Readmanga

Most anime movie rankings rely on 1 platform I built one that averages 5 IMDb, Rotten Tomatoes, Metacritic, Letterboxd & AniList into a single weighted composite score for movies readmanga.cool/movie/ IMDb, RTs, Kitsu, Anilist and MAL for shows readmanga.cool/tvshow/ 🧵⬇️

Do you read manga like me but don’t have anyone to talk to about it? Ever tried to get your significant other to read a story you just know they’d love, only to get a weird look and a “not for me”? Yeah, I’ve been there.

@moutenfujin What's the story.

My badass girliesss

The highest grossing manga and anime franchises are more than just entertainment; they represent a vast, multi-billion-dollar industry that has captivated audiences across the globe.

@saramaralaraca @Saijeswanthh Thank you, il gonna read it.

@ReadMangaCool @Saijeswanthh karakuri circus

You will know how peak this manga is when you read it

@Saijeswanthh Thank you, I'll check it out.

@ReadMangaCool Karakuri circus

@EARTHM0VERRR Yes very true, each to their own.

@ReadMangaCool generic is a subjective term, this is just what i like it's really not that deep

Some of my favorite manga volume covers (Limit one per series)

@DFang37 @EARTHM0VERRR I guess I'm judging books by their covers and there isn't many that inspire me to read them by just the covers. However I've read some of these stories and know how good they are. So after reading the story you could enjoy the covers more knowing how good the story is and feels

@ReadMangaCool @EARTHM0VERRR What do you mean ?

@vic_rock14 The companies know what works and the youngsters have to prove themselves until they make a name you think. Very analytical. Shonen jump does have a fail fast mentality that doesn't really allow stories to really build audience like they may have back in the day.

@ReadMangaCool Acho que a Sunday e Magazine são mais gentis com seus veteranos e isso permite a eles ter mais liberdade. Já os novatos ficam presos a tentar fazer um nome na indústria e miram no seguro, só que com a quantidade de obras sendo lançadas mirar no seguro não garante muito.

Olhando de cima o catálogo da Manga+ me peguei pensando que em termos de premissa ou estética a maior parte dos Shounens de ação/aventura que realmente me cativam hoje são de autores veteranos.

I just finished Azumi, and honestly… what can I even say? I think it’s up there with Vagabond and Shigurui. Shocking? Maybe. But not if you’ve actually read it and I hope you do after this azumi manga review convinces you to read it. Review in bio.

@demodude123 All looks great

Manga that got me into reading manga.

@Yassonim x.com/i/status/20657…

It's been over a week since I read this chapter and I still can't stop thinking about this moment right here The single greatest page in Baki (maybe all of manga), perfectly encapsulates the charismatic nature of the character and the quote itself just goes insanely hard

The Baki series, created by Keisuke Itagaki, has captivated fans worldwide, its intense martial arts, unique art, and over-the-top characters. It’s easy to get drawn into the brutal world of fighters pushing human limits, but navigating the vast world of Baki can be confusing.

@Boichi_Bo1 x.com/i/status/20646…

“How to Turn Piracy Manga Readers into Consumers of a Healthy Comics and manga Industry” The most standard and traditional solution is for a country to join the international copyright system. However, the reality is often more complicated than simply saying, "They should just join." Such decisions are frequently tied to much larger international agreements and negotiations. In South Korea, for example, the Uruguay Round negotiations caused enormous controversy and social debate. If I remember correctly, hosting the Olympics was often spoken of as one of the benefits that came alongside Korea's broader integration into the international community. But what if I told you there is a simpler and often more effective solution than joining the international copyright system? The answer is surprisingly simple. A country develops legitimate comic publishing and distribution businesses. The moment a foreign comic or manga title is officially licensed, registered, and sold within that country, reading pirated versions of that work becomes illegal under domestic law. Why? Because the work is now being sold legally within that country. Because taxes are being paid. Taxes. The fact that taxes are being paid is important. What kind government wants a business that takes money out of the country without paying taxes? Simply saying, "Please crack down on illegal scanlations," is rarely enough. Governments may act, but if they do, it is often because of external pressure rather than genuine domestic interest. Once taxes are involved, however, the situation changes completely. The goal should be to create legitimate businesses, pay taxes, and then ask for enforcement. Taxes are one of the government's most important concerns. But for legitimate businesses, taxes are also one of the strongest tools available. Yet there is an even simpler and more effective solution. Based on my own research, I believe it may be the ultimate solution. A country becomes a producer of comics and manga. Its creators begin selling their works beyond their own borders. In other words, it becomes a comics nation. The country has a soft power! The comics industry generates more tax revenue. Creators earn foreign income through exports. That alone is wonderful. And then they generate even more tax revenue. When that happens, I believe the conversation changes completely. People begin saying: "We want to join the international copyright system. We cannot tolerate our country's valuable cultural creations being stolen." And the key card needed to make that future possible is the aspiring comics and manga artists of the world. I have often said that aspiring creators around the world are treasures for the future of comics and manga. I have said it privately for more than a decade. I have said it publicly on YouTube for at least 3 years. Today's discussion is simply one more reason why I believe they are so valuable. They are one of the secret weapons of the future of comics. Evangelion, hasshin! No—not Evangelion. Evange...line. Evangeline! (Phew... close enough.) More importantly, the future of the comics industry must be viewed at the national level. Not merely a question for individual creators. Nor is it a question for a single company. It is not simply a matter of someone working so harder. The comics and industry must be viewed from the perspective of national cultural policy. From the perspective of taxation. From the perspective of exports. From the perspective of future economic growth. From the perspective of international copyright law and international crime. And even from the perspective of literacy, education, and learning outcomes. Only then we think on that scale can we begin to find an answer to piracy. To everyone who has ever said, "Please don't steal from mangaka and manga that we love!" I sincerely love and appreciate you. More than I can adequately express. Because of people like you, I was able to continue working. I was able to make a living through drawing manga. And I was fortunate enough to encounter the opportunity called Dr. STONE! But rather than fighting readers, perhaps we should remember that the real problem is not the readers. The real problem is the criminal organizations that profit from the system. So instead of fighting one another, perhaps we should ask a different question: How can we create a gift for all of us? To be continued...

@taggerbachi How dark is it, does it have lots of blood?

5/5 10/10 incredible action manga I loved my time reading it

@catsuka The art is So good, love the shading

A new animated series titled "Fatal Fury: The Vow" is in development at Skybound & The Arena Studio. I hope they'll hire Masami Obari. My little tribute to his 1994 feature film :

@Th3MangaAddict I wouldn't be able to guess he drew both

Day 421: #50, 2009. “Neko Wappa!” Cover & Lead Color Pages to Celebrate the Start of Serialization. Other Color Pages go to “Kuroko’s Basketball” to Celebrate the Release of the 4th Volume. Neko Wappa is written & illustrated by Matsumoto Naoya who went on to make “Kaiju No. 8”

@manga_crash It's interesting cause at times there seems to be no inconsistencies between stories and themes. Definitely the stories from aways back but we can't judge that by today's modern lense.

People treat Shonen as if it was Kodomo manga (as in, for kids), and I think it's because they vastly underestimate what a 15 year old teen can, and should, be able to understand and handle.