James Ormiston

From the end of W.S Merwin’s poem called ‘Berryman’—

Ursula K. Le Guin, “Leaves” Years do odd things to identity.

Frank Lloyd Wright, Charles Morgan, Triangles in Color / September (Mosaic based on a c.1926 design for Liberty magazine). c.1929. Painted ceramic tiles.

@sk33mask Another one for Bluesky. It’s already been a mine of new music discovery for me.

deleting my account on this soon, any recommendation where i should continue sharing music links?

@cheR_i314 Hi

Sending to everyone D pics who drop ‘HI’ under this post

hardest movie poster ever???

@LukeThompson210 @Don_Share The Oswald poem is very atmospheric! #eleemosynary

Fuck Your Lecture on Craft, My People Are Dying BY NOOR HINDI

It’s so silly to silence poets when it’s silence & blank spaces that highlight our words.

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@JDTwitch It was a period of mongrel music, absurd mash-ups, and some outright blights on our eardrums. However the scene & music also helped queerify what seemed like a very masc/straight dance world, at least in London at the time when I was young gay starting uni.

@JamOrm Some classics there but quite a few I hope to never hear again. 😆 She is a fab DJ.

Following on from yesterday’s post about the peak Minimal era, there was an era I disliked far more (as I said yesterday, I did / do actually like a lot of Minimal records, especially before it became completely dogmatised).

It takes balls to be a butterfly. Butterfly Biker 1968 #ChuckArnett

from a shoot with @ivan_donadio

Ascent to Angle Tarn

Seamus Heaney

London Fields

all those who have pierced us with joy James Broughton

@MrRichardNorris This one always helps to open the doors of perception youtu.be/YYaGChm8RWw?si…

Listen to Omrann - You Chose To Run by AL GHARIB #np on #SoundCloud soundcloud.com/alllgharibbb/y…