PhD
Claire Howlin, PhD@dancingresearch·
@lennie_tm @tuomas_ee Sorry I can’t be at this session, but should we think about implementing pre-registration as a requirement in Music_Science_J? Or start to offer pre-registered reports? #musicscience
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Tuomas Eerola
Tuomas Eerola@tuomas_ee·
Wonderful big data take on tempo and age by @Geoff_Luck & Alessandro Ansani that show a hockey stick function of performed tempo across age that matches the changes in spontaneous motor tempo across life-span #musicscience #escom12
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