Ebba Wester

🔥🔥🔥Merci a nos 1400 donateurs et donatrices🖤🖤🖤Malgré le risque d’expulsion nous sommes toujours aussi déterminé-es à sauver la Clef, pour continuer à faire vivre un cinéma autogéré, contre la récupération marchande et la spéculation immobilière

@Content_farmer_ your haircut and everything

@fiandshoegaze 🥲🖤

@fiandshoegaze This is breaking the rules a little but, here is a real-time photo of my bedside table (this morning’s reads include bataille and benayoun so far) 🖤

The way colours glow and light sparkles in The Last Unicorn is too dreamy. The mix of Japanese anime and folkloric fantasy aesthetics ! Upset that I never saw this as a child, my heart would have s o a r e d.

🔴Une tribune forte de @LaSRF1968 signée par de nombreuses personnalités du monde du cinéma qui appellent @Anne_Hidalgo à user de son droit de préemption pour sauver la Clef de la privatisation par le #GroupeSOS La tribune complète 👉bit.ly/3tKnNHk #GroupeSOSNonMerci

Hapax Legomena I: Nostalgia (1971) and Process Red (1966)

Spent the last two days in a Hollis Frampton rabbit hole 🔥 Cropped screenshot from Hapax Legomena I: Nostalgia

“I only know how to make tofu... I can make fried tofu, boiled tofu, stuffed tofu. Cutlets and other fancy stuff, that’s for other directors.” — Yasujirō Ozu. #bornthisday

Text on screen in The Living End (1992) 3/3

Text on screen in The Living End (1992) 2/3

Text on screen in The Living End (1992) 1/3

@harinef Birks Grange Harris hah

wow. Carman Tandy

@fiandshoegaze just about to embark on my 3rd round (second for season 3) too 🥰 doubt I’ll like james any more this time round, but I’ve been sleeping on my albert-appreciation. noted.

Mirrors in Leave her to Heaven (1945) 🪞

Also, petition to bring back Universal's 1936–1947 logo (by far the best one).

My ghost-y screenshots of Scarlet Street (1947)

(The Love Witch, Anna Biller, 2016)👸🏻 (Pea D'âne, Jacques Demy, 1970) 👸🏼 youtube.com/watch?v=DD9Mrw…

Me, all the time. (Peau d'âne, Jacques Demy, 1970)