Moco

Naoki Yamamoto "Nanami Kento and the Burden of Adulthood: Reflections on Jujutsu Kaisen" naokiyamamoto.substack.com/p/nanami-kento…

Yang merkosa calon polwan anggotamu, yang disuruh berkomunikasi dengan sopan dan saling menghargai kok kami? Logis sithikk lah, tolong! 🙂

Hendo 🤝 De Gea Captains reunited.

"REAL" New Chapter by Takehiko Inoue (Slam Dunk, Vagabond) will be published in the upcoming Weekly Young Jump issue 20/2026 out April 16, 2026. Cover & Color page too.

The other guy better keep playing as a Penguin. He’s phenomenal!

Jurnalis detik nyamperin dealer pusat motor EMMO yang dapat proyek 1,2 triliun dari BGN untuk proyek MBG, eh baru dan proses dibangun. Klaimnya sudah 50 jaringan, padahal pusatnya aja baru dibangun. Kalau nggak kena @KPK_RI sih keterlaluan.

Masukin Indo lah biar nggak kalah gaul ama Kino di luar negeri, @Kinokuniya_indo

Argumen logistiknya masuk akal, tapi mari kita bicara efektivitas. Di daerah 3T, apakah motor listrik dengan infrastruktur charging yang terbatas itu solusi paling 'tangguh'? Dengan 42 juta per unit, apakah sudah dihitung berapa banyak tambahan protein yang bisa didapat anak-anak kalau distribusinya menggunakan kearifan lokal atau moda yang lebih murah? Investasi aset itu penting, tapi jangan sampai biaya 'piringnya' lebih mahal dari 'isinya'

Ini orang beberapa kali bahas penurunan presiden, pemakzulan, penggulingan rezim di pidatonya. Apa dia sebenernya sadar, ya, kalo dia pribadi sama kabinetnya kerjanya emang gak bener, menang pemilu karena nabrak konstitusi, dan mayoritas rakyat udah kecewa berat sama doi?

Apa gunanya mobil mbg kocak? Yakin banget tuh bisa ngangkut makanan seompreng-omprengnya pake motor?

At the University of Groningen, will be presenting part of my research on how @konde_co, @projectm_org, and @News_jubi foster solidarity within the media ecosystem, across organisations, and with their respective communities to build counter-hegemonic networks.

Sosok yang harusnya dapet motor trail Gak harus nebeng truk lagi Yang udah kerja 23 tahun Yang gajinya cuma 200ribu/bulan

Buset, terang-terangan bilang ke publik kalo kecolongan. Presiden gak tau, Menkeu gak tau, harusnya itu udah bisa jadi kesimpulan kuat bahwa DADAN SAMA BEGE'EN ITU KORUP! Kalo berakal sehat sih begitu, ya.

Korban ngejar penjambret, penjambret ketabrak trus mati yg dituntut korban jambret. Orang ibadah dibubarin ormas, izin ibadahnya diperketat. Orang hajatan dikeroyok preman sampai tewas, perizinan hajatan diperketat. Kualitas pendidikan rendah, beri makan gratis.

Clear ya, Ndut, siapa yang ngebunuh tengtaramu di Lebanon. Jadi kalo ditanya mereka gugur karena apa, jawabnya apa, Ndut @prabowo? "DIBUNUH ISRAEL, SESAMA ANGGOTA BOARD OF PEACE!" 🫵🏻

Untung kagak, tapi pengadaan segini banyak. Asu asu

"Prabowo singgung pejuang Iran keras kepala" Eh wo @prabowo , Iran itu keras kepala karena menjaga kedaulatan negara mereka dari penjajah. Itu urusan internal mereka. Beda ma lo, lo anti kritik bukan keras kepala, lo itu budeg dan bodoh ! Emosi aing ajg denger wowo ngomong 😡

In general, major Japanese manga magazines tend to run around 20 to 25 serialized works, and most of them differ in genre and style. Is it simply by chance that, over the past 70 years of the history of Japanese manga magazines, these magazines have been filled with works that successfully balance commercial appeal and diversity? Of course not! It is the result of the editorial departments’ effort, investment, and capability to curate diversity within their magazines. They search for artists, develop works, and fully exercise their editorial skills—above all, they invest in creators. They sit down with struggling artists who have repeatedly faced rejection and lost their confidence and motivation, offering them nice meals, and giving advice, encouragement, and conversation. “You have a wonderful style." "Our magazine and our readers have been looking for someone like you!" "I truly believe in your strengths—why not bring them fully into your next manga?" "I will support you with everything I have.” Through words like these, editors help creators preserve their individuality and artistic voice. Having worked with more than 20 different publications in Japan, I have experienced this kind of support many times. What is protected can continue to exist. The key is investment in creators. In the Japanese manga industry, this support has taken forms such as manuscript fees(page rates) and initial print runs(the first print run), which serve as ways to invest in and sustain less popular or non-mainstream creators. Of course, even so, each magazine inevitably limits diversity beyond its own editorial direction and identity. I generally understand this. I myself have often struggled and suffered because of those limitations. But a manga magazine is, in a sense, like a shop—and every shop has its own kodawari (こだわり), its guiding philosophy or standards. There is, however, a case from Korea that is said to be difficult to understand. In the 1990s, one Korean manhwa magazine reportedly had stacks of 'Video Girl Ai' in its editorial office. At other times, it was 'Rokudenashi Blues'. They would hand a copy to aspiring artists who visited and tell them to study by copying it. This approach may indeed help with learning style and technics, but it ultimately undermines the richness and diversity that a magazine should embody. 2/4

I BELIEVE IN YOU! #supermanspiderman