Adobe Video

The passion project ➡️ #Premiere project pipeline is captured in this interview with filmmaker Justen Turner: adobe.ly/47a8j4K

What's Marco Rosas' favorite part about being an editor? You'll just have to listen to his advice to find out. Happy #SXSW premiere to the entire Sender team! 🥳

Editor Drew van Steenbergen breaks down the fundamentals of editing writer/director Chelsea Devantez' Basic, an inventive new rom-com premiering at #SXSW. XOXO, Adobe Video

Mollie Goldstein's #Premiere timeline goes the extra mile for Hot Water, a new road-trip feature. See what she (@mollierachel) has to say on the power of post-production: adobe.ly/3P6hjSt

Trace the making of Sender, a new psychological thriller that kicks off with a mysterious package, drawing audiences into a paranoid rabbit hole to find the source. How did editor Marco Rosas handle his deliverables? You'll have to watch this behind-the-scenes look at the #SXSW premiering film.

Sorting through mountains of footage was no problem for Jasleen Kaur, editor on The Ascent, thanks to #Premiere. "Peak" into her workflow in this behind the scenes look at the #SXSW feature. ⛰️

We’re always amazed to support editors from their first projects all the way to Oscar-nominated work. A humongous round of applause to the nominees that leaned on our tools heading into tonight's ceremony, including @martysupreme, @traindreamsfilm, It Was Just an Accident, The Perfect Neighbor, The Alabama Solution, and Cutting Through Rocks. We're all rooting for you! 💟 adobe.ly/40yA6Io

Hot off the press: editor Derek Boonstra sits down with @NoFilmSchool to talk all things Seized, a documentary that explores the illegal raid of a small town newspaper. 🗞️ adobe.ly/4b6dsNF

Stop! ✋ And learn how to pull off this stop-motion effect in #Premiere on iPhone.

Kind of spooky how insightful this interview with undertone editor Sonny Atkins is. Go behind the scenes of this @A24 horror film in this @NoFilmSchool feature 👻 adobe.ly/40RYGUK

Hot off her @ACEFilmEditors Eddie win for Best Edited Documentary Feature for The Perfect Neighbor, editor Viridiana Lieberman sat down with us to dive in deep into this pioneering film, composed entirely of evidence like police body cameras, dash cams, and more. Go behind the scenes on our YouTube channel: adobe.ly/4stGPzc

"Premiere is an extension of me at this point." - Andres Landau, editor of Sundance Grand Jury Documentary Winner Nuisance Bear. Bear witness to his #Premiere timeline in this interview with @NoFilmSchool: adobe.ly/4cDjyGp

Page Marsella puts the "pro" in post-production. From her #Premiere flows to her pro instincts, glean all you can from an editor at the top of her game in our exclusive interview celebrating her work on the Oscar-nominated The Alabama Solution: adobe.ly/4lbmsV0 🎦

Chasing Summer made a splash at #SundanceFilmFestival, and now it's headed to #SXSW. Get ahead and catch some rays with the editing team in this @NoFilmSchool exclusive: adobe.ly/3MKsUWw

Layering #AdobeIllustrator, Adobe @Photoshop, and #AfterEffects workflows hit a sweet spot for Rob Carmichael's work on Cookie Queens. Catch this documentary next at SXSW, but first, read this exclusive interview with @NoFilmSchool. 🍪 adobe.ly/4sqQKFG

The #Oscars are around the corner, and @A24's Marty Supreme is competing for an impressive 9 awards including Best Editing and Best Picture. Best of luck to the whole team on their tournament championship.

We double-tap this touch-screen tutorial using #Premiere on iPhone. 💟

For Page Marsella, the solution to editing The Alabama Solution was #Premiere. And the result? An Oscar nomination for Best Documentary Feature.

An intimate, introspective look at the life of a 20th-century logger and railroad worker is competing for the most prestigious film award at this year's #Oscars. See how the @traindreamsfilm team achieved this feat with the help of #Premiere: adobe.ly/4b04WOT