Tachyons+

A math rock band formed in Kyoto in 2018. The lead vocalist plays insane tapping riffs while singing—with a completely calm face. Unreal impact. Suichu Spica / Hakudo 水中スピカ / 拍動

she was so happy to serve classico brega do líbano

@PulpLibrarian thank you!

If you're interested in Japanese SF a good place to start is with the Speculative Japan anthologies from Kurodahan Press. They cover a range of authors and the translations are very well done.

@MakeAugusta i am one with the heat

Soldering and reflow is entirely Newtonian thermodynamics. Once you take it from that perspective, it’s gets easier.

@robertliefeld still find them at flea markets and thrifts, still in the plastic wrap. must have made a billion of them.

Sam Kieth’s cover to DARKER IMAGE #1! Darker Image #1 was designed to showcase the debut of 3 new characters in 3 separate stories by Jim Lee, myself and Sam Kieth. It was your first introduction to Deathblow, Bloodwulf and The Maxx. Jim and I were excited to share the stage with Sam as we were tremendous fans of all the he had done at Marvel & DC. Sam was game to join our little showcase and he provided such a stunning cover that neither Jim or I figured we needed to offer variants of our own. This was Sam’s official debut with Image. Jim and I would almost always have covers for #1 issues that we participated in but once I saw Sam’s and Jim saw it, we figured that we didn’t need to contribute. This was more than enough. Darker Image #1 debuted in Jan. 1993 a whopping 1 million copies. With one single cover by Sam. It’s a great book and the fun we each had jumps out from every story. Proud to have shared this experience. Why no Darker Image #2 you ask? Because audience reaction to each character was so positive that each received his own series as a result. Fun, fun memories. Rest In Peace, Sam Kieth!

listening to In Utero and reading The Maxx.

My eerie cool painting for movie The Cars That Ate Paris 1988! #illustration #popculture #movieart #CarsThatAteParis

So unfortunate to hear Sam Kieth passed away. Though gone, my love for his work on The Maxx and his other projects lives on.

Sam Kieth was the artist whose work makes you feel like it’s more than okay to take the big swings. It’ll lead to making something you were destined to and proud of. His art showed you that you don’t have to follow a path. That you can unleash yourself upon the world.

Damn. A mega influence on my art psyche. Even have Maxx 1-3 hung up on my workshop wall.

5 years ago drop. youtube.com/watch?v=olH1_4…

@robertlasagna1 *throws VHS tapes*

My zoomer girlfriend is forcing me to wear a red flannel shirt all day and eat avocado toast and grow an ironic ill fitting beard style, she calls me a "millennial piggy" and when I complain she says "oh that's so sad why don't you listen to some sad music on your turntable record player then". She throws bottles of craft beer at me and laughs

good art makes an overwhelming amount of sense to schizophrenics

@hering_david nice seeing some ole packard love on cinema twitter finally.

Dawn of an Evil Millennium (1988): Wow. Shinya Tsukamoto by way of Mike Jittlov and Kenneth Anger. Formally chaotic but with stunningly precise and kinetic camerawork and editing. Begins as pastiche before becoming something new, strange and beautiful, even poignant. Loved it

RGB

街にある色んな音符を弾いてみたw

@julihespenheide fckn niceeeeee

it lives!

when i say im on the spectrum