名無し

@takburst40 これ多分まともなリグ作る人の2.0プロファイルでliquid Direct Profile に質の良いIRでマイク一本のsingleじゃなければ大体こんな感じと思います多分 NAMやらTONE Xに行こうか散々悩みましたがKEMPER結構金使ってるので色々設定やら組み合わせ詰めた方が良いなと😂

@_fox_Hunter これも良いすね😆

SoldanoのDirect Profileと York Audioのmix-ready IRを右側にギターを抱えて左側にチワワを抱えながら音確認 そして腹が減ってるのでそこそこ音はどうでも良いので飯を食いたい感が凄まじい

因みに心なしかローパス8kがあまり効いてない気がする studioか mergeprofileなら効くけど

チワワが太腿の上から動いてくれなくて結局そのまま寝てしまった

IR はMesa/Boogie 212（12inch2発）V30（vintage30）

アンプ側はprofile2.0 liquid Direct Profile である必要がある 俺は IRは York Audioだけどまぁ何処の IRでも良いけどmix-ready ボリュームにゲインが追従する ボリューム絞り忘れたけど腹減ってて

"Hacks" star Hannah Einbinder blasts AI creators as "losers" and says she wants to "put their head in the toilet and flush": “The people who make this stuff are losers. They’re not artists. They’re not creative. And they’ve wanted their whole lives to be special. And they’re not special. So, they’re trying to rob real creative people of our gifts. And you can’t. And even if you try, you will never be cool. You guys suck. No one likes you. Anyone who’s near you is because they crave power and access over any ethical standard. You are a loser. You will never be cool. And you probably had a rolly backpack in high school. I wanna put your head in the toilet and flush.” variety.com/2026/tv/news/h…

これ

Direct Profileは2.0のV2のみ mix-readyはYork Audio辺りがおすすめ

韓国人面白い

Direct Profile と mix-ready IR

つかKEMPERは2.0でもスタジオプロファイルは微妙なのでDirect Profileに IR合わせると鬱陶しいローが消える 現状使えるのDirect Profileのみかな んでmix-readyの IR使う singleとかだとマイク一本なので音しょっぱいのとmix-ready自体は即録音に使えるファイルでマイク複数とかだから確か

セルフィー撮る余裕がある場合は彼氏か旦那が別で撮影してたり自分でも広角レンズで撮影してるよ大体

When my physics teacher was telling me about his time watching the solar eclipse he told me, "There will be a shitty million videos of the eclipse, but there will only be one video of your reaction" Record who you were and how you felt.

NASA has launched a website where you can follow the Artemis II mission to the Moon in real time 👩‍🚀 Absolutely amazing. Link 🔗👇

@NASA @DBP_LifeLab @astro_reid D5？ Z9？

These two images were taken by @astro_reid only minutes apart. The stark difference is the result of camera settings. In the first, a longer shutter speed let in much more light from Earth, while the shorter shutter speed in the second emphasizes our planet's nighttime glow.

Even in darkness, we glow. In this image of Earth taken by the Artemis II crew, we can see the electric lights of human activity. In the lower right, sunlight illuminates the limb of the planet.

ただTONE Xは謎の14kHzロールオフがあるらしいので困る

なぬ

D5だな Z9じゃない