WTM: Watch This Movie

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WTM: Watch This Movie

WTM: Watch This Movie

@WatchThis_Movie

Let us help you curate your movie viewing. YouTube: https://t.co/sHxvpBvLrF Letterboxd: https://t.co/VkU5Pl1bhz

Minneapolis, MN เข้าร่วม Ekim 2014
360 กำลังติดตาม389 ผู้ติดตาม
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WTM: Watch This Movie
WTM: Watch This Movie@WatchThis_Movie·
It’s DISCLOSURE DAY on WTM! Our latest episode featuring @stanswitekFPS will shake your perceptions of reality. Available now everywhere you listen to podcasts. Fully immersive Video versions of the episode available here on Spotify or on our YouTube page. open.spotify.com/episode/4qTdFU…
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cinesthetic.
cinesthetic.@TheCinesthetic·
Kirstie Alley in a promotional still for STAR TREK II: THE WRATH OF KHAN (1982)
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WTM: Watch This Movie รีทวีตแล้ว
Zolly Becker
Zolly Becker@ZollyBBecker·
I’m explaining to @WatchThis_Movie How the algorithm is like a person
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Joseph Kahn
Joseph Kahn@JosephKahn·
My very first morning filming Detention in LA, which was supposed to be an $800k shoot, Iatse showed up with a ballot box and said the crew was going to "vote" to turn it union or I get shut down. I had no choice but to flip it and spent the rest of the shoot scrambling to find money every three days. After it was done, my own DGA union kept sending me bills to pay for fines on a movie I spent my own money on. Of course all this expanded my budget which then put me in another tier of SAG which then increased the budget again. It was an endless union squeeze that kept pushing the budget up, with me holding the bill. As they say in Goodfellas, Fuck You Pay Me.
Variety@Variety

Indie producers can still make movies like “Obsession” cheaply in the U.S. by shooting nonunion. The breakout horror hit filmed in L.A. for just $750,000, but as domestic production slows, IATSE has been pushing harder to “flip” nonunion projects — driving up costs. “The films I grew up making, for $500,000 or $1 million, the unions are really interested in having those be signatory projects,” producer David Kaplan says. Read the full cover story on the mass exodus of LA productions by @GeneMaddaus: wp.me/pc8uak-1lHp4O

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WTM: Watch This Movie
WTM: Watch This Movie@WatchThis_Movie·
Joseph Kahn@JosephKahn

My very first morning filming Detention in LA, which was supposed to be an $800k shoot, Iatse showed up with a ballot box and said the crew was going to "vote" to turn it union or I get shut down. I had no choice but to flip it and spent the rest of the shoot scrambling to find money every three days. After it was done, my own DGA union kept sending me bills to pay for fines on a movie I spent my own money on. Of course all this expanded my budget which then put me in another tier of SAG which then increased the budget again. It was an endless union squeeze that kept pushing the budget up, with me holding the bill. As they say in Goodfellas, Fuck You Pay Me.

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Karla Brare
Karla Brare@KarlaBrare·
@mikemovies Arlington Road Ransom and Breakdown, a re watch is in order, I barely remember them.
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Mike David
Mike David@mikemovies·
Which do you like most? 🤔
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ShaunZooBox
ShaunZooBox@ShaunZooBox·
Having a lazy Saturday and threw on EXECUTIVE DECISION (1996). The first thought that popped into my head when Seagal entered the frame was, "I wonder if he was wearing the girdle?"
ShaunZooBox tweet mediaShaunZooBox tweet media
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Nice Guy Wolfie T
Nice Guy Wolfie T@PositivelyWolf1·
Disclosure Day casting director: ok, Steve, who are you thinking of for the lead role, the guy who is going to leak all of the info to the public? Steven Spielberg: you know, that character is kind of a rat... Casting director: Say less
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WTM: Watch This Movie รีทวีตแล้ว
Nice Guy Wolfie T
Nice Guy Wolfie T@PositivelyWolf1·
My ★★ review of Disclosure Day on Letterboxd boxd.it/eLHHCj
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@TheCinesthetic @Criterion @stanswitekFPS @JosephKahn @KarlaBrare @meganfink01 @mikemovies @elonmusk