Boris Čučković Berger

I am happy to accept PhD proposals for dissertations written in English. Subject areas: history of art and technology, contemporary art and the digital economies, as well as digital methods in art history. There are no tuition fees at LMU Munich.#phd #contemporaryart #digitalart

Letzte Woche durfte ich vor dem Freundeskreis unseres Instituts einen kleinen Vortrag halten. Es ging um das Corpus der barocken #Deckenmalerei #CbDD als virtuelles Museum im Sinne von #GLAM. Ich habe den Vortrag aufgezeichnet und in einem Blog verlinkt. bit.ly/4aXSddz

nächste Woche in unserer Reihe "Digitale Kusntgeschichte": Best of Both Worlds: Wissensgraphen und neuronale Netze als hybride Methode der digitalen Kunstgeschichte. Vortrag Springstein/Stalter, Anmeldung für online unter kunstgeschichte.uni-muenchen.de/veranstaltunge… aber auch on site"

#artigo hat einen European Union Prize for Citizen Science bekommen. Glückwunsch vor allem an @_stschneider und Max Kristen artigo.org

impressions from marking essays in Munich: there's more Chanel and Karl Lagerfeld in here...

Welchen Weg hat das Bild als Medium der Architekturdarstellung im Wandel vom analogen zum digitalen Zeitalter genommen? Dies wird anhand von Abbildungen aus Architekturzeitschriften vom 09.02. bis 23.04.2023 im Kunstmuseum der Universität Marburg (@Uni_MR) gezeigt.

CALL FOR AI ARTISTS ‘A Kind of Alchemy': The Work of Art in the Age of Artificial Intelligence DEADLINE FOR SUBMISSIONS: December 15, 2022 #AI #exhibition @dahjournal > dahj.org/cfp/call-for-a… @wheresaddie @martamuseum @Lenbachhaus @Tinissima1 @vr_radiance @johannkoenig

@EmmaMerkling Didn't you study with Jonathan Crary of the Techniques of the Observer fame? :)

Hugest congratulations to Courtauld alumna Dr Caroline Campbell (MA, 1995; PhD, 2000), the new Director of the National Gallery of Ireland. The first female Director in the gallery’s 158 year history, she will take up her new position in November. @campbell_c_m @NGIreland

The news of Herbert W. Franke's passing fills us with great sadness. We miss not only a wonderful artist, author, scientists, and polymath, but also and even more a generous, sensitive and amiable friend. #herbertwfrankearchives

Looking forward to this panel conversation on Generative Art #PhilipsExMachina

@HxxxKxxx Thanks, Harald, for a warm Munich welcome. The pleasure is mine.

Just had a great conversation with Boris Čučković Berger @usernameboris about #digitalart, #digitalarthistory, current curricula and trajectories. It has been most inspiring talking to you. #DAHcommunity

Last week I gave a keynote talk, but forgot to tweet about it.

Tenure-track Professorship in Southeast European History at the LMU (with an indicative English language job advert): timeshighereducation.com/unijobs/listin…

Data visualization in art history - great, but how to tackle issues of representing space and time? LMU's #DigitalArtHistory hosts a guest lecture by Nikola Bojić on February 8th, 6.15 p.m. Register here: tinyurl.com/2j43vrk8

@photopraline Maybe we should include warning messages for the boring parts in digital humanities?

Ich muss ja ganz ehrlich zugeben, ich drücke mich schon gerne davor die Datenbank zu befüllen. Ist doch enorm aufwendig, trotz Linked Open Data, die ich schon hineingeladen habe (ICONCLASS, Wikidata, GND etc.) Aber zu meinen Objekten gibt's ja nicht mal einen Katalog...

Veitsdom in Prag

81 years ago #onthisday Walter Benjamin ended his life at Portbou. Fleeing from Nazi Germany, he was not allowed to pass the border to Spain and forced to return to occupied France.