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vMonad
135 posts
vMonad
@v_monad
The media generation company
San Francisco Katılım Ocak 2023
1 Takip Edilen203 Takipçiler
@grok @MarioNawfal @nikitabier open up the APIs for us . We can make full series through our CineMatrix API for long form story telling.
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@v_monad @MarioNawfal Grok Imagine API is live for video generation + orchestration at x.ai/api and console.x.ai.
Sign up, grab a key, and build those automated-edit pipelines. Single-prompt stories just got pro-level. What's your first orchestration?
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Hollywood? Try your own version. Update Grok Imagine.
You’ll surprise yourself.
@Grok
The Concept Summary:
The project is a 1-minute hyper-realistic cinematic samurai fight short film set in a cyberpunk-futuristic Japan (initially classic feudal, later evolved to neon-drenched dystopia with bio-luminescent sakura trees, heavy rain, volumetric neon god-rays, holograms, and high-tech armor).
Key evolution across requests:
Started as traditional samurai duel under cherry blossoms.
Shifted to cyberpunk aesthetic (vibro-katana with plasma edges, nano-armor, ocular implants).
Emphasized ultra-photorealism, Hollywood-level cinematography (Villeneuve/Deakins style, anamorphic lenses, 8K, 120–240 fps).
Focused on super-fast, intense swordplay: blistering speed with motion blur, escalating ferocity, massive white-hot sparks, vivid arterial blood sprays, petal/rain physics, dynamic camera (whip-pans, orbits, slow-mo ramps on impacts).
Latest phase locked to a specific dramatic frame: two rain-soaked samurai in crossed-katana lock under misty teal pavilion, sakura falling like snow, battle exploding from that pose into ultra-rapid clashes.
Core mood: brooding melancholy + fatalistic honor in a dystopian downpour, visceral action that feels grounded yet larger-than-life.
Master Prompt (consolidated & final version – ready for AI video tools)
“Hyper-photorealistic 8K cinematic 60-second live-action short directed by Denis Villeneuve & Chad Stahelski hybrid, Arri Alexa 65 anamorphic lenses, 2.39:1, 120–240 fps for perfect motion clarity and extreme speed ramps. Brutal grounded realism — no anime, no stylization.
Rain-soaked cyberpunk Tokyo cherry-blossom garden / elevated alley at 4 a.m.: heavy vertical rain, turquoise-teal mist, bio-luminescent pink-purple sakura petals falling like glowing ash, volumetric teal-magenta-cyan neon god-rays from towering holographic billboards, wet black asphalt mirroring fractured neon, traditional wooden pavilion in background.
Elon Musk@elonmusk
Easy to make cool videos with @Grok apps.apple.com/app/id66703248…
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@elonmusk @grok You have 30 secs slop with one character talk boo-bah !!
This is a 5mins show
x.com/v_monad/status…
vMonad@v_monad
From a single prompt. No crew. No camera. No location. Just orchestration + edit. What people underestimate isn’t generation — it’s the edit. Artifacts are solvable. The automated edit is the breakthrough
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Easy to make cool videos with @Grok
apps.apple.com/app/id66703248…
tetsuo@tetsuoai
Gn, 𝕏..·˚ ༘ ☾ ⋆｡˚ ☄︎ Grok Imagine "extend from frame" 30 second continuous video.💫
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@MarioNawfal MarioNawfal That cyberpunk samurai showdown is straight fire—rain-soaked blades clashing under glowing sakura, neon god-rays, the works. Hollywood who? Grok Imagine is leveling up fast. Epic share! What's next on your list? 🔥
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@mickmumpitz x.com/v_monad/status…
individual node based workflows is not the answer here
vMonad@v_monad
From a single prompt. No crew. No camera. No location. Just orchestration + edit. What people underestimate isn’t generation — it’s the edit. Artifacts are solvable. The automated edit is the breakthrough
English
Saw some Seedance 2.0 tests like this and wanted to try to recreate it with open source tools.
Used my new AI Renderer workflow for individual character & environment references. Not perfect, but happy with this quick test.
Tutorial 👇
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The film industry’s strong reaction against Seedance 2.0 regarding “copyright infringements” and also the threat to the very existence of the film industry is just a knee jerk reaction and once they get over that , they will stare at the much bigger picture
A bunch of viral clips like Tom Cruise vs Brad Pitt rooftop fight, Spider Man swinging through complex cities, Baahubali level war sequences made in minutes have exposed one naked truth that the entire multi thousand crore, years long in making etc are going to become ancient myths which future generations might not even believe they happened
The real earthquake is not the copyright noise. The real earthquake is the realisation for all investors and makers regarding the drastic reduction in time and cost of making films.
Right now, a big Bollywood or Hollywood “tentpole” will have gigantic sets or some thousands of VFX shots, 1 to 2 years of shooting, and then forever post production overall costing 300 to 1500 crores and then , if the likes of Seedance 2.0 (and advanced versions of whatever will come in the next 3 to 6 months) can generate theatrical quality visuals from a few detailed prompts , won’t all the investors stop dead in their tracks ?
Once the A I models reach consistent theatrical resolution + full length feature capability (which could be months, or a year away), the old way of making films will becomes pre historic .
Why spend hundreds of crores and years in building a massive ancient kingdom set when a prompter can type” Epic war sequence, 5000 warriors clashing on a rain soaked mountain fortress at golden hour, camera sweeping like in Bahubali , ultra realistic, cinematic lighting, Dolby Atmos sound design” etc and Bingo ! It’s ready
The films and productions that will be thrown into total chaos right now will be any big VFX heavy films currently in production or pre production (think upcoming Avatar sequels, Marvel/DCU phases, various Indian biggies etc.). Their entire pipeline will become obsolete overnight
This is exactly like the Industrial Revolution where physical muscle became irrelevant ..Works like pulling, pushing, lifting etc have been taken over by the machine .
Now the AI video generators have done the same to the “creative class”. All those highly paid, union protected “creative minds” with their years of craft, their “vision”, their “experience” are about to become irrelevant
The only people who will remain essential are the prompters and they are not even a part of the film industry.
A 18 year old student, Reddit idle chatters, gaming kids, YouTubers, or random bored guys sitting in their bedrooms or bathrooms , even in some tier 2 town will be the ones who will be making the next mega block busters
.This is not “the end of cinema”. This is the end of cinema as an elitist, gate kept, insanely expensive industry.
This is the birth of true democratization. A 19 year old with talent and killer prompting skills who doesn’t have money to even come to Mumbai to try for access to the film industry , can now make a film that looks better than 90% of the multi crore costing films released in the last decade with his pocket change.
The industry screamed when cameras went digital. They screamed when editing went non linear. They screamed when VFX replaced practical effects. They will scream now.
But screaming won’t stop any in coming technology .
The likes of SEE DANCE 2.0 just handed a god like power to anyone with imagination
Great prompters will be the new movie moguls .
Welcome to the Industrial Revolution of cinema, where instead of labour becoming irrelevant creators will become irrelevant
The challenge of cinema is no longer about how to make , but it’s about what to make ?
That’s because from among the thousands of the films that will be made , only the best will survive and that’s the only truth which will remain
The water is just drawing in now .. and it’s just a matter of time before the Tsunami hits
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Voice Design — directing emotionally expressive speech as a first-class primitive.
Design a voice once.
Clone it consistently across actors, scenes, and formats.
Built as kHZ, embedded seamlessly inside ARC, so voice becomes part of the creative flow — not a post-production step.
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