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@XwithM0

Student Civil Engr.... @realmadrid @ManUtd

Lagos, Nigeria เข้าร่วม Temmuz 2023
1.5K กำลังติดตาม1.4K ผู้ติดตาม
Momo
Momo@XwithM0·
Love your Dad
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superdad
superdad@udysznx·
as a guy, i no fit rate you if you still get issues with your papa you suppose don understand life from hin own angle by now
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Momo
Momo@XwithM0·
“Best caption wins” proper retard 😒
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Momo
Momo@XwithM0·
2 more?
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Sporting King
Sporting King@sportingking365·
Omo I waited almost a month just to witness this absolutely fuckery! I hate this!!! Fucktards!
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(fan) Trey
(fan) Trey@UTDTrey·
Please I just want Champions league football
(fan) Trey tweet media
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OLUCHI🫦 ( you have no funder)
How can my life in uni be better than my life after uni, what sort of retrogression is that?
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Momo
Momo@XwithM0·
@BiigWills Some niggas Dey pack am sha
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Momo
Momo@XwithM0·
These web3 folks no too Dey post Gm again
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Sporting King
Sporting King@sportingking365·
Carrick permanent manager una!
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AOP🔴
AOP🔴@praizz_utd·
Make I dey console myself ahead 🙂😂
AOP🔴 tweet media
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Momo
Momo@XwithM0·
RT @tinytoms_: Life got me on detachment mode fr, nothing permanent, people switch, love fades,enjoy it while it’s there… don’t get too att…
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@·
Here we go again, another brain rot video cause of Nikita
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lobistars🇳🇬
lobistars🇳🇬@john322226·
Some people no go agree watch any video content bcos them Dey manage their data
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Hudson🎚️🤴
Hudson🎚️🤴@dah_niel17·
This film told an African story without translation. Kirikou and the Sorceress (1998), directed by Michel Ocelot, begins with something unusual: a child who speaks from the moment he is born. Kirikou is not an ordinary child. Based on a West African story, he is small, curious, and relentless, a figure who questions everything others accept, including the fear surrounding the sorceress Karaba. At a time when major African stories were often filtered through Western aesthetics, this film chose a different path. Its visual language draws from African art, flattening perspective, simplifying form, and rejecting the illusion of realism that dominates global animation. The film is also carried by music from Youssou N'Dour, whose voice gives the story a rhythm that feels rooted, lived-in, and unmistakably African. What begins as a tale of magic slowly reveals something else: fear, power, and misunderstanding are not always what they seem. The film does not explain itself. It does not translate its world for an outsider. It simply exists on its own terms.
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