Andrew Wooster

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Andrew Wooster

Andrew Wooster

@wooster

Looking for the frontiers. — App consulting, founder @apptentive (acquired), ex-Apple, sometimes cattle rancher.

San Francisco, CA Katılım Şubat 2007
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Andrew Wooster
Andrew Wooster@wooster·
Trying hard not to comment on the Current Thing.
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Andrew Wooster
Andrew Wooster@wooster·
Unsettling to see camellia and magnolias blooming in yards, having been planted long ago, surviving alongside broken furniture and broken cars. Such a melancholy place.
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Jessica Riedl 🧀 🇺🇦
Jessica Riedl 🧀 🇺🇦@JessicaBRiedl·
No, America's wealthy pay similar effective tax rates to Europe - and even 100% tax rates would not fix the budget. The current debt was heavily influenced by the Great Recession & Pandemic (and the federal response) and persistent, structural spending in excess of revenues.🧵
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Caleb Watney
Caleb Watney@calebwatney·
Neat profile of Taiwan's "Industrial Technology Research Institute", a government-funded lab which helped spin out TSMC and much of Taiwan's chip industry. One of the most impressive industrial policy plays of all time. asteriskmag.com/issues/13/the-…
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Rambo Van Halen
Rambo Van Halen@RamboVanHalen·
I put in 25 years. It would be 26 but I haven't worked yet this year and I'm not sure I'll ever work in entertainment again. The writing has been on the wall for quite some time. But it's a sad thing--especially since the collapse of Hollywood is (mostly) self inflicted. Outsiders like to blame the unions and burdensome regulations. That's not exactly wrong, but the big reason is that Hollywood stopped making a product that people wanted to consume. Film is a funny thing. On one hand it's art. But on the other it's a mass consumer product--like a car, or a soft drink. But unlike a typical consumer product, it was something we consumed together. We went to a special place, and sat with strangers, and watched stories. And those stories infected us. They entered our minds and our souls and they implanted things. Deep things. Ancient things. Timeless things. Things like heroism and beauty and love and fear and sex and death and adventure and tragedy and pain and injustice and all the things that make up our dreams. There's a thing we call "cinematic language". It's how we tell a story with images. (And BTW if you want to learn more about the language of visual media, read Scott McCloud's excellent book Understanding Comics.) An odd thing about cinematic language is that it's the same language as dreams. There's a scene in Christopher Nolan's Inception where Leonardo DiCaprio is explains to (the tragic) Ellen Page how dreams work. But what he's really describing is cinematic language. Inception is really a movie about movies BTW. While it's far from my favorite film, I think it's the perfect film. Because the suspension of disbelief is perfect. You believe the plot about dreams because you're familiar with how movies work--maybe not consciously--but you know. Everyone knows. Maybe not everyone has seen a movie, but everyone has dreams. Another odd thing about film: you don't "watch" a movie, you look into it. And you put yourself inside it. Now you're in the dream. And you're hypnotized. Because movies do that too. The motion--the moving images--they hack your brain. We're programed to pay attention to moving things. Even when the things aren't real. Even when they're just light reflected off a screen. So we'd go to these special places--these movie theaters--these temples--and we'd sit, and we'd "watch" and we'd enter the dream. And we did it together. And after the movie was over--and the lights came on, and we'd file out over the sound of popcorn crunching under our feet--we were different. We had become transformed. Sometimes we were changed in minor ways. But sometimes not. Sometimes we were changed in profound ways. And we did it together. Before the movie we were a room full of strangers. But after--on the way out the door--we all had something in common. Because we shared an experience. We'd shared the dream. And we'd all become transformed. And then tech got involved... Streaming turned movies from a communal experience to a personal experience. And that's an issue, but they did something else too. They started developing movies as if they were tech products. But you can't apply a KPI to a dream. At least, not successfully anyway. Because dreams don't work like that--nor does any sort of art. And that's a funny thing about making movies. You try to make the best film you can, but at the end of the day you have no idea if it's good or if it's going to be successful. You just have to hope the audience likes it. Now, you can design a movie that will appeal to a preexisting audience. Marvel movies are like this. There's a large group of fanboy nerds that will see every single one. You can count on them every time. Just like you can count on the Gay Oscar Bait crowd (for example). But those movies are slop. But Hollywood became specialists in slop. Because slop is safe. Because you could apply KPI style metrics to slop. As a result they lost the audience. And the audience is probably never coming back. I wrote a book in 2024 (that was published in 2025). While writing, I thought of it as my farewell to the industry. But looking back, what I was actually writing was a eulogy for Hollywood--the place where dreams were made. And so it goes...
Farhan Tariq Mahmood@FARlikewhoa

Production days in LA are down nearly half and the entertainment industry is feeling it. A friend, who has been working as an editor for over 25 years, compared it to a coal mine shutting down.

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Andrew Wooster
Andrew Wooster@wooster·
It’s a great time to actually know what you are doing when building large software projects.
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Andrew Wooster
Andrew Wooster@wooster·
If I had the AI tools back then that I have today I would’ve been insufferable. 😂
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Andrew Wooster
Andrew Wooster@wooster·
Yeah, the mission brief at my first job at Apple was literally “automate yourself out of a job.” That was in 2003. We automated some things that would seem impossible even today. 👀
roon@tszzl

one of the most profound cultural differences between san francisco tech and elsewhere is that tech people see automation as axiomatically a good thing, and this idea predates ai by decades. most of a tech company is automating oneself out of a role by writing software or hiring

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sam
sam@samptsd·
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Andrew Wooster
Andrew Wooster@wooster·
I don’t think I’ve ever seen a BART cop in a station or on a train. They are all in their cars in the parking lot or on break at the local coffee shops.
BART@SFBART

We have made cost reductions to help make the federal government emergency funds, which were provided to give money for payroll, go as long as possible. Labor savings  •Eliminated 672 vacant positions (251 operating positions) in FY20 saving $32M   •A strategic hiring freeze on 56 positions (FY25 and FY26) with this count increasing each quarter, saving $7.8M annually and impacting all levels, including management   •Renegotiated with unions to reduce near-term retiree healthcare costs   •Executive management salary freeze in FY21   •Negotiated a 0% wage increase in FY22 instead of 2% saving $7-8M annually  •Indefinite deferral of planned staffing increases Efficiencies  •Run shorter trains saving $27M in energy costs through FY26  •5% reduction in non-labor budgets across all departments in FY26 saving $5M annually  •FY20 and FY21 service reductions saving $124M and currently reduced peak-period service   •Locked in low electricity costs though long-term contracts   •Saved $400M in new rail car acquisition with tight project controls, using in-house engineers, and speeding up delivery •Parking garage LED lighting installation saving $1M annually in energy costs  •Reduced feeder bus payments saving $3M annually •Eliminated transfer payment agreements with SFMTA and AC Transit saving $60M through FY26  Reduced office space footprint •BART purchased its smaller headquarters building to eliminate the expensive long-term lease costs of the larger space, reducing headquarter footprint by 33% saving $13-15M annually or $71M through FY26 Increase revenue  •Installed new fare gates to reduce fare evasion, generating $10M in new revenue per year   •Inflation-based fare increases accounting for $35M per year and demand-based parking price increases   •Offer new fare products, such as Clipper BayPass, generating $7M per year •Leasing of BART parking lots generating $6M through FY26

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Ashley Schapitl
Ashley Schapitl@AshleySchapitl·
Here’s another reason for the growing tax revolt—blue state/city residents who are far more tax positive than the typical person feel their tax dollars are not being spent efficiently.
Mike Bird@Birdyword

Absolutely astounding figures from the NY state comptroller: spending on services for the NYC street homeless population ran to $81,705 per person last year, up from $28,428 pp 6yrs ago. Figures do not include all kinds of other spending, supportive housing, policing costs etc.

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World of Statistics
World of Statistics@stats_feed·
💔A new study investigated how long it takes to get over an ex-partner. On average, it took about 4.18 years for the emotional attachment to an ex-partner to be halfway dissolved. For the typical person, the bond to an ex completely faded away around 8 years but for some it takes longer. (Social Psychological and Personality Science (Chong and Fraley, 2025)
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